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Chapter 1133 Cautious and optimistic prediction of the box office

Regarding their careful consideration, Yin Jun also nodded, "There will not be too many such films in the future. We should still focus on small and medium-sized productions. I know this... But you also need to know that the world is not static. For example, this time, "Terminator" is combined with the special effects and imax produced by high-costs. How much changes has it brought to people's viewing experience? I think you can see it, right?"

The two of them understood this and nodded. Tanya said, "Anyone who has watched the imax screen will be impressed by this great technology. This is indeed a good enjoyment. I think I will take my family to watch it."

In contrast, Ronto said it more directly, "Although the price of imax theaters will be very expensive, if it is "Ultimate", I think there will be many fans who will pay for it, and they will definitely not regret their decision!"

"The movie entertainment media group I want to do is not one of the seven major Hollywood titles, but the undisputed number one in Hollywood." Yin Jun told them, "So, while we maintain our own production and consolidate the foundation of small and medium-sized films, we must produce our own representative works, which are the kind of works that others cannot do and that are very shocking. For example, this "Terminator"."

"Even the Speed ​​of Life and Death you made personally?" Robert Egg said in surprise.

"Not count." Yin Jun shook his head, "The Speed ​​of Life and Death" is far from enough."

After he said this, everyone thought he was too modest.

Before Yin Jun made a movie, everyone would definitely think that this young man was less than 20 years old and actually used 25 million US dollars to make a movie. It was simply crazy and wasted by money.

But when "The Speed ​​of Life and Death" comes out, I regret "Superman 2" and completely overwhelmed "Superman 2", achieved very good results and better reputation, everyone will feel that, oh, Yin Jun is indeed a genius, a super genius!

"The Speed ​​of Life and Death" has achieved its best in 20 years in terms of plot structure, thrilling action scenes, or various special effects. This popular action movie that transcends the boundaries of the times has become a monument of Hollywood movies and has pointed out the direction for many filmmakers.

Yin Jun is not satisfied with the movie that industry insiders praise so well. If it weren’t for knowing that this boss has always been modest and serious, everyone would have thought he was pretending to be comparing.

In fact, Yin Jun is telling the truth.

Even though the original "Speed ​​of Life and Death" appeared ten years later than "Terminator", no one has ever regarded "Speed ​​of Life and Death" as a milestone movie, but "Terminator" is.

The significance of the two in film history is completely different.

"Terminator" is a masterpiece that pioneered science fiction action movies, and "Life and Death" is an extremely exciting action movie, and that's all.

Yin Jun himself knows himself. Although he can shoot "Terminator" and even "Titanic", he will definitely not be able to shoot "Avatar".

Since the 1997 "Titanic", no matter how good the subsequent movies are or how much superhero movies have swept the box office, only Cameron himself can defeat Cameron.

This is the difference between genius and ordinary people.

So he had to cultivate Cameron from the very beginning and tied him up tightly in Qilin culture, making him a symbol of Qilin culture, and constantly climbing the undisputed peak of Hollywood with Qilin culture.

Everyone doesn't know why Yin Jun is so optimistic about "Terminator", but he also knows Yin Jun's attitude towards this movie, or expectation.

Tanya looked at Ronto, and after the latter nodded, he said: "Since you are so confident, we will definitely negotiate the number of theaters seriously... According to our current estimates, North America should be able to connect with more than 1,600 cinemas, including us, and more than 3,000 screen openings.

For Europe and South America, the theater chain dealers we temporarily contacted will have to wait until we have seen our sample before making a decision. We will complete this within a week as soon as possible, and then strive to get more than 5,000 screen openings in Europe and South America. And in Asia, we will ask colleagues from the Xiangjiang branch.

According to our expectations, if the market is suddenly ignited, and the influence of your president in Asia, a box office of 200 million US dollars should not be a problem. But I am afraid that people will not be able to accept this kind of robot hunting down good people, especially the plot where the male protagonist dies in the end, so the best plan is to secure a box office of 150 million US dollars, and then we rely on videotapes and TV broadcasts to get profits."

Since IMAX Cinema came out, Tanya and Ronto have been discussing it while they were in the car. Based on their years of experience and judgment, they came to this slightly conservative conclusion.

But they don’t think this is wrong. When making these market forecasts, they would rather underestimate than overestimate them, otherwise the consequences will not be general.

The plot of the movie is one aspect, but the plot where the male protagonists are dead is a failure no matter how you calculate it. Americans are also more particular, and many people don’t like to watch it.

Yin Jun smiled and didn't tell them. In fact, he gave him the script of "Terminator 2" at the same time after Cameron took over "Terminator" last year.

This is to allow Cameron to leave the foreshadowing of "Terminator 2" in the plot since the first filming, so that it can be a response.

