Teacher Sa kept opening his mouth and explained the general style of Chinese style music, as well as what kind of songs are considered Chinese style, and what kind of songs are not considered Chinese style in as concise language as possible.

It also gave the audience a clear understanding of Chinese-style music for the first time.

Before this, although everyone had heard a lot of Chinese style music and could have a rough distinction between Chinese style, they were still vague about this concept in their hearts.

But after Teacher Sa explained, everyone roughly understood what Chinese style music is and what kind of songs are considered Chinese style.

After Teacher Sa’s explanation, the audience found that many songs that they always think are Chinese style in their impression are not Chinese style, at least not modern popular Chinese style.

Many songs that sound not very rich at first glance can be regarded as R&B music, but in fact they are genuine Chinese-style music.

However, these are quite novel science popularization for viewers who don’t understand music, but for the six guests on the stage, they are really introductory pediatrics.

The six guests were a little bored when they listened to it, and Teacher Sa’s long speech finally ended.

"After my introduction, I believe everyone has a rough understanding of Chinese-style music."

"Next, let's officially start this Chinese style music journey!"

As Teacher Sa finished speaking, the lighting effect on the scene immediately changed, and dry ice around the stage was also constantly ejecting.

A virtual ancient character also appeared on the big screen.

"Next, I will announce the first performance topics of the six Chinese-style singers."

A very classical stage suddenly appeared on the big screen, a bit like the stage that Ye Weiyang watched when he was a child.

On the stage, several people with paint on their faces and colorful ancient costumes appeared, walking on the stage with "yayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayaya

"A opera is a traditional form of drama in our country and one of the most national characteristics and styles of art in our country. It can be traced back to the original song and dance used to entertain gods in ancient times."

"The Book of Shu Yao Dian says: "Yu! The son beats the stone and beats the stone, and Bailu leads the dance." The "Ancient Music of the Lu Family Spring and Autumn Ancient Music" also says: "The music of Ge Tian family in the past was that three people were able to sing the eight quintess."

"From the ancient pre-Qin period to the late Qing Dynasty, Chinese drama has developed rapidly and has become a huge national treasure of art."

"Comprehensive, virtuality, and programmaticity are the main artistic characteristics of Chinese opera."

"These characteristics embody the essence of aesthetic thoughts of traditional Chinese culture and form a unique view of drama, making Chinese opera shine with its unique artistic brilliance on the big stage of world opera culture."

"With the changes of the times, modern entertainment products have emerged like a tide, which has led to the drama and music that has been passed down for thousands of years. Nowadays, young people are rarely willing to appreciate and listen to excellent national operas."

"Six people who sing the national style, you are responsible for allowing young people to understand and get in touch with the beauty of traditional Chinese art through pop music!"

"In the new era, old art forms can also bring new vitality!"

"The program team specially invited six people from different operas from all over the country. I hope they can help you integrate the beauty of Chinese classical opera into modern pop music!"

After introducing the virtual character on the big screen, Teacher Sa immediately added: "The first round of performances was titled "Chinese Classical Opera". For this reason, the program team specially invited six top experts from different opera types in China."

"In the next two weeks, six Chinese style singers need to learn about the charm of Chinese classical opera from six operas. With the help of six operas, the beauty of Chinese opera will be integrated into the music and create a popular Chinese style music related to opera."

“There is no limit on subject matter!”

???

Teacher Sa’s last three words made the guests a little confused.

Bo Qian simply asked directly: "Teacher Sa, what does it mean to be unlimited in subject matter?"

Ye Weiyang and others also looked puzzled.

Didn’t we say that the songs in the first round of performances need to be related to opera? Why is there no limit to the subject matter?

This feels a bit paradoxical.

Teacher Sa smiled and immediately explained: "The subject matter is unlimited, as long as the work is related to the opera."

"Whether it is writing a story about an opera, or using the past to describe the present, or adapting a classic opera into a song, or writing a love or family relationship."

The guests nodded as if they were ignorant.

I roughly understand the meaning, that is, under the big framework, they can use their creativity at will without limiting their creativity.

In this way, it will be much easier to create.

But the difficulty is still very high.

How to integrate classical opera into modern pop music is a difficult problem.

The guests present are not small characters, so they are definitely not satisfied with just adding a few operas to the music.

Although this is strictly considered a bit of a problem with opera.

But it's really too low...

Many so-called "ancient style" songs on the market nowadays are not considered Chinese at all, let alone musicality.

According to the program team's idea, they really hope that the guests can integrate the content of the opera into the music, rather than simply putting a shell or taking a situation.

That would be very difficult.

The six guests, including Ye Weiyang, are now quite confused.

The first performance came up with a big problem.

Several guests were confused, but the host, Mr. Sa, was not confused.

After pausing for about ten seconds, and giving several guests and audiences a time to digest the amount of information, Teacher Sa continued:

"So, let me introduce to you the six opera masters invited by the program team this time."

"They are the most influential operas from China. They are regarded as representatives of the oriental drama performance system and are the famous Peking Opera artist Mei Xuelin, the three major performance systems in the world!"

"It is known as the Second National Drama, and is also known as the "most widely circulated local opera genre. It is known as the representative of Yue Opera, the famous Yue Opera artist Jiang Shuhua!"

"One of the five major operas in my country, the representative of Huangmei Opera, formerly known as Huangmei Opera or tea-picking opera, is a famous Huangmei Opera artist Huang Duo!"

"The largest local opera in our country, the representative of Henan opera, the first local opera in the country, is the famous Henan opera artist Zhou Qikun!"

"One of the traditional Han opera operas, one of the popular operas, the representative of Pingju opera, the famous Pingju artist Chang Yahan!"

"One of the traditional Han operas, a representative of Cantonese opera formed by absorbing folk music from the Pearl River Delta, is a famous Cantonese opera artist Yang Xingshan!"

Every time Teacher Sa introduces someone, the stage photos of this person, regular costume photos and detailed introduction materials will appear on the big screen.

The audience and six Chinese-style singers all watched the introduction seriously and kept making exclamations.
Chapter completed!