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229、Incredible speculation

A carved picture of thousands of beasts roaring. The center of the picture is a huge pillar connecting the sky and the earth. And at the top of the pillar, it is suspected to be the moon?

What a joke?

The space elevator that prehistoric civilization leads from the earth to the moon? Or is it the mythical record of the sky building?

Or, is there a tower of heaven mentioned in the Bible?

Chen Lang was stunned.

Because there is an intelligent brain in your mind, Chen Lang's brain stores a lot of information.

Jianmu is a holy tree worshipped by ancient ancestors of the mountain.

It is said that Jianmu is a bridge connecting the heaven, earth, man and gods. Fuxi, Huangdi and other emperors all traveled up and down through this sacred ladder to the heavens on earth. On the bronze sacred tree unearthed in Sanxingdui, there were branches, leaves, flowers, fruits, birds, beasts, hanging dragons, and divine bells. Experts believe that the prototype of this sacred tree may be Jianmu. Later, "jianmu" was used to refer to tall trees in poetry.

There are many legends about Jianmu, basically describing its height, connected to the sky and the earth, and was born in the world, and the gods were on him [Biquge 520 www.biquge520.vip].

Of course, the legend about Jianmu first came from the Shanhai Jing, and even the Shanhai Jing has a detailed description of Jianmu.

This is just Jianmu.

And the Tower of Heaven!

The Tower of Babel is a chapter 11 of the Bible, Old Testament, Genesis, which records that at that time, humans united to build a tower that hoped to lead to heaven. In order to prevent humans from planning, God made humans speak different languages ​​so that humans could not communicate with each other. The plan failed and humans dispersed from then on.

In short, it was humans who built this tower a long time ago to resist God, but they were therefore deprived of their common language.

This is a legend about the Tower of Heaven.

The unquestionable commonality between the two legends is that whether it is Jianmu or Tongtian Tower, they are standing on the earth, connecting the heaven and earth, allowing people to lead to heaven (heaven).

Where is the so-called heaven (heaven)?

Chen Lang looked at the stone slab in front of him, which was a bit incredible. According to the carving of the stone slab, this pillar-like thing connects the moon by the earth, and on the earth, there are countless hideous and terrifying monsters roaring.

Um?

Chen Lang looked at it intently, and under the pillar, he could vaguely see a bunch of small black dots that looked like humans.

The little black dots surrounded the pillar, as if they were shouting and waving their hands, and also seemed to be kneeling and crying.

Around the small black dots are huge monsters.

The world is like hell, and the moon has become the paradise that everyone yearns for?

What does this mean?

Chen Lang was puzzled and then looked at Chen's father.

Dad Chen put down his eyes, took a sip of tea, and said, "Although this thing is just a stone slab that seems useless, it is worth at least 100 million yuan based on the carvings on it."

"Really?" Sun Baihai's eyes shone.

"Dad, can you tell the origin of you?" Chen Lang was surprised.

He knew Chen's character.

If you dare to estimate the price, you basically have to see some details clearly. If you don’t see clearly, Chen’s father would rather miss the treasure than buy it at a high price.

This is the unspoken rule for the older generation to play with antiques. After all, this industry is too messy. If you are not cheated, you will be all your belongings.

"I saw a little, but I seemed confused more."

Chen's father frowned slightly, smashed his mouth and said, "The other items that appeared in the tomb unearthed from this stone slab can prove that this tomb was from the Shang Dynasty."

As he said that, Chen Dad pointed to the other side, Chen Lang turned his head to look, and sure enough, some bronze ware, even bronze pots of dragon and phoenix drawings carved with strange appearances, as well as three-legged small tripods, etc., were all in the style of the Shang Dynasty.

"However, from the basic style, the carving of this stone slab was not from the Shang Dynasty."

Chen's father spoke again, pointing to the carvings on the stone slabs and said to Chen Lang and Sun Baihai: "Look at this place, these hideous giant beasts, pillars, the moon, and even these topographic maps and routes are not very good, but does it give you a very real feeling? This is a very realistic and contradictory carving method. He replaces the details with the overall layout. Although there is no carving of details, the whole can make us feel a sense of reality that comes to our face.

This kind of engraving method has long been cut off in history, and even now, it can only be achieved by relying on machines. And in the Shang Dynasty, there is no doubt that people in that era did not have this kind of engraving method."

Dad Chen turned around and walked to the bookshelf, groped for a moment and took out a book.

After turning dozens of pages, he placed one of the pictures in front of Chen Lang and Sun Baihai.

The picture shows a bronze elephant.

"This is the Elephant Lord!" Chen's father said lightly: "The cultural relics from the Shang and Zhou dynasties unearthed earlier are enough to illustrate the sculpture techniques of the Shang dynasty. This Elephant Lord cannot see the realistic, but it is very freehand, showing all the clumsy power of the elephant."

As he said that, Chen's father placed it in front of the stone slab, and compared the two, saying, "You see, are they very similar in artistic conception? It's like a lineage, but relatively speaking, there are differences. The more obvious difference is that the sculpture technology of Xiangzun comes from the stone slab, but there are differences.

What does this mean? It shows that the technique of picture carving in stone slabs comes from a much earlier than that in the Shang Dynasty, and the sculpture technology of the Shang Dynasty in the Shang Dynasty was also inherited from that era, but it was no longer complete after it was passed down, so they only learned a little bit of fur and rough."

After putting the book back, Chen's father took a sip of tea and said in confusion: "There is a problem now. When did the stone slab come from?

The Shang Dynasty was basically impossible, and before the Shang Dynasty it was the Xia Dynasty. The Xia Dynasty was the first real dynasty recorded in Chinese history. It was not normal if the stone slabs came from the Xia Dynasty. After all, there was no description of this giant pillar and huge ferocious beast in the relevant records of the Xia Dynasty.

Therefore, this stone slab may have come from a longer period, such as the Five Emperors, or the Three Emperors. But if this stone slab was really passed down from that era, it would be really incredible.”

Speaking of this, Chen Dad put down the teacup and said incredibly: "There has never been an era that has far surpassed other aspects of art. So if the stone slab came from the Yanhuang period and the Three Sovereigns and Five Emperors period, it means that that period was not as barren as we imagined, nor was it as we imagined. Everyone rode wild boars and shorts, and took sticks to the battlefield. It is very likely that during that period, human beings had developed no less than any dynasty in history."

"Is this ridiculous?" Sun Baihai said in amazement.
Chapter completed!
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