Although Qin Mu started out as a killer, the more he saw, the more he felt that killing could only be said to be the fastest way and was far from the best method.

The most ruthless revenge in this world is probably to destroy what you care about one by one, with disdain and a smile.

In the past, Qin Mu might only know how to kill people, but now Qin Mu has learned to kill the heart.

If a powerful animal like Lu directly put him to death, he would probably recite a poem like "Life is considered a hero, and death is also a hero." If he is more heroic, he might even shout "Here I go to Quantai to recruit old subordinates, and the flags of 100,000 will kill Yan Luo."

Only by stripping away what he is most proud of can he see his deepest fear.

Not to mention that after Qin Mu left, an inconspicuous car drove out of the courtyard and headed towards the provincial capital. However, Qin Mu himself drove the car to go back to Hangzhou. After all, he left in a hurry, and the old friends in Hangzhou still had to say hello one by one.

The car drove to a secluded section of road. It was already dark and the vehicles and pedestrians on the road were already sparse. When they turned an empty corner, Qin Mu suddenly felt tight and turned the steering wheel left. But it was too late. Two or three large trucks rushed towards Qin Mu's car without driving the headlights.

Qin Mu's car was just a Volkswagen bought in Hangzhou for transportation. The price is not expensive and the materials are not good. If they are hit by them, it will probably be a crushing ending.

Seeing that there was no way forward, Qin Mu had no time to retreat, so he had to open the car door and jump towards the shelterbelt on the side of the road. When he jumped out, he could clearly feel the whistling wind of the truck beside him.

The people in the car saw Qin Mu jumping out of the car, but did not flee. Instead, they opened the car door and jumped down about ten men, all wearing kimono. The leader was a man in his fifty years old. Although he had never spoken, when he came out of the cab, the people around seemed to be shorter.

When Qin Mu saw the people in front of him, he sighed in his heart that Mayor Lu was decisive and had just come out of his house, he could contact the hard and soft karate man to eliminate the roots.

He also knows that the best defense is the principle of attack. He can't be beaten passively, and he can naturally settle anything if he solves Qin Mu.

The middle-aged man on the other side held his fists and performed an ancient Chinese ritual, saying in Chinese: "The hard and soft flowing through the fertile land of the palace city, I have seen you."

Qin Mu was also surprised when he heard this and said, "Zhang asked himself how famous he is, what kind of virtue can he make the head of the palace city come to see him?"

Miyagi Liangda still looked polite and said in a gentle tone: "Your priest has secretly ripped my hard and soft disciples and squandered my martial arts skills. How can you say that you are unknown?"

After saying this, he didn't wait for Qin Mu to answer. He shrugged his shoulders and the muscles on his back were rolling. It was like a crane flapping its wings, and his arms stretched with the back muscles, just like the classic sword drawing technique in Japanese martial arts. Swish! The arms were like swords, cutting through the air in front, and slashing forward with the momentum of breaking the waterfall with one knife.

Qin Mu was not surprised but happy when he saw this. He turned his right arm and his palm turned into a knife. He slashed at the chest of Liangtian Miyagi, and laughed loudly, "Since this glimpse of my own style, I have always wanted to compete with your Japanese sword drawing technique. Unexpectedly, I haven't used this sword technique for a long time. Today I still have the opportunity to fight against your sword drawing technique, which is what I wish."

He said this long paragraph, but his subordinates were not slow at all. As he said that, he cut out more than ten swords, all of which were aimed at the person opposite. However, Liangda Miyagi did not expect that the man on the other side had such superb sword skills. He was forced to retreat continuously by him, but he had no way to use the killer moves in his hand.

Speaking of which, if Chinese boxing is roughly divided, it can be roughly divided into knife box and gun box. Among them, gun box is the mainstream. After all, on the battlefield, the effect of long spear is still greater. For example, Tai Chi Xingyi Baji Tongbing Fist attaches importance to the use of long spears, including the skill of shaking a big spear, and there are fewer knife boxing. The famous one is Bagua boxing, because the knife is relatively short, and it pays more attention to the twists and turns between short distances, so Bagua focuses on the body technique.

Wing Chun boxing is actually a type of knife boxing. Among the standard weapons of Wing Chun, there is a knife technique called Eight-Slaying Knife. It focuses on the speed and movement, mainly exerting force on the wrist, using stabs, marks, pecks, picks, etc., with fast rotation and small movement amplitude. The most powerful is the backhand knife. It comes when you pick it, and it will turn back when you touch it, and you will have to use the force to keep up with it when you touch it.

This kind of knife technique is a rare method of using a two-handed knife, which is the fastest and most vicious. When Ip Man taught boxing, he recruited his disciples into the room alone and taught them individually. This not only means that the secret skills are not easily shown to others, but also that the knife technique is too extreme and cannot be practiced easily without sufficient mind and nature.

But Wing Chun is not only this weapon, but also a martial art called 6:30 stick. This form is actually similar to the shaking gun in Tai Chi Xingyi, so it is not too certain to say that Wing Chun is a knife and fist.

These eight swords and six-thirty sticks were learned by the Wing Chun master and the Red Boat Opera Troupe back then, and gradually integrated into the spirit of Wing Chun. Today, they have become the signature of Wing Chun. Wing Chun now has a boxing proverb called "There is no sword, no stick sounds." The meaning is very simple: the sword and the stick are both in one move, either you die or I die, and they are very fierce. This shows the power of the Eight swords and six-thirty sticks.

Although Qin Mu practiced these two martial arts, he was not a major practice method, because he practiced swords for three lifetimes, and the four ghost sword styles he created were already the ultimate art of his swordsmanship. Today, he should not use Wing Chun's strength to make the swordsmanship in his previous life too easy.

Miyagi Liangda quickly retreated, and his steps were on the ground. He shoveled out several small pits on the cement road, and sand and stones splashed. He avoided Qin Mu's hand knife, and his whole body was raised to the top. He kicked his legs out one after another, almost causing a series of afterimages.

The foot knife in the karate is cut continuously.

Qin Mu did not have any legs at all. He jumped away from the side, but did not stop. He turned around and his legs were strong. In an instant, his legs became obviously thicker, just like an elephant's legs. He stomped on the ground and felt a floating feeling.

One! Two! Three! Qin Mu's thick earth was on the ground like a leg, but it was as light as a dragonfly, interpreting the word "important" to the extreme! The audience was extremely uncomfortable when they looked at it, and felt dizzy and sad, and vomiting blood.

This is the body technique of "Sweet Elephant Crossing the River". This body technique is the most exquisite method in Shaolin pictographic boxing. Although Qin Mu has never seen this pictographic boxing, he has recently studied Buddhist scriptures, and his own mental power has reached the realm of a great Bodhisattva in the world. When one method is understood, all methods will naturally be understood.

The fragrance of the river crosses the river and intercepts the flow. The Buddhist scriptures say: "Like the water of the Ganges River, the three beasts cross, rabbit, horse, and fragrance of the rabbit. The rabbit does not reach the bottom, but floats through the water; the horse may reach the bottom, or not reach the bottom; the elephant shall end the bottom."

Therefore, the fragrance of the fragrance crosses the river is the most stable and firm, with great force. He stepped on it at this time, let alone the foot knife of the fertile fields in the palace, even the stones on the soles of the feet on the ground, if he stepped on it, it would turn into ashes.

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Chapter completed!