"Teacher Higashino! Help me!"

This is the first sentence of Hasegawa Riko.

As soon as he said this, Higashinoji was stunned. Then he asked strangely: "What's wrong? Miss Hasegawa?"

"That...that someone is pursuing me."

ah?

Hearing this sentence, Higashinoji's expression became a little subtle.

"Do I say congratulations?" Higashinoji asked.

"No, it's not like this!" Riko Hasegawa was so anxious that she was about to burst into tears, but after hearing Higashinoji's words, she calmed down for no reason.

I don’t know what happened, but she felt a little relieved when she listened to Higashiji’s voice, so she took a breath and said shyly: “Takayama Ryuji’s voice actor wants me to be his girlfriend.”

Takayama Ryuji's voice actor?

Higashinoji pondered, then remembered his name: "Is it Mr. Masao Matsuda?"

"Midnight Bell" is his work at least, and he can still remember the name of the male lead's dubbing actor.

"Yeah." Hasegawa Riko said 'um' and began to slowly tell the story.

As a voice actor, Riko Hasegawa's appearance is definitely a top-notch. Her pure and shy face, and her semi-round figure are actually quite popular in the production team of "Midnight Bell".

As Ryuji Takayama, who played against Hasegawa Riko, Masao Matsuda was naturally attracted by the other party's appearance.

He was originally single and was over thirty years old. This kind of woman of twenty-four or five years old was his ideal choice. In addition, Riko Hasegawa is also a voice actor like him, and she still has topics to talk about during her chat, which made him feel even more uneasy.

In addition, Hasegawa Riko's voice was soft and very interesting, which made Masao Matsuda even more fascinated, so she formally requested a date last week.

Of course, Riko Hasegawa refused without any surprise.

She still has a sister to take care of, and there are all kinds of chores at home, so how can she have the energy to fall in love?

The most important thing is that Teacher Higashino’s kindness has not been paid off yet!

For these reasons, she naturally waved her hand and said she was sorry.

I thought the matter had come to an end, but what Hasegawa Riko didn't expect was that Masao Matsuda seemed to have learned her home address from the production team, and would come to her house for dinner from time to time, and also give her some small flowers, grass and accessories.

This made Riko Hasegawa not know what to do.

In the past, she could refuse to open a pillow business, but she pursued sex between men and women... This thing is a complete novice.

There is nothing we can do if we pester each other. After all, Masao Matsuda did not affect the dubbing and work progress, and he was very serious in his daily work and was not vague at all.

But after get off work, I ran to her Sukiyaki shop...

This really bothered her.

Even Hasegawa Riko's sister Yukiko directly scolded Masao Matsuda, saying that he was not as beautiful as the older brother who came last time. He was just an uncle and was not worthy of his sister at all.

To be honest, Hasegawa Yukiko evaluated herself as being ‘beautiful’, which made Higashinoji feel a little complicated.

After all, I am a man. What the hell is you saying, "Beautiful"?

but...

Higashinoji thought for a while, but still apologized to Riko Hasegawa: "Sorry, Miss Hasegawa, I'm not easy to interfere in the relationship between men and women."

Masao Matsuda's desire to pursue happiness has nothing to do with him Higashinoji.

"...Yes, it's also... Teacher Higashino really doesn't care about this kind of thing." Riko Hasegawa was a little disappointed.

This "Snowman" is very serious in work, but she really knows a little about feelings - because her love experience is still in the middle school or junior high school girls.

"Although you can't directly care about this matter, you just stand by and help Miss Hasegawa to tell Mr. Matsuda your mood... It's still OK."

If this continues, Riko Hasegawa may become depressed, which is not very friendly to dubbing work.

So Higashinoji thought about it and proposed a plan: "I'll go to your house today, Miss Hasegawa."

When I went back, I packed some sukiyaki dishes and sauces... It just so happened that Chisaki Higashino also wanted to eat sukiyaki.

"Really? Thank you very much! Teacher Higashino!"

Hasegawa Riko was relieved when she heard that Higashinoji would come over today.

Her sudden change in mood made Higashinoji laugh and cry.

He might not be able to change anything in the past, he just stood there.

If Riko Hasegawa really doesn't want to, he will also remind Masao Matsuda to pay attention.

Higashinoji's speech is still very important. After all, he is one of the main creative team. In a sense, he is Masao Matsuda's immediate boss.

Besides, blocking someone else's house... this behavior is already quite bad in a sense.

It's hard to imagine a man in his thirties doing such a thing.

