Chapter 1,462: Sad Beauty Guan is still a true hero
After the trilogy of "Once Upon a Time", there are actually still many fans and netizens on the Internet asking on Li Yi's Weibo why there is only a trilogy?
Why don't you keep shooting.
Li Yi did not respond to this. Although in his memory, there are still subsequent movies of this series, but for some reason, Li Yi just feels that the previous trilogy is coherent and can be regarded as a whole.
The style is also the same, but after the fourth film, not only the actors and directors were changed, but even the screenwriters were changed.
Although compared to other Huang Feihong series, it is still good, but in Li Yi's opinion, it can no longer surpass the previous three.
Then he naturally has no interest in continuing to film. In fact, the trilogy has already told a relatively complete series of stories.
However, precisely because Li Yi has no plans to continue filming sequels, this trilogy has become more and more heatedly discussed by more and more people.
According to film critic Du Xianghai: "Compared with previous versions, the plots, martial arts, and ideologies involved in this series of movies are very broad, and the design is complex and exquisite. Even the emotional scenes are just right, which is amazing. It can be
It is certain that from the very beginning, no effort was spared in making this series, and no effort was spared in striving for perfection!
"Arrogant in the face of thousands of waves, hot-blooded like the red sun." Under the lens of director Li Yi, Master Huang is elegant, resolute, and graceful. He is never afraid of powerful enemies and is both wise and brave. Looking at him, you will feel full of energy.
courage.
However, facing a woman named Thirteenth Aunt, the hero couldn't help but feel like a deer. I remember this scene. In the light, while Huang Feihong was lost in thought about why foreign countries were advanced, the Thirteenth Aunt gently touched him with the shadow of her hand.
Feihong turned around and asked, "Everything is good in foreign countries, why do you come back?" Aunt Thirteen immediately stopped her hands and leaned over shyly, pretending to write something, and said, "There are things here that are not available in foreign countries."
Huang Feihong: "What doesn't happen in foreign countries?"
Aunt Thirteen turned to look at him, her eagerness to confess her feelings suddenly appeared in the corner of her eyebrows: "Human."
This sentence caused Huang Feihong to take a breath, and immediately turned back to look at the wall. He saw the shadow of Thirteenth Aunt approaching, as if she was about to kiss him from behind, and immediately turned around in panic, only to find that she was about to measure him.
Clothes. When I saw this, I couldn’t help stroking my hands and smiling. Huang Feihong, you are also in a dilemma, and you are so excited!
This kind of Huang Feihong is no longer the perfect hero. He also has areas where he is not good at, and he also has weaknesses. He is not the kind of meticulous, symbolic grandmaster, but an extremely unique, three-dimensional person with flesh and blood.
The great master of the generation.
When he faces emotions, he will also show the kind of anxiety that is consistent with his age.
We have always talked about being down-to-earth. The aloof characters in the early years, the heroes who were invincible as soon as they appeared on the scene, were obviously not down-to-earth.
As for Huang Feihong in front of him, it is obvious that he is very down-to-earth.
I believe many people will be shocked when they see that scene. How could a great master be so naughty?
But who stipulates that a great master must be meticulous and serious?
Back to business.
Shadow play is present in every film in the "Once Upon a Time" series. Every time it appears, it can be said to bring a reserved romance that makes people hesitate to speak.
Every time the shadow play appears, people can't help but smile.
But in the trilogy, every heart-warming and heart-pounding emotional scene is very short-lived. After the short-lived warmth in the first part, the camera turns and Huang Feihong opens the fan in his hand. The fan lies between him and Shi.
Between the three aunts, "unequal treaty" was clearly written on it.
The movie uses a fan to remind the audience that Huang Feihong's sense of honor and disgrace in his family and country prevents him from completely relaxing and accepting the love of his children. He sees mountains and rivers turbulent in the wind and rain, sees foreign aggression and the incompetence of the court, and the person next to him...
Women wearing foreign clothes and playing with foreign gadgets often touched his concern for the country.
Aunt Thirteen feels that Western things must be learned, "otherwise everyone can know it and we can't." Cameras, railways, steam engines... they will all come sooner or later, so she actively and even obsessively touches "foreign things."
". This is her patriotic way and a manifestation of her innocence. She saw that advanced foreign culture can make the country progress, but she did not realize that these "foreign gadgets" entered the country along with foreign guns and opium. And
This other side was what Huang Feihong saw, and his resistance finally broke out when Aunt Thirteen was taking photos and the word "no" on the fan was burned away by fire.
This is the most violent anger I have ever seen Huang Feihong get angry with. It is stronger than his reaction when he is provoked or persecuted. If Thirteenth Aunt's status as elder makes him respect, protect and protect her.
The reason why she is so discouraged is that her Westernization of thoughts and her love for Western things are the sorrow that Feihong can't bear to express. He loves her, but he has to shoulder the burden of justice and worry on the other. It is really a dilemma of "deep affection and fraternity love".
