Four hundred and twentieth chapters national music songs
"Good evening for everyone on site and in front of the TV!"
"Let the world hear the Chinese style!"
"Welcome to the first domestic music creation program focusing on Chinese classical culture, sponsored by Luzhou Laojiao, "The Singer of the People in the National Style"!"
"I am the music pilot, Sa Xiaoning!"
Another familiar opening remark, Teacher Sa walked onto the stage with a microphone and began to introduce to the audience the five evaluators who performed today.
Because the theme of this issue is related to poetry, Kun Yan, the flight reviewer of the last issue, was invited to the scene again.
It was also a very happy thing for Kun Yan to watch the performance of "The Legend of the People" on the spot.
Even though the recording officially began, the smile on his face was still unconcealed and could not be disguised.
"Five appraisers, one hundred professional appraisers and five hundred public appraisers are welcome to visit."
After Teacher Sa carefully introduced the five appraisers, he began to interact with the audience.
"In the blink of an eye, this is our fifth episode. The two-month program recording is fleeting, and time really passes very quickly."
"And the six Chinese style singers have also brought everyone a lot of excellent songs, even golden songs on this stage!"
"Today, on this stage, people will once again bring an audio-visual feast to everyone."
"Continue the theme of the previous performance..."
Teacher Sa kept talking fluently, but the audience was not so interested. They were not here to listen to these scenes.
Fortunately, there was not much nonsense. Teacher Sa quickly finished these feelings of empathy that were based on the past and looking forward to the future, and said solemnly: "If you don't say much, let us welcome you with applause. The first guest to appear today!"
"Everyone and I will call out his name!"
Without Teacher Sa reminding me anything, all the audiences in the audience shouted Ye Weiyang's name in unison!
"Ye Weiyang!"
He ranked first in every game and was the first to appear in every game, which has become a symbol of "The Legend of the People".
As everyone shouted, Ye Weiyang walked from the depths of the dark stage into the front desk shining with lights, feeling like he had been coming out after much clamor.
"Good evening everyone!"
After a smiley Ye Weiyang reached out to say hello to the audience, he squirted with emotion.
"Oh, I'm really sorry, it's the first time I'm on stage again."
It was very Versailles, but it made the audience smile.
It’s wrong that Ye Weiyang is not the first to appear!
After the laughter gradually faded, Ye Weiyang continued: "Everyone knows the theme of today, but it is still poetry. However, it is just the opposite of the last performance. It requires that the poetic artistic conception be integrated into the song like "Blue and White Porcelain", but the complete poetry cannot appear in the lyrics."
Speaking of this, Ye Weiyang smiled and pointed at himself: "As we all know, I wrote the song "Blue and White Porcelain".
"To be honest, the program team used my own creations to test me, which felt a bit relaxed, and it was not very fair to other guests."
"So, I added another limit to myself so that I can be slightly fair to other guests."
Ye Weiyang said while walking casually on the stage, as if chatting with the audience.
Originally, according to the regulations, the guests should start singing directly after they came on stage, or simply introduce their works and start singing. How can they chat with the audience like this?
But Ye Weiyang is different. When several directors of the program team looked at the director and told him whether to stop Ye Weiyang's chat, they were rejected by the director.
This show's ratings stabilizer, as long as you don't do anything illegal or illegal, you can do whatever you want on the stage!
On the stage, Ye Weiyang, who was indulged by the program team, finally got to the point.
"So I set a requirement for myself. The song I wrote this time not only needs to transform poetry into the song, but also have to create songs in Qingyue mode!"
When Ye Weiyang said this, not only did not cause much exclamation, but even the expressions on most ordinary audiences were confused.
There are only a few professional reviewers, and there are three or two reviewers with a change in their faces.
For most people, the most familiar thing about the mode is the "major" and "minor" that are often heard from singers.
However, major and minor tunes are just the mainstream Western styles today. In addition to using major and minor tunes, many other types of modals are also used around the world.
China itself also has a national style that belongs to China.
The most famous one is of course the five tones composed of the five tones of Gong, Shang, Jiao, Zheng and Yu, which are commonly used in Chinese style.
In the five tones, each sound can be used as the main tones to form a five tones.
For example, if Gong is the main sound, it is the palace mode, Shang is the main sound, and the corner is the main sound, that is the corner mode, and so on, it is the basic five-tone mode.
However, the Chinese national mode is not only five-tone mode. On the basis of the five-tone mode, there are three seven-tone modes, namely Qingyue mode, Yayue mode and Yanyue mode!
So what is a seven-tone tone? As the name suggests, it is a seven-scale modular mode.
Based on the five regular sound scales of Gong, Shang, Jiao, Zheng and Yu, plus two partial sounds form a seven-tone tone.
The partial sound is a semitone higher than these five regular pitches, a semitone lower, or a full pitch lower, which is a partial sound.
Qingyue mode is a seven-tone mode composed of a "Qingjiao" which is half the tone higher than "吉" and a "吉" which is half the tone lower than "吉" and a "吉" which is half the tone lower than "吉" on the basis of the five regular notes.
This is a mode that only traditional Chinese music can be used. It is very different from the music of any other country in the world. It belongs to the native Chinese music!
However, this Chinese national style is rare in pop music. Generally, Chinese-style songs use a basic pentagonal scale, and will not go deep into the seven-tone scale.
At least in this world, few people have tried it.
Because the songs made in this way are really very ancient and not "popular" enough!
Popular Chinese style is also pop music. If pop music is not "popular", then what's the point?
As for Ye Weiyang's bold way of compose music in Qingle mode, all the judges and appraisers who know the tricks were sweating for Ye Weiyang in their hearts.
For music competition programs, especially those competing for original programs, if a song cannot be sung and is immediately loved by the audience, it will soon be completely forgotten.
It is very difficult to do Qingyue mode that does not have the characteristics of "popularity" to hook the audience's ears at once!
Zhou Ting frowned, feeling that Ye Weiyang was really a bit arrogant this time.
Chapter completed!