I originally had a lot to say, but suddenly I felt it was too pretentious.
These words are written and placed here, and it is up to the readers to judge whether they are good or bad. I will only briefly mention three points.
First, everyone said that this book abuses its readers.
I don't quite agree, it's just that the process has twists and turns, but if you sort out each plot, you can find that the protagonist is able to overcome obstacles and make everything he wishes come true.
Everything you wish for comes true, just like in novels.
This situation may be due to my narrative style.
I now find that the tendency of the author's description can really guide the reader's emotions, but I am still very confused and can't sort it out. I will learn and improve slowly.
The second is the problem of the protagonist forming a pill.
What I'm most proud of is that the plot direction basically doesn't deviate from the outline, and it can barely move from beginning to end.
Because of this, I accidentally wrote six hundred chapters in the first volume.
When I first designed the outline, I had no experience and had no idea about the number of words corresponding to the plot. My idea was to enrich the plot and bury all the lines I wanted to write, and to construct the connections between the lines so that each plot could find an introduction.
.
Now that I think about it, some places can be streamlined.
Third, it is the only plot that does not follow the outline. This is also the original intention of me writing this summary. It is the plot of Qin Sang who was judged to have no spiritual roots in the Sui Dynasty and refused to be introduced to the Han family.
The original outline was: The fat man of the Han family was bribed by Princess Dongyang with a fine spiritual material, so that he could stop thinking about Qin Sang and stay in the Sui Dynasty.
When I pushed forward to uncover the truth, I hesitated.
Because there is a saying in the literature on cultivating immortals: Cutting off a person’s path is like killing his parents.
Regardless of whether the princess did it for profit or love, it seems difficult to forgive her for doing this.
One advantage of writing it this way is that it can well take over the character of the princess, a ruthless superior who will do whatever it takes to achieve his goals.
But apart from creating a distinct character, how much benefit does it have to the overall plot and the protagonist?
Apart from confusing the protagonist and the reader, it seems to have no purpose.
Because of this small episode, I couldn't sleep every day. I thought about it over and over for several days, and decided to change it. I also cut off the next few small plots with Senior Brother Han.
Some friends may have noticed that this is an anticlimax.
To this day, I don't know whether this choice is a good or bad one.
The wood has become a boat.
If there is an opportunity to revise it in the future, let’s talk about it.
Summary completed, the journey continues!
This chapter has been completed!