"I'll look for you for a long time, the sunrise is coming to dusk"

"I'm going up and down in the world"

"I'll look for you for thousands of years, and another year of prosperity and renunciation"

"But you are never here, in the dim lights"

On the stage, Ye Weiyang had already sang the chorus part, with full firepower and full concentration. The lyrics and melodies with great ancient charm made many audiences on the scene watchful eyes frequently.

"good!"

Even though Ye Weiyang was still singing, Kun Yan couldn't help but tell several other reviewers:

"From the sunrise to the twilight, it is a metaphor for the persistence the protagonist has been looking for in his whole life from young to old age!"

"This "Yi Pu" is even more useful!"

"We often use "three thousand weak water, only one can drink" to express the meaning of love, and a can of water also has the same effect!"

"The world is so big, but the one you can find is my world!"

"A scoop to describe the world is a magical sentence, which describes the joy of the world, and also describes the protagonist's elegance and persistence between ups and downs. In the end, he flourished and withered again, representing another search and failure."

"The last sentence of the chorus obviously uses Xin Qiji's "I searched for him for thousands of times, but when I looked back, the man was in the dim light."

"Of course, the whole song was born out of this, but Ye Weiyang focused on searching, and it was a search without results, at least there is no result yet."

"Xin Qiji said, "That man is in the dim light", but Ye Weiyang said the opposite, "You are never in the dim light."

"If Xin Qiji said, the person you are looking for will appear inadvertently, look back under the lamp and smile, this is undoubtedly a perfect ending."

"But Ye Weiyang felt that the man had never appeared in the dim light."

"I walked through the iron shoes and searched for the world, but the man never appeared. Only when the night was dark, he quietly fell into a dream, but he woke up from the dream and left, and finally he fell into the void. After waking up from the dream, he ran on the road of searching."

"I think this is the emotion Ye Weiyang wants to express in this song "Qianbaidu". Compared to Xin Qiji's findings, Ye Weiyang chose to "not find them", and the artistic conception of the two songs is huge."

"It's very well written! This is based on Xin Qiji's original lyrics and writes your own things!"

Kun Yan looked like he was filled with his ears, and kept shaking his head and squinting his eyes, impressing.

To be honest, not every audience will analyze and understand the literature so seriously. Most audiences just listen to the words briefly, and feel that the words have a very artistic conception and taste, and will not think carefully.

In fact, many Chinese-style songs are like this. The lyrics give you a very artistic conception, which seems to have a very good feeling in ancient Chinese, that is, they are not clear and sharp.

But if you really analyze it, you will find that many so-called Chinese-style songs are all bullshit and are stacked for rhyme.

For example, if Ye Weiyang suddenly became popular in his previous life, the lyrics really need to be read one by one, it is really terrible...

Give an example casually, "I would like to steal the jade hairpin for you with no head and no end, and I don't know what to say, and the next sentence immediately received "Enter the alley to eat noodle soup, smile at the snow by the window."

The previous sentence is still there, I want to steal a jade hairpin for you, the next sentence is to eat noodles at the alley, and I smile at the snow by the window, what a bad word is wrong?

The same song and the same expression, if you are a person who is really good at writing lyrics, how should you write it?

To describe a smile, Fang Wenshan wrote, "And your sweet smile is like a bud in bud." Hua Zhu wrote, "Your smile is like a vicious dog."

Describing the sad and lonely scene, Fang Wenshan wrote, "The mottled city gate is surrounded by old tree roots, and the stone slabs echoing is waiting again." Huazhu wrote, "The rain in Shu is continuous, and corpses are everywhere outside the pass."

When writing about the two people drinking together under the good scene, Fang Wenshan wrote, "The window lattice under the eaves reflects the branches, sitting opposite you on the ground and drinking tea~", and Hua Porridge said, "Talking about flowers, drinking the moon and being unconscious, this spring night is sunny."

I want to describe me as if I only love you, but I love beauty but not the country. Fang Wenshan wrote, "No matter who is the leader in the martial arts world, I just bow my back." Hua Zhu wrote, "I refuse Ce Xun's twelve turns, and I want to steal the jade hairpin for you."

To describe the beautiful ending of the two, Fang Wenshan wrote, "Come through the wild villages and bridges to find the ancient road outside the world, far away from the hustle and bustle of the world, willow catkins float and hold their hands freely." The flower porridge wrote, "Get into the alley to eat noodle soup, smile at the snow by the window. Take the pearls from your waist and play the tits, and stand the loquat in front of the courtyard."

Although it is not forced that all musicians can achieve Fang Wenshan's level, it is indeed a bit outrageous to be inferior to Huazhu's level.

Why take the pearl on your waist to play tits?

If you mean you are more leisurely and happy and in a good mood, so you play, why do you need to follow the next sentence "Stand up the loquat in front of the courtyard?"

The loquat stands in front of the courtyard, which is from the last sentence of "Xiang Jixuan Zhi", "There is a loquat tree in the courtyard, which was planted by my wife when she died. Now it is as paved as a ridge."

The ancients used to remember their deceased wife, so how could they just follow such a cheerful sentence?

And there is really no connection between the two sentences before and after.

After reading the lyrics of the entire song "The Stole" and it is impossible to even extract what story the song wants to tell, it makes people confused.

And the nonsense Chinese style songs like "The Stole" are not one or two. Whether in their past or present, the entertainment industry has never lacked such Chinese style songs made of "moving bricks and building walls".

Even in this world, there are no outstanding Chinese-style lyricists such as Fang Wenshan and Xu Song, this situation is even more rampant, and some general templates for writing Chinese-style songs have appeared.

The black hair, white hair, deep love, shallow fate, like the passing years, the world, fighting, white bones, lonely city, etc. are broken and recombined with broken words, and then you can write a song "national style".

This kind of "Chinese Style" song produced using a general template assembly line, let alone Kun Yan, any ordinary person who has received higher education who can read the lyrics carefully will feel that his Chinese language has been in vain...

Of course, there are also excellent Chinese-style musicians in this world, but their excellence is mostly reflected in arrangement. In terms of lyrics, although they do not "build bricks and walls" for the sake of ancient style, they usually use the lyrics composition method of ordinary pop music, and do not use too much in-depth charm of Chinese classical poetry.

Before Ye Weiyang appeared, Kun Yan had heard too many lyrics written in a mess, and used various gorgeous rhetorics to force the "Ancient Style" songs of the lyrics to be squeezed into the lyrics with some allusions that were not appropriate.

I have also heard many excellent Chinese-style songs with beautiful arrangements and ancient flavors, but the lyrics are too popular.

Until Ye Weiyang appears!

Music that truly satisfy Kunyan's expectations for "Chinese style songs" has appeared!

Whether it is "Blue and White Porcelain" or the current song "Qianbaidu", Kun Yan likes it so much!
Chapter completed!