Of course, this is also a way to continue to tie up Cameron. As long as Cameron wants to continue filming "Terminator 2", he must cooperate with Yin Jun. With Cameron's personality of not doing the best things, as long as he sees the liquid robot, he will definitely be willing to continue filming "Terminator 2".

If the male protagonist in the first episode is not dead, how could there be the female protagonist and the young male protagonist in the second episode be outstanding? How could it be the righteous robot turn to come back to protect them?

All the unwillingness in the first episode will turn into perfect sweetness in the second episode, making people excited and happy to watch.

The 3,000 screens mentioned by the two should be counted as the fourth most popular movie ever in Hollywood film history.

Yin Jun is very familiar with the previous three works. The first is the 4700 pictures in ".", the second is the 4049 pictures in "Superman 2", and the third is Yin Jun's first work "The Speed ​​of Life and Death", with 3220 pictures.

Speaking of which, it has also been influenced by "The Speed ​​of Life and Death" and "Superman 2". In the past six months, the seven major Hollywood giants have produced more than 2,000 movies, and the particularly confident movies have 2,500 and 2,800 movies.

Tanya and Rondo knew Yin Jun’s expectations for "Terminator". After all, they could spend 50 million US dollars in production and promotion costs, so it would be strange if they were not optimistic.

In addition, the plot and viewing effect of "Terminator" is indeed very good, and it is a movie with a box office impact, so they discussed the number of openings of 3,000 screens.

Knowing this, Yin Jun is quite satisfied with the work of the two. "If you have 3,000 screens, it is enough. Of course, you can contact us a lot, especially after the box office hit on the first weekend, you can add to the cinema. Don't give up contact."

"good."

The two nodded and responded, with a bitter smile in their hearts.

I really don’t know where the boss got so much confidence, but he actually thought that the box office would be booming in the first week.

In fact, no one present knew that Yin Jun was not particularly confident in saying this.

"The Terminator" in his previous life was as classic as it was, but it was only a box office of 70 million US dollars. No matter how you say it was because there was no promotion, but there were more movies that made a big hit with excellent quality box office, such as "Beverly Hills Police Detective", "The Sky Cannon", "Back to the Future", etc.

But Yin Jun must show his confidence in "Terminator" at this time.

Even if the box office in North America does not meet his expectations, at least there will be box office in Asia in this life.

Asian movie fans have now reached the point where Yin Jun’s movies are necessary for screenwriters. There is no problem with increasing the overall box office of at least 30 to 50 million US dollars.

Even Yin Jun felt that in Japan, China and South Korea, which particularly worship European and American culture and robot culture, it is very likely that there will be a huge box office.

After all, Japan has a population of 130 million, and South Korea has 50 million. Together, it is basically half of the United States.

Before the Chinese box office of "Transformers 4" directly exploded in the United States and the local box office, for more than 40 years, if the entire Europe was not added together, Japan and China have always been the second largest box office in the world.

However, before 1997, half of the second largest box office belonged to the territory of Xiangjiang. After 1997, after the complete decline of Xiangjiang movies, Japanese movie box offices became Hollywood's pockets, and Chinese filmmakers could no longer regain their share.

The same is true in South Korea.

Not only did Chinese filmmakers fail to reproduce the glory of Hong Kong movies as a whole Korean box office, but instead allowed many Korean films to come to China to make money and conquer cities and land. This has to be said to be a retreat for Chinese filmmakers.

From this we can also see how powerful and professional the older generation of filmmakers in Xiangjiang were.

No matter what you say, you are just empty talk. Only by looking at the grades can you know who is better.

Before Hollywood swept the world, Hong Kong movies dominated Japan. The box office in Korea and Southeast Asia for nearly 20 years is an indisputable fact, and it is an achievement that you have to admire.

But on the other hand, we can despise this group of Hong Kong filmmakers who only know how to make money. It is precisely because of their unimprovement and their reliance on credit book that the Asian box office market is lost so quickly, and the Chinese mainland films that will take over will be so difficult in the future.

If they are more successful and keep their foundation more generous, instead of just knowing how to make money and destroy all their reputation, how can Chinese films be so difficult to expand overseas markets after entering the new century?

Even the box office reputation in mainland China has exploded in mainland China, such as "Lost in Thailand", "Wolf Warrior 2", "Shameful Iron Fist", "Monster Hunt", etc., are simply ignored in Southeast Asia and the Japanese and Korean markets, which really makes countless Chinese filmmakers very puzzled.

How can we make a movie that suits everyone's aesthetic views?

How can we successfully implement the output of culture like Hollywood?

These are all issues that Chinese filmmakers were still considering and pondering before Yin Jun was reincarnated.

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Chapter completed!
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