Higashinoji hung up Aiko Kiba.

Aiko Kibata over there thanks Higashinoji.

Because there was no Higashinoji, Takaichi Yoshimoto would not have noticed her, and there would be no subsequent series of operations.

According to Aiko Kitsuru, after she goes to college, she will aim for scholarships and will never drag her alma mater down.

Higashinoji also responded to her with a 'yes, yes, ah'.

Because even Higashinoji didn't expect such a dramatic thing to happen.

I have to say that this just verifies the saying "Logic requires, but reality does not require logic."

But the result is also good.

Kitaka Aiko went to college, and her youth should not be considered a pity, and she also drew relatively satisfactory works.

So this can be said to be a win-win situation.

What Higashinoji has to do next is also very simple.

That was to spend two months polishing the painting "Summer is over" on hand.

The project is not large, after all, Higashinoji has two months to take it slowly.

The production team of "Midnight Bell" is also in full swing.

Now it's time to draw the background of the original painting.

After all, what Higashinoji and other original painters painted was just a white drawing, and the background on it was completed by professional background paintings.

After the background is finished, the color will be there, and after the color will be there the soundtrack.

When the soundtrack is done, it will be the dubbing of voice actors.

All of these have nothing to do with Higashinoji. He handed over the last original painting to Honhashi Shin-hiro, which would solve the problem in "Midnight Bell".

He has also read the semi-finished manuscript of "Midnight Bell", which is very touching and makes people feel it.

This is very good.

Higashinoji was very satisfied, and his eyes changed from the production of the "Midnight Bell" animation movie to the comics he currently serialized.

"The Lonely Foodie" is naturally not to mention the leisurely atmosphere and fresh food that tortures Japanese friends' stomach bags all the time, which has initially achieved Higashinoji's small goal.

What is worth mentioning now should be "The Winner is Justice".

"The Victor is Justice" has been serialized for more than twenty chapters.

Based on one episode or two episodes in a Japanese drama, the first season of "The Winner Is Justice" has a total of twelve episodes, and it is almost over now.

From the first chapter to the last chapter, it firmly dominated the first praise from readers of "Aversion to Cold".

However, for Higashinoji, he was still a little dissatisfied with the achievement of "The Victory Is Justice".

After all, he has many names on his head, including the author of "Midnight Bell", designer Kumamoto, and some popularity gained in oil painting.

These things will provide him with better data.

That's why Higashinoji was a little dissatisfied.

Of course, if this is what Hosokawa Koharu, the editor who has always been in charge, hears it.

Then I guess Hosokawa Koharu would be so angry that he spurted blood out - are you not satisfied?

It is a very remarkable achievement just to maintain the highest praise from readers for more than 20 consecutive weeks.

Not to mention that "The Winner Is Justice" has attracted social attention for a while... In a sense, this has become a popular circle.

At least Koharu Hosokawa always looked at the results of "The Winner is Justice" happily and smiled with satisfaction.

Putting aside the satisfaction of Hosokawa Koharu, there is the only thing that makes Higashinoji slightly happy.

That is, the well-known points he accumulated have exceeded 1.5 million mark and is slowly crawling towards 2 million points.

It is estimated that half of Kumamoto's New Year marketing will be credited.

Kumamoto has really become the signature of Kumamoto Prefecture. Even the Shinkansen has not yet been opened to traffic, now people have taken a special flight to Kumamoto Prefecture for sightseeing. This seems to be the reason why air tickets to Kumamoto Prefecture are cheaper than Shinkansen... But no matter what, if it is popular, it will become popular.

This year, the marketing around Kumamoto Prefecture is expected to be raised a lot.

At that time, the dividends will be distributed to Higashinoji...

This must be very amazing. Higashinoji can hold Kumamoto, the money tree, and spend his whole life lazy.

Of course, there is also the credit of Kumamoto Chihae.

However, compared to these miscellaneous things, Higashinoji is more willing to take another try now and try to continue to make his name so that the Celestial Empire will also know his name.

"The next step is to consider the ending method of "The Winner is Justice."

Higashinoji pinched his chin and began to think.

Next is the finale of "The Winner Is Justice", which is naturally the best part of the entire comic.

Kensuke Kumimon, who is the protagonist, was first forced to a dead end, and even used houses, luxury speedboats and luxury cars to pay off his debts. If he lost this lawsuit with Xianyu Chemical, he would have nothing.

