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Chapter 432 This is a man with history

The military sanatorium is divided into two parts. One is a newly built building in recent years, which is for officers and soldiers to recuperate and does not serve externally; the other is a dilapidated three-story building in the 1960s and 1970s, which is now a guesthouse and open to the public, and Su Changqing lives here.

The waiters are very old, and they may have arrived when the guesthouse is built. The white old-fashioned uniforms she wears seem to tell everyone: This is a man of history.

Su Changqing lived here for more than a month, and until later, tourists knew that he was hiding here to create, and almost became the eleventh scene in West Lake, so he had to leave.

He went to Pinghu twice a week in more than a month, first to go to Pinghu Group, which is temporarily in Pinghu City, to handle official duties, and then accompanied everyone to visit the construction site.

My colleagues were very responsible, let alone Ke Dalu. Although he had equipped him with more than 30 people to manage the site, he was still worried whenever he wanted to leave and had not been home for half a month.

Instead, Su Changqing advised him to go home and see it often. The film and television city is a long-term project, and we are not Dayu, the water control company.

However, Ke Dalu was very serious and said that there were many things to do at the beginning of construction, so it would be fine when it got on the right track.

Many years later, Mu Mu told Su Changqing that his success was inseparable from a group of loyal and supportive friends, which was true.

In addition to watching the scene, Su Changqing basically stayed in the guesthouse to create.

Many viewers who like "Kill That Man" have a regret. Why didn't Su Changqing develop a love relationship with Theron?

There are many rival scenes between the two. According to the usual routines of the movie, at least they should show some feelings, not to mention that the heroine eventually flew to China again.

In fact, Theron also asked a similar question: "I have also watched some oriental martial arts films and know that masters should be clear-minded, but we filmed modern themes. It is more reasonable for such two normal men and women to practice martial arts together for a long time, so it is better to develop feelings?"

No one stipulates that a master must be clear-minded and few desires. Only when a master is old can he be clear-minded and few desires. People without strong desires may find it difficult to become a real master.

As for normal men and women, they have to develop feelings, of course not necessarily. Su Changqing believes that this plot is redundant.

Another big factor is that he can't get the love content well.

Creation is limited by the creator's life understanding. Su Changqing has not dealt with emotional problems well in his past and present life. He cannot do well in his two lives, of course, because of limited abilities, which is difficult to disguise.

People who have never experienced unforgettable love can certainly write about love, just like people who have never killed people write about killers, and people who have never committed crimes write about crimes, they may also be decent.

But it is limited to being decent, because most viewers have never committed crimes and have thought about the characters similar to those of the author.

However, love is a bit different after all. Many viewers have had unforgettable experiences. People who have only watched pig runs tell people who have eaten pork what pork tastes, which is obviously not the case.

Su Changqing can of course write very routine love stories, but he has already reached this level and should be required to be at different levels. I am embarrassed to write that.

So now the love story in the new drama is a bit difficult to write, and I always feel it is difficult to normal. I correctly understand the mood of the male and female protagonists. I can't promote the plot when it is dull, and I feel disgusting when it is bloody and can't pass my own level.

For example, when the male protagonist learned that Marco and Fengli's family had been away for two months, he was confused about the situation and suddenly read the letter, what was the reaction?

Is Qiong Yao's collapse and crying "No, no, no, no," or is the Gulong-style joy and anger not reflected?

The mental level of a person who collapses and cries is probably no more than twelve years old, and he is all the way with the children who are rolling around in the mall to ask for things.

It is too mature to not show your emotions, unless the male protagonist is also reborn at the age of fifty.

As a professional, Su Changqing certainly knew that there were many screenwriter routines in this situation, such as arranging a conversation to let the male protagonist express his mood and feelings directly, and make it clear.

Or editing a memory clip and then changing the male protagonist's micro-expression can also explain his mental path.

Su Changqing was not satisfied with these routines, so he struggled with this plot for a long time.

After a few changes to the draft, the final design was for the male protagonist to avoid everyone, fall into a spasm-like pain in a small dark room, holding his knees, trembling and crying all over his face.

As the leader of a fleet, he should not be able to show his weak side in front of everyone at will.

However, separation may have been forever in that era. From then on, there is no news and there is no possibility of meeting again. The despair and pain are much stronger than modern people.

Anyone who is knocked down is like a helpless child, with almost no exception.

Finally, the male protagonist trembled and unfolded the letter again, and with a ray of light coming into the dark room, his eyes focused on the words "Waiting forever".

At this time, the camera will give a few seconds to freeze, allowing all viewers to see these words clearly.

Su Changqing was unsure whether such a plot was good or not.

Perhaps the direct collapse is the true person?

Aunt Qiong has been in the emotional market for decades, and she has been playing with it all the time. Perhaps she can better grasp the essence of emotions. After all, everyone is taking that trick.

Su Changqing suspected that his design full of character analysis was too rational and not close enough to reality.

Sometimes he sat by the lotus pond in the guesthouse and felt that he was a pitiful person, unable to understand even the normal human emotions, like an alien.

When talking on the phone with Liu Yufei, Su Changqing admitted that he had a problem: "I am a pitiful and pathetic person."

It seems that she can only talk about this topic with Liu Yufei. After all, she knows everything and understands what Su Changqing is talking about. No matter how much she talks about, she will have no worries.

"You're pitiful? How did you analyze that you're pitiful?" But she didn't agree: "What nonsense, are you sick?"

"Yes, I'm sick, I'm a patient with emotional cognitive impairment."

"Are you sick?" Liu Yufei was so angry that she was so angry that she said: "So you are fooling around with Japanese American women because you are sick?"

"It's possible that I'm not exaggerating myself," Su Changqing was very serious: "I feel like a wooden man without a true nature, or I am always a director, and I can't devote myself to anything I do. I'm completely a bystander.

Look at the movies I have made over the years, there is no slight love, it is death, schizophrenia, trauma, zombies, revenge and killing, scams... Now I am going to write about love, I am very unsure of it..."

Liu Yufei interrupted him: "Don't the scripts you wrote for Mu Mu before are all about love?"

Su Changqing wrote "My Savage Girlfriend" for Mu Mu, and the outline of the script "You from the Stars" was also written by him, and they are indeed all about love.

These probably don't count, right?

Su Changqing was a little disappointed. He couldn't tell Liu Yufei that these were all copywritings. There were obstacles when he created based on his experience.

Since I can't get the understanding, I won't talk about it: "Maybe I'm too pretentious."

"I think so. Who in this world dares to say that they know love very well? It is normal to be confused? "Liu Yufei scolded him again: "You can go back to Beijing, go back to your home in Jiaxing, or live in Shangri-La. Why do you go to the army guesthouse to live in? I don't know what you want to do."
Chapter completed!
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