People of this era, whether they are from Xiangjiang or from mainland China, do not have the concept of "working while playing".

The elites of the Shanghai Art Film Studio, after only five days of shopping, could no longer stand this state of "doing nothing" when they said they were "doing nothing". They asked to start working immediately.

For such things, Le Yiling naturally followed the good and immediately put them in a working state.

Fortunately, Yin Jun used very good decoration materials, and the studio and dormitory didn't have much smell, otherwise this would be bad.

They started working, which did not mean that formal painting began.

From the initial tentative painting and then to the subsequent running-in, the artists need time and experience to accumulate.

The screenwriters took Yin Jun's story and ate it hard, hoping to understand the characters and plots in it as soon as possible, and then they could connect the plot themselves.

It would be much better to talk about "Transformers" and "Conan" like this, but it's all short stories anyway.

But the rest seem much more troublesome and require good expansion capabilities. If you write as exciting as possible under this architecture, it will not be possible overnight.

At this point, they actually face more difficulties than artists.

Artists have very heavy work, but once they have straightened it out, their ability to follow the steps is very strong, with plot promotion, scene changes, expressions and movements... etc., basically not a problem.

But what the screenwriters are responsible for is the soul of the entire comic.

Although they can't make it too bad with Yin Jun's main body, they are also people with full ambitions. Whether they want to go further in their careers or in salary and remuneration, it is a manifestation of their ambition.

To achieve such a goal, there is no other way except to achieve it by themselves.

On the first day they joined the company, Leyiling told them that Qilin Culture Co., Ltd. has unlimited high salary and dividend red envelopes, which depends on whether they have the ability to get it.

If it doesn't work, the company will not be in vain. It will leave automatically when the time comes, and there is nothing to say.

It has both expectations and a sense of crisis, so this group of people is full of energy from the beginning.

Especially Huang Baiming and Huang Ying, who were recruiting screenwriters, managed several groups according to their expertise, and each group participated in it, which was the most tiring person.

Yin Jun is quite concerned about this. He has come to help them get into the state for a long time recently.

For the artist, Yin Jun did not give any imaging pictures except for one character setting. Neither the No. 1 Little Strong Seiya, Megatron, or Conan, Yin Jun did not give them.

The only character setting I gave was Laura, the heroine of Tomb Raider. Yin Jun directly threw several photos of Lin Qingxia over and asked them to draw Lin Qingxia in a spectacular way.

The so-called specious thing is that it looks very similar, but when you look closely, there is a slight difference.

no way.

Yin Jun really likes the charm of Qingxia sister who is both male and female.

Although this kind of liking does not involve the relationship between men and women, Yin Jun doesn't want to leave such a classic character to that foreign girl, just beauties from our country.

Anyway, "Tomb Raider" is a comic drawn by Chinese people, and then it is also a game made by Chinese people in the future, and a movie made by Chinese people.

However, Yin Jun directly added the exaggerated mountain in the original work. This visual stimulation is definitely a powerful tool to attract fans.

Angelina Jolie in her previous life didn’t have such a pair of big jade rabbits, and she probably couldn’t be selected to play the heroine in the movie version. For example, Laura’s face, which is the typical face of European and American women, can be picked up and put on makeup. Yin Jun even thought that Laura would probably be better when she finds a hot Latin American beauty.

alright.

No matter what happened in my previous life, it will be Lin Qingxia in this life anyway.

That's right.

Yin Jun not only wants to enter comics to thousands of households, but also prepares to do this in the future games. After three to five years, Yin Jun will start the movie version again, which is definitely suitable for Sister Qingxia.

As for Sister Qingxia, she doesn't know how to do martial arts and has not trained martial arts, it doesn't matter. When Yin Jun starts making movies, she will learn yoga for two years, and then learn dance and Sanda for two years, and make her posture beautiful, but she doesn't need to become a real martial arts actress.

The topic goes back to the painting of the comics.

Yin Jun doesn't know much about the specific production of comics, and he doesn't need to know this. Just have these most professional talents.

What he has to do is to provide some guidance and modifications to the characters created by these artists.

After all, Yin Jun is the one who has seen these classic comics, and if the difference is too far from these classic characters, scenes, shapes, etc., the level of classic comics will decrease a lot.

Of course, except for "Oolongyuan" and "Cherry Maruko", these two basically do not require any style of painting, and they are relatively simple.

The most difficult part here is not the robot's shape, with references to various car models and comparisons of various avatars. The "Transformers" group has made rapid progress. In Yin Jun's opinion, it is possible to start drawing the plot officially. This fully demonstrates that as long as a machine and mecha comic, as long as you are an excellent artist, it is definitely easier to draw this than a character comic.