"Aunt Thirteen is an innocent and tender woman. When tenderness is poured into such a resolute and reserved hero, she is doomed to be helpless. However, her cuteness is also reflected in her persistence in this feeling.
Pursue.
There are many characters in this play, such as Liang Kuan who first arrived in the provincial capital, several apprentices of Feihong, the theater owner and the Shahe Gang. The one I want to talk about the most is Yan Zhendong in the iron cloth shirt.
This is a martial artist who is determined to fight for fame and wealth, but he excuses himself. He said that he can do chivalrous things once he has established his footing, which is obviously an excuse. In terms of kung fu, he is already strong enough. After many competitions, I believe him.
I also understand this. However, his personality makes him not allow anyone to get better than him. So he keeps fighting all the way. I think the director has a preference for this role. He is really "angry at his failure and sad at his misfortune".
Master Yan is a man who fights for fame and fortune. At first glance, he seems to have no big fault, but the movie tells us that he will abandon his dignity for fame and fortune. When he becomes the master of the Shahe Gang on a foreigner's ship, he is actually a hawk that helps the evil. In addition, his iron
Bu Shi Kung Fu is the representative of fierceness in martial arts. Such good Kung Fu died in the guns of foreigners; "Huang Feihong, no matter how good our Kung Fu is, we can't compete with foreign guns." This line of his was accompanied by Feihong's anger.
The sad eyes struck my sight and hearing and shocked my soul.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! The first part is over, and I was looking forward to the second part at first, because I always felt that the first part was a bit over the top and did not deviate from the traditional martial arts movies.
That kind of barrier is still the same as grudges and hatred.
In the end, director Li Yi did not disappoint. Compared with the first part, the second part is more exciting in my opinion.
As I have seen, almost every main character in "Once Upon a Time: Men Should Be Strong" has feelings in their hearts, and they vividly interpret friendship, love, and patriotism in troubled times.
In the singing of the blind musical instrument, the officers and soldiers shooting everywhere, the crazy White Lotus cultists, the numb people who lighted ingot candles and gambled money, made the whole country a mess and devastated. Feihong stood on the high platform and looked around, and could hardly see any hope or future.
.All he can do at this time is to go to the person he loves most and teach her self-defense. The shadow plot that reappears at this time is easy and interesting. Aunt Thirteen faced Feihong on the wall and her own Kung Fu POSE, and actually imagined
The two of them danced to Mozart's waltz, which really wasted Feihong's good intentions. However, who can blame her for such a cute idea, just like no one can blame her for arranging a breathable window for the audience in the dense air.
Let’s talk about the scene where Master Huang and Mr. Lu broke into the main altar of the White Lotus Sect and looked up to the sky: In the mountain of swords and the sea of fire, Feihong Ying was full of energy and aura. When the White Lotus cultivators pretended to accept him into the religion and attacked with a knife, he only saw him kicking the kitchen knife away.
, the knife had knocked down three White Lotus cultists before it hit the ground. With another kick, the knife was firmly nailed to the flag with the word "White Lotus" written on it. In the confrontation with the White Lotus cultists who rushed up like a tide, regardless of life and death, Feihong always
In the face of danger, Jiugong actually used the method of "true god possession" to force Jiugong to reveal his true form in front of everyone. The two "gods" fought fiercely at "Chaotianmen". Jiugong's foolishness, treachery, and ruthlessness, and Feihong's wisdom
, bravery and righteousness formed a sharp contrast. It was dazzling and praised one after another.
At the same time, Lu Haodong also sets off Huang Feihong. His wandering eyes and surprised expression are in contrast to Feihong's majesty. However, who can say that Lu Haodong, a sober Chinese literati pioneer, is not a patriotic hero with the world in mind?! He
He wanted to save the country, leave his children, and leave the hope of China. He faced the countrymen who had lost their will in despair and shouted loudly. I saw his heart bleeding. The ruthless bullets hit his chest, and he stood up resolutely.
Feihong blocked more bullets. He bit into the roster with his teeth, ignoring the blood on the floor. Seeing him fall beside the fire where the roster was burning, and die heroically in the end, my eyes were blurred with tears, and I regretted it with regret.
Nalan Yuanshu is another heartbreaking character. He also has good martial arts and is patriotic. Unfortunately, his way is to maintain a crumbling court and protect a group of blind and ignorant mobs. He cannot see the road, so he crosses the country in the dark night.
Going further and further to the end of his life is still to kill another group of people who want to save the country. It is his competitive heart that has failed him, and it is his conscience that has been destroyed in this troubled world.
Compared with him, Huang Feihong is lucky, because Huang is among the people. If Feihong was from the imperial court, he would not go astray, but he would be more miserable than Nalan Yuanshu, because not only is he unable to save the country, but he also has a conscience
It will burn him. Therefore, the character Nalan Yuanshu can be concluded with "angry at his injustice and sad at his unclearness".