Higashinoji hung up the phone and walked to the faculty and staff office.

He also has the painting "Summer is over" to be handed over.

......

After formally handing over the painting "Summer is over" to Ryoko Kaneno, Higashinoji returned to the studio and sat next to Kotomi Ryoga as she painted.

She sat there until after five o'clock in the afternoon, and Higashinoji patted her little head and left.

Now that I have taken the bus, I guess Riko Hasegawa has finished her day's dubbing work and rushed home.

Thinking of this, Higashinoji took the car and came to Riko Hasegawa's house in Kabukicho, Shinjuku.

Looking at the store door in front of him that was not open yet, Higashinoji thought for a while.

It seems that Riko Hasegawa hasn't come home yet.

Higashinoji thought and turned around and walked to the alley next to him.

This road is just two steps away from the backyard of Hasegawa's home.

At this time, the backyard door was half open, and Higashinoji saw from the half-open door that he was sitting by the vegetable sink doing homework.

She didn't know what she was talking about, and she looked very fascinated.

"Yuiko." Higashinoji stood outside the door and greeted him.

This sound suddenly attracted Hasegawa Yukiko.

She looked left and right before she saw Higashinoji by the door.

As soon as she saw that it was Higashinoji, she immediately jumped up from the bench with an excited face: "He is a very beautiful brother!"

"...My surname is Higashino." Higashinoji patted her little head.

Hasegawa Yukiko is still the same as before. She knows how to recognize people with her face at a young age. She really doesn't know whether this is a good or a bad thing for her.

After all, this guy is so young and he is just a face-controller.

"Where is your sister? Yukiko?" Higashinoji looked at the room, found that there was no one, and asked.

"Sister hasn't gotten off work yet... I seem to have gotten off work at six o'clock recently." Hasegawa Yukiko said obediently, then she seemed to remember something and secretly approached Higashinoji and said mysteriously: "Sister seems to have been harassed by an uncle, and she has been depressed recently."

Higashinoji probably thought that "uncle" was Masao Matsuda.

In his thirties, he was indeed the age of Uncle Yukiko Hasegawa.

Higashinoji also noticed it. When he said 'depressed', Hasegawa Yukiko seemed very angry and raised her head unhappily: "And isn't my sister going to marry her brother? So I thought of a solution."

"How?" Higashinoji became a little interested and asked, "What's the solution?"

Hasegawa Yukiko was obviously a little excited. She held Higashinoji's palm and sat down on the bench. Then she ran back to the room, took out a cushion from it, and then raised her head and said proudly: "I'll stuff all the pushpins into this cushion! As long as that uncle comes again, I will use this cushion for him. Let him still dare to hook up with a married woman!"

"..." Higashinoji.

This little guy is so young, why do you do so hard? And where do you learn the words "married women" from?

Higashinoji put the cushion aside - if this thing was really sat down by Masao Matsuda, he would probably have to be sent to the hospital on the spot.

But at the same time, he also asked Hasegawa Yukiko: "Where did you learn these adjectives? For example, a married woman."

"On the TV series!" As soon as he talked about this, Hasegawa's eyes flashed: "There are many such lines in the TV series I watched!"

I have to say that the little girl seems to like discussing these things too.

She began to happily tell Higashinoji about the plot of the TV series she watched.

The plot is probably about a down-and-out male protagonist in a wealthy family being suppressed by blood relatives and having to swallow his anger and wander outside. The down-and-out male protagonist accumulates wealth while developing his subordinates, and wants to take revenge on the wealthy family... Simply put, it is a very bloody family ethics drama.

At the same time, Hasegawa Yukiko also told Higashinoji that the cushion thumbtack was also learned from TV series.

She felt that this method must be very useful, and she could keep Masao Matsuda away from her sister in an instant.

Higashinoji also agreed with this.

It can indeed make Masao Matsuda stay away from Hasegawa Riko, but at the same time, it is estimated that he will be sent to the hospital for more than a week of rest.

Higashinoji estimated that Hasegawa Yukiko was also learned from that TV series. After thinking about it, he decided to let Hasegawa Riko control the frequency of Hasegawa Yukiko watching TV - it is best to lock it in the TV cabinet when not in use, so as to completely deprive this little guy of the possibility of committing a crime.

Higashinoji chatted with Riko Hasegawa for a while, but not long after, he heard Riko Hasegawa politely refuse: "Sorry, Mr. Matsuda, I have said it before, I am not interested in the party... Sorry."
To be continued...