The members of the band who were dressed up as a dance hall-style stage in the 1990s were constantly twisting their bodies along with the music full of disco.

In fact, there is no professional dance step statement when dancing disco music.

In the 1990s, when dance halls were in full swing, young people were dancing disco as long as they twisted the music.

Like break dance, those are professional skills that only high-end play games can master.

Ye Weiyang and the others are not professional dancers. In fact, they just learned a little bit of classic break dance moves, and mixed some common songs and dance moves in the 1990s, which can be called a scattered dance on the stage.

But this funny stage effect is unexpectedly very good.

The audience at the scene were amused by the opening dance of the band.

She was dressed like a leopard, wearing a pudding with an explosive head, twisting her waist on the left and right, like jumping into a samba, but it was a little more casual than a samba.

This is also the dance moves that young women in the 1990s love to play when they "danced" and that she only learned after asking her mother for advice.

Pudding twisted his waist while singing with his eyes:

"ha! How sad the little girl cried~"

"I don't know who abandoned her~"

"Where should she go now~"

The audiences on the scene all had a sense of absurdity in the "Golden Leopard" picture quality MV, which came to their own.

Before they could sigh more, Ye Weiyang and Yang Xiao and the four "flower boys" stood behind Pudding and made the classic action of Aaron Kwok's song "I Can't End to Love You" and faced the audience, he stretched out his hand and began to tremble.

They sang together on their lips.

"Dear little sister, please don't cry."

"Where is your home, I will take you back."

"Dear little sister, please don't cry."

"I will use my love to warm your heart~~"

The extremely impactful scene caused the female audience to scream.

What is turbulent and turbulent? Today they have completely felt it.

However, this retro disco is just an appetizer for tonight.

After more than a minute of singing "The Little Girl Under the Street Light", there was almost no stop. Yang Xiao and Wu Dawei immediately picked up the instruments that had been placed on the stage.

A curtain on the back of the stage was torn off, revealing the drum and keyboard hidden behind the curtain.

Jingbo'an and Pudding trotted quickly.

The intense and fast-paced melody of bass and drums immediately rang out.

Yang Xiao's electric guitar also quickly followed, aggravating the rhythm of the music.

Music that is so active that the heart beats violently with the music resounds in a small studio.

After holding the microphone, Ye Weiyang took a short run-up, stepped on the brakes and stood on the stage side. He used his hand to make a classic 1990s big back and greasy head that he had made for today's stage. After playing a bit of handsomeness, he continued to sing.

"I met her in my heart this night on the street~"

"I decided not to listen to the call and go home with her~"

"The cold wind in the middle of the night is not allowed to blow away her~"

While singing, Ye Weiyang kept shaking his legs with the drum beats.

It looks like Yang Kun’s classic “trampling on cigarette butts”.

From the restoration of the songs to the retro stage performance, the audience has fully demonstrated the effect of a classic performance from the 1990s!

"Her faint eyes are about to talk to me~"

"Silicon, piaopiao figure, turn around silently~"

"Say to me a romantic lover loves me?"

Ye Weiyang did not have a slight breathing sound in such a fast-paced lyrics, and it was completed in one go without interruption!

This little detail made something called memory permeate the studio.

Since the peak period of Hong Kong music has passed, the Chinese music scene has not heard of this kind of singing style that only older generation singers can use.

Now I have heard this very comfortable singing style that sounds so long that I have been listening to, which makes the audience on the scene sigh.

Sometimes, memories only require a little incentive to appear in front of you like a slide.

The band is performing on the stage.

But the audience saw the shadows of countless outstanding singers from the golden age of the 1990s in them.

"The greedy young breeze dares to kiss her."

"Put down every thread of her hair."

"The humble evening breeze should not comfort her."

"I have decided to protect her in my heart for the rest of my life."

Ye Weiyang continued to sing, and the music was very "powerful". This song "The Flower Guardian" was originally a warm song, a divine song of shaking legs, suitable as the opening song, and can drive the atmosphere of everyone.

Is this a good song?

No one of the audience would deny it.

Is this a nostalgic and retro song?

For those living in the contemporary world, this song is undoubtedly the most popular way of performing music at the end of the last century.

If you close your eyes and listen, you will definitely think that this is a song released in the 1990s, and you will never expect that this is a song from a band that never closes.

What impression does the band have always had on the open?

Young, rock, very trendy, and the music style is very versatile...

All the labels on them represent the "future" and have absolutely no connection with the "past".

But today on the stage of "Cantonese New Generation: Battle of God", they actually designed a special tour to take all the audience back to the 1990s.

From the funny dance hall disco at the beginning to the current Hong Kong music music singing and dancing in the 1990s.

Anyone with discerning eyes can see that the band is paying tribute to the golden age of the 1990s after the Chinese music scene, which once left a profound influence in the Chinese music scene and emerged with countless king songs.

"The greedy young breeze dares to kiss her."

"Put down every thread of her hair."

"The humble evening breeze should not comfort her."

"I have decided to protect her in my heart for the rest of my life."

On the stage, Ye Weiyang is still dancing the classic Hong Kong music dance from the 1990s.

His clear voice did not require too much modification, and he sang this song into his own style.

However, the atmosphere at the scene became a little warm from the beginning.

The audience gradually became quiet, but they just swayed their bodies left and right with the music, waving the glow stick in their hands.

There was a moment.

Everyone seemed to feel the feeling of their parents chasing the Hong Kong Rakuten kings in the 1990s.

These dance moves and styles that look a bit funny and funny are also the youth of a generation!
Chapter completed!