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Chapter Three Hundred and Three Infinite Dreams!

"Weiyang, the company has agreed, so I won't find any other Japanese musicians for you. You can write your band's Japanese songs yourself."

"But after writing, you need to get it to the company and everyone will hold a meeting to discuss whether to use it. After all, this is your first time trying to write a Japanese song, so you should be more cautious."

Two days later, Ye Weiyang received a reply from Liu Yunqing.

The company no longer insisted on asking musicians to fill in Japanese lyrics for his songs, and agreed to let him write Japanese songs by himself.

However, after writing, the company's music department needs to hold a meeting to discuss and then decide whether to use it.

This is normal.

Generally, when a singer wants to release a single or an album, he has to discuss with the company and finally decide whether to publish it. It is impossible for a singer to publish whatever song he wants.

Of course, this refers to a formal album. If you sing songs on a normal show, it doesn’t matter if you write a song temporarily.

But what the band does not close this time is a Japanese specialty for entering the Japanese market. This cannot be careless. The company has to invest very large amounts of money. It is impossible that even if you don’t even check it, you just let Ye Weiyang write songs and record them casually.

Ye Weiyang can understand it too.

After receiving the reply, he officially started writing and considered which songs to carry.

Don't rush to consider all the songs in the first episode.

Just consider the songs you will sing at the Katona Rock Festival that you will participate in soon.

If this music festival is 20 minutes of performance time, 1-2 performances should be divided for Japanese songs.

The song "ヤキモチ (Jealous)" should be selected, and it must be sung with the Chinese version of "The Wind Rises", so that the Japanese audience participating in the music festival can feel the attention of the band and this interesting song and two lyrics.

In addition to this song, you also need to choose a Japanese song.

And it's better to be rock music.

Although the Katona Rock Festival has long been no longer sticking to rock and also invites guests of other styles such as jazz and electronic music, after all, "rock" is still the name of the festival.

The band is participating for the first time, and this time the plan to enter Japan is to roll.

Ye Weiyang locked himself in the room alone and began to think about it.

“Japanese…rock…”

Not that there was no such thing as Ye Weiyang thought of several songs at once.

The first choice is naturally the zard song centered on the lead singer Sakai Izumizu.

As a top Japanese rock band that can sell three million albums in Japan in previous life, their songs will definitely be resounding throughout this world.

But Ye Weiyang thought of another song.

A song that was heard by those born in the 1990s almost since childhood and remembered it deeply in their hearts. As soon as the prelude sounded, they would be instantly pulled back to their childhood.

"butter-fly"!

The theme song written by Koji Wada for the first part of "Digimon".

As soon as the opening song of this song sounded, it seemed like I was back when I was a child, squatting in front of the TV series and excited to watch the Asian beast evolve.

If you want to list a memory playlist for Ye Weiyang's childhood, then this song "Butter-fly" will definitely be ranked first, and it is even more impressive than the theme song of "Slam Dunk".

Maybe it was because he had a deep obsession with not being able to become a chosen child when he was a child.

I remember when I was in elementary school, every day after school, he would stay in front of the TV and watch "Digimon" on time!

The first part of Digimon covers almost all the memories of his childhood.

The brave, resolute but somewhat impulsive Taiyi and his partner Yagumon were the targets of Ye Weiyang's childhood dreams. At that time, he didn't understand what it meant to be an elected child and fight in that fantasy world.

Especially when the protagonists take out their badges to evolve Digimon, and the song of Evolution BGM "brave  heart" sounds, Ye Weiyang will instantly be excited.

That should be the first experience he was "ignited".

Unfortunately, Digimon's evolutionary song "brave  heart" is not a rock music in the traditional sense. In order to fit the point of "digital", this song has added a large number of electronic elements.

Compared to the theme song "butter-fly", the rock flavor is still much worse.

Of course, Ye Weiyang wanted to choose the song "butter-fly", not just because of his childhood memories.

Abandoning this song is the theme song of "Digimon".

Only focus on the lyrics and songs of this song, this song "butter-fly" is also a perfect work.

First of all, this song is very exciting and ignited. The emotions are always released from beginning to end. Even in the interlude, it is a very intense accent electric guitar. There is no ease in the whole song, just a song that is refreshing from beginning to end.

Moreover, the whole song's rock style is not only not a bit noisy or hoarse, but it is very light and clean.

The fast beats and gradually intensified singing create a igniting effect.

Music has no borders, which is particularly evident in this song.

Even if I don’t understand Japanese, I will be inexplicably inspired when I hear this song, and I deeply feel that this should be a song about chasing my dreams.

In this way, if you perform at such a top-notch Asian music festival, even if the audience from other countries cannot understand the specific content of the lyrics, you can easily be infected by the music and feel the inspiring power in this song.

Just like when Ye Weiyang was just an eleven or twelve-year-old child, he could be infected when he heard this song.

Secondly, the lyrics of this song are also very well written.

Although Ye Weiyang didn't listen to many Japanese songs in his previous life, there were more or less nearly a hundred songs.

But there are only a few songs that allow him to carefully understand the meaning of the lyrics and remember them!

Most songs are just listening to one song, such as "Love Loop" and "Shit the Onion Song". Although I have heard of them and have been repeated for a while, I really have never had the idea of ​​knowing the lyrics.

But in "butter-fly", Ye Weiyangjiu really went to understand the Chinese translation lyrics word by word.

And I was infected by this lyrics and even remembered it.

Take the climax that countless people remember the most and can awaken the most memories.

Tomorrow's 〖When faces the unknown tomorrow, you must take risks bravely〗

Infinite dreams behind infinite dreams

Heももない一のじゃ〖Traveling the cruel and ruthless world

そうさloveしい〖Don't want to lose to myself〗

Want to betray your beautiful memories will make me work harder

Stayしがちなイメージだらけの〖Believe that love will never stop〗

Translating Japanese into Chinese has somewhat lost some of the beauty in the original language, but just such a more straightforward translation can feel the belief that the song wants to convey to be brave enough to pursue dreams.

This is also very consistent with the style positioning given by the band now, which is "youth and dream pursuit"!

No matter from which perspective, this song "Butter-fly" is very suitable for singing at the Katona Rock Festival.

Purple-brush literature
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