Not only is it a name of winning without losing, but it even has to pay off the shorts in the end.

But Kensuke Komime was at a disadvantage from the beginning and entered a very unfavorable situation. If he wanted to win this lawsuit, he had to convince a female scientific research supervisor of Xianyu Chemical to let her appear in court to prove that the unknown elements emitted by Xianyu Chemical will indeed harm the human body.

This can be said to be a desperate situation. I want the enemy forces to even want their jobs and turn against each other...

It is no exaggeration to say that it is harder than climbing to heaven.

Higashinoji feels that as long as the plot of the finale is well drawn, the sales of the single-line book "The Winner Is Justice" will inevitably rise sharply and cannot be stopped.

He began to think and think.

On the other hand, except Urajima Publishing House, Yamano Editor-in-Chief of Iwakao Publishing House is now full of sorrow.

As mentioned earlier, there are three most famous publishers of comic magazines, namely Iwakao Publishing House, Mochi Bookstore and Urashima Publishing House.

Among them, Iwakao Publishing House focuses on passionate boy comics, while Mozu Bookstore focuses on science fiction and girl comics.

Although they are divided into two publishing houses, the group standing behind them has already been jointly operated at the beginning of last year, and can be regarded as a family.

Urashima Publishing House has been deteriorating since last year because of its lack of excellent comic scripts.

But judging from the current data, Urashima Publishing House, which seemed to be squeezed out last year, has now miraculously recovered.

Even the sales of "The Winner Is Justice" and "Midnight Bell" have vaguely suppressed the pillar works that their two major publishers have long serialized.

To be honest, when Editor-in-Chief Yamao received this news, he was only very surprised and even felt a little at a loss.

I want to suppress passionate and science fiction comics with horror comics and lawyer-type comics... It is not a problem to say "impossible" in this era.

Yes, it's just impossible.

The reason is also very simple.

That's because these two comic themes do not have a market advantage at all.

Whether it is horror comics or lawyer-type comics, there is no advantage in the market for hot-blooded comics and science fiction comics.

Because the hottest theme of Japanese comics in this era is robot comics, and the so-called robot comics are actually comics in which the protagonist drives a huge robot to fight.

For the Celestial Empire, the slightly more famous works are probably "EVA", "The Envoy of Light", and "Dragon Fighter".

Since 1980, Japanese robot comics have been growing vigorously, and they can't stop them at all and are in a hot market.

As the saying goes, a hundred schools of thought contend, and a hundred flowers bloom.

The Japanese comics market is so deformed that it has led to the flood of robot comics on the market. The monotonous comic scripts have also led to the lack of excellent animation scripts, which has also brought the comics industry into a cold winter.

But even in the cold winter period, robot comics still have a market on the market.

This also caused them to be affected, but overall it was not that serious.

Kepu Island Publishing House is different. As a publishing house that focuses on horror comics, its sales have declined steadily after entering the cold winter period, which once made people feel that they were going to withdraw from the ranks of the three major publishing houses of comics and magazines.

"But since the next door teacher Higashino joined Urashima Publishing House, this phenomenon has gradually stopped..."

Editor-in-chief Yamano couldn't help but sigh as he looked at the statistics table in front of him.

This person is completely a wild path. He suddenly appeared and suddenly broke the deadlock of Urashima Publishing House.

The reason why Higashinoji is a wild path.

That's because Editor-in-Chief Yamano has never even heard of the name Higashinoji before, and he doesn't know which author he is.

After all, in the Japanese comics industry... only those people come and go.

A publishing house's comic magazine serializes at most twenty works - that is, more than twenty comic authors.

How many comic magazine publishers can there be in Japan?

In fact, it is only a few hundred comic authors... only a few hundred people, and I naturally understand them all back and forth.

Therefore, it was the first time that the author of Higashinoji's non-path and editor-in-chief of Yamano met.

Moreover, in the opinion of Yamano, Higashinoji's path to fame is quite bizarre.

Generally speaking, if a newcomer wants to serialize, he must participate in the newcomer monthly reward for comic magazines once a month. He first uses this method to confirm his popularity, and then submit it to a serial meeting after he gets the first place. This way to confirm whether it can be serialized.
To be continued...