The New Year’s Eve party at Tomato Platform was naturally very smooth.

After Ye Weiyang was licked... and was touted, his relationship with other guests was naturally very "pleasant".

After that, he went on stage to perform, and the band kept the live broadcast to all the audiences watching the live broadcast on the TV.

Later, Ye Weiyang also sang a solo song "Blue and White Porcelain".

The band alone occupied nearly 20 minutes of performance time, and it can be said that it was the largest group of guests at Tomato Station at night.

After the performance, the band did not stay on the scene until the party was completely over before leaving. Instead, they simply moved their positions directly to Hongqiao Airport in the Magic City, took the late-night red-eye flight to Tokyo, Japan.

At Tokyo Haneda Airport, Rina Takayasu, the Japanese itinerary of the band, has been waiting for them for a long time.

After about two o'clock in the evening, after receiving Ye Weiyang and his group, Rina Takayama took them to a five-star hotel in Tokyo.

After some running around, all members of the band must be fully energetic as soon as possible to deal with tomorrow's Red and White Songs Battle.

Without much conversation, after arriving at the hotel, Ye Weiyang and others quickly washed up and fell asleep.

At around 7 o'clock the next morning, Ye Weiyang, who had only slept for more than four hours, was called again and began to prepare.

Although the Red and White Songs Club started at around 7pm, they had to start preparing their clothes early in the morning and take some official Reuters photos of the day and post them on social platforms such as Weibo and Twitter.

And they have to go to the Tokyo International Convention Center for the final rehearsal.

It is worth mentioning that although the Tokyo International Convention Center is not as big as the Magic City International Convention Center, there are much more guests at the Red and White Song Festival than the Tomato Platform for New Year's Eve.

This year's Red and White Song Festival invited a total of 42 groups of guest singers to compete on the same stage!

One night, Japanese audiences can enjoy the wonderful performances given by 42 famous Japanese singers!

In China, it is difficult for any TV station to invite 42 singers from at least second-tier or above to participate during the New Year's Eve...

Of course, the Spring Festival Gala is OK, and there is no problem with CCTV's various holiday parties.

But it is really a bit difficult to achieve the New Year’s Eve party where various TV stations are fighting.

So for Japanese fans, the Red and White Song Club is really a super audio-visual feast for the annual audience.

It is just that the band members who are used to the domestic gala form are unchanging. They are not sure about the complicated guest examiners of the Red and White Song Club, the methods of review and various messy votes.

Moreover, the voting method of each Red and White Song Festival is different and how to calculate the winning or losing.

Anyway, Rina Takayama and Ye Weiyang have talked several times, but Ye Weiyang and the others still don’t understand.

But this doesn't matter. Whether the Red and White Songs wins or the White Team wins in the end, it really doesn't matter to Ye Weiyang, a group of outsiders from China.

They didn't grow up watching the Red and White Songs since childhood, nor did they have the deep-rooted confrontational concepts in the minds of Japanese audiences. Just like a person who doesn't understand football watches a football derby in a certain country, it doesn't matter who wins.

However, Ye Weiyang still felt a little sorry for their appearance order.

Although the band's first Japanese album "Fighting Fireworks" achieved very impressive results, it won the eighth place in total sales of Japanese local albums this year.

However, even so, at best, they can only be regarded as a band that just became popular in Japan this year.

Although the band is open, it has become the most popular band among foreign singers who have debuted in Japan.

But compared to famous Japanese singers and groups who sell at least one million albums in a row, they are still incomparable.

Therefore, the non-closing band did not receive the final "final" (Tori) treatment at the Red and White Song Festival this time.

This is a pity for the band that has become accustomed to the finale in the country.

You should know that the finale of the Red and White Song Club is different from that of the domestic ones.

During the finale performance, the singers who appeared before would stand by the flower stairs on both sides to support him, giving him enough face and it was very pleasant.

It is just because it often receives special attention, so the program team generally chooses famous veteran singers to take on the finale.

Correspondingly, young singers are rarely chosen at this time.

Not to mention the young foreign singer, this has never happened to the entire Red and White Song Club.

Ye Weiyang, who was putting on makeup in the backstage of the Hongbai Song Club, sighed and said, "Hey, it would be so good if we could be the finale of the Hongbai Song Club. It would be a very exciting thing to pass it back to China."

"Don't think about these beautiful things. We are Chinese, how could we end up in the "Spring Festival Gala" in Japan? Do you still have to live a local Japanese singer?" Yang Xiao sneered, and was speechless at Ye Weiyang's whispered idea.

On the other hand, Pudding, who was also wearing makeup, ignored their chats and was worried.

"I'll meet other Japanese guests later. My speaking is not very good. What if I get embarrassed?"

"And I don't know many singers. I never pay attention to Japanese celebrities. If I can't even call my name later, will it make them feel disrespectful?"

Pudding kept muttering, even more nervous than holding a concert in the country.

The bands who are open to participate in the Red and White Song Festival are actually equivalent to representing Chinese musicians and appearing in Japan. Their words and deeds do not only represent individuals, but also represent the entire Chinese music scene.

Once they make any jokes at the Red and White Song Festival, they will lose face in the entire Chinese music scene. No wonder Pudding is nervous.

Standing aside and being with the staff about the process, Takarina Takariya saw that Pudding was so worried, and hurried over and explained:

"Don't worry, for everyone's sake, the program team will be given a translator. When you enter the chat session on the stage or get Q&A by the host, you can speak Chinese directly and let the translator translate. When you meet someone you don't know, the translator will also whisper to tell you the other person's name."

Ye Weiyang also smiled and interrupted, "What's so nervous about this? We are foreigners, but it's an advantage."

"If the host says some questions that you don't want to answer, or don't know how to answer, you can just pretend to be stupid and pretend not to understand to escape. This is the advantage of foreigners. Sometimes those local artists have to bite the bullet and answer them when they encounter tricky questions, so we don't need to."

Even in Japanese programs, even in the Red and White Song Club, it is inevitable that you can use the guests to do the performance of the program. It often embarrasses the guests or asks some very sharp and tricky questions, all for the sake of ratings.

However, as a foreigner, the band can completely avoid many traps by relying on the excuse of language barriers.

"Yes!" Puding immediately smiled when he heard this.

The lively and cheerful atmosphere immediately returned to the lounge.

More than ten minutes later, when everyone was ready to make up and ready, a staff member of the Hong and White Song Club program team knocked on the door of the lounge in time.
Chapter completed!