Oriental Ninghua also revealed another news: "As far as I know, Hengdian Film and Television City is being operated by the tourism department, lobbying for the first Farmers Tourism Festival to be held there, so with the infrastructure in place, any festival can be held

."

Whether it’s Director Xie’s Guangzhou Street or Brother Kai’s Qin Palace, the main profit model so far is tourism. Although Hengdian is two hundred kilometers away from Hangzhou, it can still make a profit by taking advantage of tourists’ curiosity about making movies.

People were attracted to it, and the shooting of film and television dramas was only expanded after the hardware facilities were further improved in the new century.

Dongfang Ninghua is right. If you really want to attract Golden Phoenix, the film and television base will be more like a sycamore tree than a film festival. Only with a material foundation can you build a superstructure.

The cumulative investment in Hengdian's development over more than 20 years is only 3 billion, which was achieved by snowballing sales. If Su Changqing is willing, he can build the world's largest first-class film and television shooting base in a few years by spending 300 to 400 million US dollars.

With Oriental Ninghua's help, it shouldn't be a problem to get the film and television base's policies, and Su Changqing's funds won't be a problem either. The chance of success is quite high.

After entering the new century, the domestic film and television industry has been developing vigorously. Seizing the opportunity to build a film and television city that surpasses Hengdian will undoubtedly create a completely different pattern.

If you are still thinking about film festivals by then, just like Hengdian can hold a tourism festival, Chimelong can hold a circus festival, and the film and television city can of course also hold a film festival.

Su Changqing was a little curious and couldn't help but ask: "Why do you know so much about this movie city? Did you want to build one before?"

Dongfang Ninghua said in a very calm tone: "I just heard about it. It happened that a friend was doing this. I will sell stones in China and other industries will not get involved."

It doesn't matter whether she really heard about it or not. Anyway, she understands the situation and should have a good talk when she gets back.

In addition, Su Changqing didn't understand why she insisted on selling stones in China. In fact, she could have done nothing like Lu Zili. She should not be short of the money.

After putting down the phone, Su Changqing changed into the dress prepared by Chen Jin for everyone and began to prepare for the award ceremony.

He had already seen the main unit shortlist. This year's Cannes Film Festival was really lackluster. Except for Kai Ge's "Jing Ke Assassins the King of Qin" and Kitano Takeshi's "The Spring of Kikujiro", he had never heard of the other films. The actor

They all looked strange.

This means that these films will never appear in his future film-watching career, have not become classics, or even become famous films.

The story in the introductory movie is not exciting, but there is a Hong Kong movie that caught Su Changqing's attention, called "Heaven and Earth".

The director's name is Yu Liwei, a very young Hong Konger.

The reason why I noticed this movie is of course not because the title has the same name as the most popular nightclub in Beijing at the moment, but because Yu Li is the person.

He is Jia Zhangke's official photographer, and has worked with him on films such as "Public Places", "The Good Man in the Three Gorges", "Twenty-Four Cities", "Old Friends in Mountains and Rivers", etc. Director Jia's military medals are half as many as his.

However, this time he brought a film to the competition as a director. The film was not very good, which proves that he is not the second director Zhang and should continue to be a photographer honestly in the future.

In the past two nights, several people including Li Ao and Wu Jing asked Su Changqing: "What award do you think our "Kill That Man" can win?"

Although I understand that everyone is a little anxious, and that everyone respects him and takes his words seriously, Su Changqing is not a god and cannot predict.

He didn't have time to watch all the twenty-two shortlisted films. The film festival had a lot of promotional materials, and the colleagues who came first had already prepared them. He went through them all, and watched the DVDs of some that looked good.

It can be said that this Cannes is the weakest that Su Changqing has ever known. There are very few works that can arouse the desire to watch movies. Although there is the work "The Story of Mr. Streeter" by the master of suspense David Lynch, this is not

A suspenseful film with a heartwarming and touching story.

The reality must be admitted that without the participation of traditional film powers such as the United Kingdom and the United States, the film festival would be much inferior. This year, there was only one American film, and the British did not come at all.

In addition to three Chinese films, there are also films from India, Spain, Portugal, Poland, Israel, South Korea, Japan and several French films.

The media was generally optimistic about Su Changqing's "Kill That Man", so everyone became anxious.

With the unique photography of "Kill That Man", Su Changqing believed that he would have no problem winning the technical award, and Leo should be able to make his dream come true.

But if you think that this film can win the Palme d'Or again because it tells an old story so well, it seems to be a bit underestimated at Cannes.

Su Changqing asked himself: "If I were the chairman of the jury, would I give the grand prize to an action film like this?"

In terms of ideological core, this film is obviously not interesting enough, and it does not conform to Cannes' tradition of pursuing art films. There is really no way to be self-conscious and give myself a high rating.

The Korean director and Paramount's distributor can applaud loudly, but the standards they use are not those of Cannes, and their considerations may not be in the same direction, so it doesn't count.

"If I were the chairman of the jury, I would give the Palme d'Or to Belgium's Rosetta. This film is most in line with the spirit of Cannes."

Su Changqing watched this movie and found it to be quite good. A beautiful 18-year-old girl strives to live with dignity in poverty and refuses to give up on herself.

In addition, the media is also quite optimistic about the French film "The True Colors of Nature". Just by looking at the name, you can tell that there are more films shot in Xia San Road, which is full of naturalistic style. In view of the routine that actors can easily win awards if they can break out of it, and in order to thank the actors for their hard work, Su Changqing will

Give this movie the best actor and actress.

With all the possibilities of winning awards, Takeshi Kitano's "The Descendence of Kikujiro" is not among them, for no other reason than Su Changqing knew that this film failed to win at Cannes, otherwise Takeshi Kitano would also be a Grand Slam director, but he is not

.

The quality of other films was obviously not good enough, so Su Changqing felt that he should be able to win the Grand Jury Prize, which was more objective.

He has participated in many award ceremonies, so I won’t go into details about the process. They are all the same. He walked on the red carpet with more than a dozen people from his Eastern and Western legions.

As the most watched director in Cannes this year, he answered many questions from reporters.

As expected, Leo's photography skills in "Kill That Man" shocked everyone and finally won the technical award.

However, this year’s Technical Award was awarded to two people, the other being Tu Juhua, the artist of “Jing Ke Assassins the King of Qin”.

Kai Ge's movie is not very good, but Qin Palace stunned Cannes, and the art is the leading one.

The winner of the Palme d'Or was indeed Belgium's Rosetta.

What was also surprising to Su Changqing was that "Kill That Man" did not win the Jury Award. Instead, he won the Best Actor at this Palme d'Or.

The award speech said that his performance had an extraordinarily mature charm, which was touching and difficult to express in words.

"I'm almost an adult, how can I be immature?"
Chapter completed!