The impression that Huang Feihong left on me throughout the whole movie is that he is frowning, even worried. This also reflects his worry. Such a responsible and rich movie also adds wonderful fights and fights.
How can the audience not like the implicit love!
In the third film "The Lion King", Eastern charm and Western technology collide fiercely again. The steam engine, the darling of the Western industrial revolution, was moved to a pharmaceutical factory in the capital, and it was Huang Feihong's father Huang Qiying who opened the pharmaceutical factory. Someone
I also think that the third part exaggerates too many fighting scenes. But it has a profound meaning: in the third part, Li Yi showed a complex and chaotic social ecology of the late Qing Dynasty. The arrogant and incompetent court,
The foreigners who were eager to watch, the Eastern Guangdong Guild Hall that combined the East and the West, and the martial arts masters who were eager to win by any means. Huang Feihong was sometimes pushed to the front and sometimes rushed to the middle in this crowd. Director Li Yi did not show his love for Huang Feihong.
Let him sink to the bottom.
In the complicated social environment, Huang Feihong did not want to fight but had no choice but to do so.
I don't know when it started, but even online novels began to popularize the "house", "goo" and "privacy" ethos. However, because of this, in troubled times, in addition to affirming Huang Feihong's noble integrity, he also criticized some people's
Dirty and shallow.
This mutual conflict is exactly the shortcomings of the people they want to reveal. I admit that the ambition of the third part is a bit too big, but I am still grateful for this exciting third part. Especially at the end, Huang Feihong's ambition
It was even promoted to the extreme. Those martial arts masters who were like "vindictive little naughty boys" were lying in a mess after fighting each other. Huang Feihong stepped forward and stated forcefully that only by "expanding the wisdom of the people and integrating wisdom and martial arts"
It's a way out. In this situation, I seem to see the director's passionate creative feelings behind the scenes!
The emotional scenes in this film are also shot in the same vein, which can be said to be very cute. At the beginning, Huang Feihong discovered his "foreign love rival" and his love was in turmoil; he walked back from the Meridian Gate to the Guangdong Guild Hall to drink tea wildly without taking the love rival's carriage;
When my father brought up the matter of getting married, the thirteenth aunt who was dancing with her hands and mouth was made to blush and drink the medicine in her hand with a heartbeat; she was kissed by the "steam engine" and her face was as hot as fire; she kicked the chandelier off the eaves and "splashed her with vinegar"
...Shadow, pay attention to the shadow again, he wouldn't let Thirteenth Aunt touch him; holding Thirteenth Aunt, he floated proudly in front of his love rival. Even at my age, this is still the strongest thing I have ever seen.
Version passed by haha...
These short scenes that are so short that you can’t get enough of them all show the endearing aspects of the love between the two. They add more expressions of Huang Feihong’s love for the Thirteenth Aunt, and they are still to the point without being formal.
This was a very Chinese and very touching love of that era.
This chapter is not over yet, please click on the next page to continue reading! It can be said that there are very few martial arts movies, no, or very few non-love themed movies, that can make love such a finishing touch and add more to the movie.
The color is not offensive at all. The dog director really has you! No wonder you can hold the beauty back.
Because of this, after the release of the Once Upon a Time trilogy, the role of Thirteenth Aunt is no less popular than our great master Huang Feihong. After all, who doesn’t want to have such a confidante?
At the same time, Aunt Thirteen can be said to have truly played the role of a "good wife", "dream lover", and "who can go out of the hall and into the kitchen". This can be said to be a role that has been favored to the extreme by the director, but this time, he really
He brought this character to life.
In addition, Xiong Jun's performance as Guijiaoqi was so good that we can hardly imagine that Xiong Jun was just a substitute before this.
He is not only great at kung fu! Especially the relationship between Gui Jiaoqi and Huang Feihong, who first became enemies and then reconciled and became master and apprentice, is very touching. There are very few lines in that scene, thanks to the excellent body language of the two actors
Gui Jiao fell to Baozhilin after breaking his legs. Huang Feihong wanted to save him, but he would rather go out in the heavy rain than go out. Huang chased him out and was punched hard by him, but he still pulled him and was beaten again.
Don't let go. Just like that, this man who was as fierce as a tiger hugged Huang Feihong and burst into tears! This scene, every time I see it, my eyes will get wet. This is justice and persuading people with virtue!
Usually this kind of plot often makes people feel aggrieved and "Madonna", but in this movie, it is not offensive, but makes people's eyes moist, and people can truly feel the true virtue of morality.
Convincing people, this is what a true master should be like!
How can people dislike Huang Feihong like this?
How can one not like watching such a movie?
So, Director Dog, after writing so much, how about a sequel?"
