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Chapter five hundred and ninety Ye Weiyang: I want it all

"Birth! It's for proof~"

"Love! Traces of existence~"

"Fire~ Greater Life after Burning~"

...

"Killing is for praise~"

"The magnificence before the destruction~"

"The night is the deep eyes of the wolf~"

"Lonely waiting for dawn!"

In the recording room, Pudding was devoted to recording the microphone worth hundreds of thousands of yuan with full emotion.

Outside a glass wall, Ye Weiyang and Yang Xiao were listening to her singing with relish.

"Not to say, little pudding sang really well."

Yang Xiao smashed his mouth and praised it with a rare slightest praise.

The most common thing he does is to quarrel with Pudding, and he rarely praises her.

Only when he can't hear this kind of pudding, he will proudly praise him.

"This song is very nice, it's a bit too popular and has no rock flavor." Wu Dawei also commented rarely.

Ye Weiyang smiled secretly in his heart.

How can it not be popular?

Now the version that Pudding sings is the version that he adapted the band based on the original song.

If it is the original version of "Shapolang", it is completely a popular lyrical song, without any electric guitar or bass, the effect sounds and strings of various electronic synthesizers, and the arrangement composed of piano base sounds.

However, this song is very suitable for band adaptation.

In his previous life, he was also covered by many campus bands.

The whole song is grand and full of climaxes. With a little adaptation, you can create the sense of fighting on the ancient battlefield.

In addition, Ye Weiyang added a lot of the tones of ancient Xiao and flutes into it, which restored the desolate and lonely taste of the original song.

This part of the original song is played by Shakuhachi.

The thing shakuhachi originally originated in China, but was promoted by the Japanese.

Since its introduction to Japan during the Sui and Tang Dynasties, it has always been a must-have instrument for traditional Japanese music and Buddhist teachings.

But this thing has actually been updated in China.

Since the Song Dynasty, musical instruments such as flutes and flutes from the folk gradually replaced the shakuhachi status used in court music.

The flute, Nanyindongxiao, Guangdongdongxiao and other flute instruments, and the tone are more mature and excellent than those of Shaba.

Therefore, Ye Weiyang chose to replace the shakuhachi in the original song with a flute and flute with a more Chinese-style charm.

Not to mention, the effect is pretty good.

The two types of flute and flute, which are as crisp as silver bells and as delicate as silk, enrich the arrogance and magnificent and desolate artistic conception of the knights that you want to express in "Shapolang".

This is also the first time Ye Weiyang has tried to make and adapt music after constantly studying music.

Let's try the pudding first~

Ye Weiyang was still very satisfied with the effect presented.

Yang Xiao and the others also think this arrangement is very good.

Well, it's just a bit too "popular".

However, "Shapolang" itself is a popular lyricist, and it doesn't have that flavor to change it to hardcore rock.

Moreover, Pudding's EP this time didn't mean to go the rock route.

What you want is popular and popular.

Before "Shad the Wolf", they had recorded four songs: "Our Love", "Millennium Love", "Creambolic Bay" and "Your Smile".

With the idea of ​​grabbing someone, I will catch someone.

Ye Weiyang directly pulled over the four most famous and classic songs of the Feier Orchestra and created this selected EP for Pudding.

The product of Ye Weiyang must be a high-quality one. It must be stable!

As for being too popular?

Anyway, it’s not an official album of a band that never closes. What’s the point of playing with popular ones?

The band will fly without closing, and something happens to pudding back!

"This EP of Pudding this time is a try."

Ye Weiyang looked at the pudding in the recording studio with his chest and said lightly: "If the market response is good, the band will be divided in the future."

"I'll sing hardcore rock songs."

"Pop rock, lyrical pop songs, let pudding sing."

"Popularity is a very large market. If you can, don't give up."

“And we started out by singing pop.”

"When I participated in "I Am a Singer and Writer", I sang all pop songs!"

"At least, we must firmly grasp the domestic popular market."

"Our route in the European and American music scene should still focus on rock. After all, the world music scene is indeed very scarce and excellent rock bands."

"Otherwise we wouldn't have become popular so quickly. Isn't it because European and American rock bands are in a stage of disagreement?"

"In North America, there are many super first-tier singers in style such as popular R&B, electronic music, folk songs, POP, etc."

"We don't have to compete with them for food, just cultivate the market in rock."

"But the popular POPs in China cannot give up."

"But I have limited energy, and it's not suitable for us to post songs too frequently."

"From the future, I will add a burden to the pudding and ask her to post the popular POP songs from our band."

"In this way, Pudding and I will release albums alternately, which will make the audience less aesthetically tired."

"After all, we are two singers, one man and one woman."

Ye Weiyang's words were not a temporary idea, but he really thought about them for a long time.

Now that the bands are open, there are too many aspects to take into account when they enter internationally.

In the domestic Chinese market, bands started out by pop POPs. The earliest "Stubborn" was pop rock. Later, most of the songs in "I Am a Singer and Writer" were pop rock, or even rock was not even rock, but POP pop.

In the Japanese market, bands that have become famous without closing are not so easy to give up when they say they want to give up. At least they have to maintain the speed of releasing an album for one or two years.

Not to mention the European and American markets, this will be the top priority for the development of the band in the next five to ten years.

However, in the European and American markets, pop music is already too saturated, with all kinds of super first-line queens and influential young idols emerging one after another.

The non-closing band should mainly develop in the hard-core rock route, with some popular rock and will not mix with the popular style of POP.

Simply put, there is no need to do songs like Justin Bieber's style, and the band does not need to do them.

But even so, the band will need to release a three-language album without closing!

And keep the speed of each one every two years at least.

After all, every eight months, a formal album is required.

This is too tiring.

If it were really all, Ye Weiyang would sing alone.

There are also various tasks such as global tours that will definitely know fabrics, which will make Ye Weiyang exhausted.

This is why he wants to push Pudding to be the second lead singer!

This is the best choice that can not only reduce your burden, but also try to seize all markets without wasting them!

So don’t look at Ye Weiyang’s attitude towards Pudding’s selected EP this time.

But in fact he attaches great importance to it!
Chapter completed!
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