The real trouble is Saint Seiya.

There are more than 100 complex and gorgeous sacred clothes that need to be paid attention to here, including five small strong men, more than a dozen silver saints, twelve golden saints, as well as the Big Dipper, the Sea Fighter, the Underworld Fighter, the God Fighter... etc. Although many of these characteristics are similar, each piece must be given a lot of differences, which tests the art skills.

There were as many as 7 artists in charge of this group, the most among all seven groups. Several of them were originally animation groups, and they came to help temporarily. For a moment, at least a dozen people were busy doing the setting work.

They have drawn more than 200 sketches in three days, but only seven or eight of them can be seen by Yin Jun.

There is no way, their thinking has been imprisoned for too long, and their imagination of this kind of holy clothing is very poor. After listening to Yin Jun's daily explanation, there were only seven or eight paintings. Otherwise, according to the first day they painted it, it was purely the armor worn by Erlang Shen and Nezha.

It is colorful and beautiful, but it does not have the exaggerated luxury and nobility that Masami Tada painted in her hand.

To put it bluntly, it is also a modern and very fashionable.

But this group of artists has a very good habit, which is to be serious and responsible. No matter how picky Yin Jun is, as long as he does not meet the requirements, he will come back until he succeeds.

Their serious attitude made the screenwriters here in Xiangjiang sigh.

If they had been sent back again and again, I really don't know if they could still stick to it.

At this time, everyone didn't realize that they looked at Huang Baiming, because his wife had cursed Yin Jun for being too harsh and demanding, and asked Huang Baiming to rewrite the book dozens of times.

It seems that the boss is not just harsh on the artist, he is harsh on everyone.

But thinking about it, the minimum salary that Yin Jun paid them was more than HK$2,000. If the story of the book passed the review and the comic was made, the dividends would be distributed according to their popularity. With Yin Jun's generous temper, the bonus and red envelopes must not be missing.

If they were treated like this, they would be allowed to make up for their own mistakes, Yin Jun would not have achieved what he is today.

This is basically the case when working in the comic studio building of Qilin Culture Co., Ltd.

Yin Jun himself is responsible for exchanging opinions with them and telling them about their needs. Le Yiling has been working on 13 animation elites to study in Japan during this period.

Yin Jun met in Japan, Kojima Hirayama of Asahi TV, but the one who negotiated the copyright of "Millionaire" with the group of people below him was Le Yiling, so she was very familiar with several middle-level managers of Asahi TV.

This time, Le Yiling asked them for help.

The Japanese admire the strong, and they still admire Le Yiling, a strong man who killed a woman at the negotiating table, and they were very impressed by them.

In addition, after the production and broadcast of Kojima Hirayama, "Millionaire" was produced and broadcast in Japan, the ratings exceeded 44% in just two months and eight episodes, completely crushing all competitors and allowing Asahi TV to gain ace variety show again, which made them pay more attention to Yin Jun's side.

In Japan, large-scale animation production has not yet fully started. It was not until the 1980s that a series of classic comics emerged one after another that the animation industry will continue to grow and grow.

But now, the production of Japanese animation is still far ahead of China.

Several animation production companies can produce very excellent cartoons.

In particular, Toei Animation, one of the major shareholders of Asahi Shimbun Group, is one of the best.

Since they are all family members, it is natural that they can communicate easily, but the Japanese procedures are more complicated. They started to communicate at the end of April and until now in May, there was no accurate news.

But according to their Asahi TV station, the technical experts of Toei Animation have fully agreed to such a learning request, but they still need the top-level meeting to issue orders, but it has been a few days since then.

Of course, half of the reason they could agree so readily to let these elites learn was Yin Jun's face. They wanted to cooperate more with this talented boy in the future. The other half was that this group of people were elites from the Shanghai Art Film Studio and elites from the first animation production factory in China!

In the past days, Toei Animation had a lot of contact with the elites of the Shanghai Art Film Studio. They each represented the highest standards of their respective countries. Now that they had the opportunity to learn and make progress together, they certainly would not let it go.

Speaking of which, the technicians are really simpler.

They don't care about anything else at all. As long as there are experts coming to fight together, they will be happy.

This process is not only the process of the animation experts in China learning Japanese industrial technology, but also the process of learning from the skills and working methods of the animation experts in China.

Mutual assistance and mutual benefit can naturally promote cooperation! (To be continued.)
Chapter completed!