The reason why Koharu Hosokawa says "Hanzawa Naoki" deserves this evaluation.

It doesn't just refer to the plot.

It also refers to Higashinoji's painting skills and the grasp of storyboards.

For example, the final plot of this draft storyboard.

Naoki Hanzawa confronted the Asano branch leader.

The lens is divided into two sides.

On the right is Naoki Hansawa, and on the left is the Asano branch leader.

Asano Branch President was full of energy and stood under the street lights at night, looking extremely bright.

As his subordinate, Naoki Hanzawa could only be reflected on the side of the light, as if she was about to be pulled into the abyss.

Five billion yen's fault!

This is definitely a big slap!

The subordinates' credit shall be attributed to the boss, and the superiors' mistakes shall be due to the boss's mistakes.

This is a very famous saying in the bank.

Hanzawa Naoki was chosen as a scapegoat by Asano Branch President.

Hansawa Naoki's expression was solemn, and her eyebrows were slightly frowned. This was a very 'force' expression.

Hosokawa Koharu, who noticed this at the time, was stunned.

You know this is just a comic.

How did Higashinoji draw so that he could draw a flat, simplified manga face with a simplified "force" feeling?

This painting technique is truly amazing.

It really brought a flat image to life.

On the other side, the Asano branch leader was chatting and laughing, his face was calm, and he seemed to not care about the life or death of the subordinate Naoki Hansawa.

The street lights are bright and dark, indicating the breakup between the two sides.

A huge loan scam that is so breathless that people can't breathe, a tense atmosphere, a line on the bottom, and a depressing line shadow!

Is this the modern workplace?

It was obviously just a draft storyboard, but Higashinoji relied on his overly terrifying basic skills to draw the original comics.

Therefore, the reason why Koharu Hosokawa thinks "Hansawa Naoki" is exciting.

Half of it is due to the exciting plot itself.

And his other half, Higashinoji's painter is definitely worthy of his contribution.

Hosokawa Koharu can even say something rude.

On the painter alone.

Any comic author from a publisher is definitely not a match for Higashinoji!

She highly praised "Hanzawa Naoki" which made Higashinoji a little uncomfortable.

After all, according to the previous routine, Hosokawa Koharu would more or less express some concerns about the theme and plot of Higashinoji.

And this time he prepared for a very short time, and he took out "Hanzawa Naoki" in just one week.

Don’t Hosokawa Koharu expresses some concerns more?

But this time, Hosokawa Koharu skipped all these conventions and started to praise the stage directly.

This is obviously not consistent with common sense.

As if seeing Higashinoji's thoughts, Hosokawa Koharu smiled and asked, "What's wrong? Higashino, don't you think "Hanzawa Naoki" deserves this evaluation?"

She originally thought Higashinoji would be a little modest.

But what she didn't expect was that Higashinoji just nodded and continued confidently: "I think "Hanzawa Naoki" is worthy of this evaluation."

This made Hosokawa Koharu cough twice, and then he continued to speak: "I am worthy of being a teacher from Higashino. I am so confident in my work no matter what time."

Higashinoji just smiled and nodded when he said something to Koharu Hosokawa.

joke.

This is a phenomenal Japanese drama of that year.

The plots are all top-notch.

It is not like ordinary Japanese dramas, with only one climax point per episode.

"Hanzawa Naoki" has two or three climax points in each episode, and various flips and slaps in the face.

Although comics cannot get an outstanding actor like Japanese dramas like Masato Sakai.

But relying on Higashinoji's painting skills can completely make up for this.

If I were not confident, Higashino Shima felt that she should find a trash can and threw herself in.

"Then I will accept this draft storyboard from "Hanzawa Naoki" for the time being, Mr. Higashino."

As Hosokawa Koharu said, he stuffed the draft storyboard into his briefcase.

As mentioned earlier, this draft storyboard will be brought back for discussion.

After all, this is Higashinoji's work.

As for serial meetings

Generally speaking, the works of each comic author can only be serialized through a serial meeting, that is, most editorial team leaders vote for votes to be serialized in weekly or monthly magazines.

But Higashinoji's works can completely ignore this rule and start serializing after following a process.

Some people may say that this is unfair to other works.

But this is the place for publishers.

As long as Shinnoji's works are taken out, there will be no objection to the editorial team leader.

After accepting the draft storyboard, Hosokawa Koharu introduced Higashino Chihaya again.

"Editor of Urashima Publishing House?" Chiba Higashino coughed dryly, then bowed deeply embarrassedly: "I'm really sorry."

It is probably because of Chihaki Higashino in the past, so she just felt that Koharu Hosokawa and Higashinoji might be having an office relationship.

But now seeing Hosokawa Koharu's expression of not being guilty and not being guilty at all, she felt that it might be that she had misunderstood.

"It's nothing, Chihaya." Hosokawa Koharu smiled generously, shook hands, and then exchanged a few greetings with Chihaya Higashino, briefly introducing her previous relationship with her.

In the past, Chiba Higashino and Koharu Hosokawa were considered as friends.

Although now it's starting from scratch.

But Chihaya Higashino always felt that she was very familiar with each other, and she could get to know each other with just a few words.

It is probably also a shadow that Higashino Chihae and Hosokawa Koharu have communicated with each other before.

Watching Hosokawa Koharu turn around and leave, Chihaya Higashino breathed a sigh of relief, then came to his younger brother and started interrogating directly.

"As, do you feel anything about Sister Xiaochun?"

"Ah?" Higashinoshi glanced at her for no reason.

Didn’t Hosokawa Koharu just introduced it? It’s just that the two of them are just friends.

Why did Chihaya Higashino come to me and ask a question or two?

Higashinoji doesn't understand Chihaki Higashino's meaning.

But soon she heard her explanation:

"It may also be that Sister Xiaochun is shy and unwilling to tell the truth to me. But Sister Xiaochun is a little older. When you go to college, Asi, Sister Xiaochun will be twenty-six or seven years old? This is a problem."

This is reasonable and well-founded, which makes Higashinoji laugh and cry.

"Not what you thought, Xiaochun and I are friends."

Although Higashinoji calls him Hosokawa editor at work, he still has no problem calling Hosokawa Koharu in private.

"Is that so? I'm just a little worried about this. Compared to Sister Xiaochun, Lianghua is still a little immature. After all, she is just a high school student. Don't you guys all like older ones?"

"Then you are so insulting us boys. What does it mean to like older people?"

"Is that true?" Chihaya Higashino glanced at Higashinoji: "Well, what type of guys like?"

Higashinoji smiled and drank a sip of tea and explained.

"We boys like to look good."

It's a man.

After all, it’s not just that you like good-looking people and have good figures. This is human nature.

As for the others
To be continued...