After getting the lyrics and music scores of "War", Yang Xiao and the others devoted themselves to the busy practice.

The RAP of this song is not simple, especially the Mandarin part that Wu Dawei is responsible for, which requires strong explosive power and quick mouths.

It’s actually a bit urgent to practice for more than a week.

Not to mention that they still have a concert to hold in the middle, which is even more time-consuming and heavy tasks.

Of course, the rest of the band were busy, and Ye Weiyang was not idle either.

Although he said he didn't have to prepare the song "War", he was also thinking about giving benefits to Japanese fans.

In any case, Japan is also the second largest music record market in the world.

The bands that are not closed can still not be so obviously favorable to one or the other.

There are several singles in English and Chinese every now and then, but there is no Japanese single.

Over time, this will make Japanese fans feel unequally treated.

So, after talking about this last time with Liu Yunqing, Ye Weiyang kept thinking about what song to choose to post.

When it comes to Japanese songs, in previous lives, most of the younger Chinese people must immediately think of Yonezu Genji, while most of the middle-aged people will think of Utada Hikari and Hamasaki Ayumi.

There is also a Huazawa coriander between the Cenozoic and Mesozoic.

If you are older, you may think of Miyuki Nakajima.

Of course, there is also a scattered Ashishi who jumped out of the six realms and was not in the five elements.

These people basically form most ordinary Chinese people who do not pay attention to the Japanese music circle and have a degree of understanding of the Japanese music circle.

To be ashamed, for Ye Weiyang, in addition to listening to more Japanese band songs such as ZARD, he only has so much knowledge of most Japanese songs.

At most, some Japanese comics' passionate EDs and OPs, various theme songs and passionate soundtracks.

So there are actually not many songs for Ye Weiyang to choose.

Karasawa Coriander, you must not be selected.

The music styles of Utada and Ayumi Hamasaki are not suitable for the band, while Miyuki Nakajima is too old and has a sense of the times too obvious.

Yonezu Renshi is pretty good, but his most famous "Lemon" and "Fighting Fireworks" were both stuffed into a Japanese specialty by Ye Weiyang.

The only song "Loser" for him is left, and he has never heard of other songs from Yonezu Genshi...

Not to mention Hiroshi, the old man made pure music music, not a band.

After counting, we have to go back to the Japanese comic interlude and soundtrack.

Whether it is "The Wheel of Fate" written by ZARD for Detective Conan, "Gradually Attracted by You" written by "Dragon Ball GT".

It is still the song "Tokyo Ghoul" that is more famous than anime and always "painful".

Or the same classics are all good choices, such as "Blue Bird" from Naruto, "Bow of the Red Lotus" by Attack on Titan, "Red Lotus" by Demon Slayer, and "Red Lotus" by Demon Slayer, which are all good choices.

But, after Ye Weiyang had some dissatisfied with these songs after he had been circling around his mind.

Not that the song is not good.

But he has sang many anime songs before, from "Your Name" to "Digimon" and then to "Slam Dunk", which is simply a designated band for Japanese comics.

Although there are no Japanese cartoons in this world, Ye Weiyang still feels a little strange.

He wants to sing some other songs, so don't always wander around the Japanese comics and music.

Gu Wife

He locked himself in the music production room alone, Ye Weiyang sat in the chair, rubbed his chin, and muttered: "Or what if he had a song "New Treasure Island"?"

"Or "Shenben Sakura" seems to be quite exciting..."

"Ah, there is also the song "Pure Land of Ultimate Bliss"!"

As he thought about it, Ye Weiyang thought of the rich second-dimensional culture in his previous life, and gathered many next-generation young people who like animation and Japanese songs.

He used to be a hard-core LV6 user on B station.

I remember that every year, Bilibili will become popular with two or three Japanese songs. Some are popular because of the popularity of anime, while others are popular from Japan to domestic pop songs.

Although there are quite a few songs in it that are not suitable for non-closing bands, and they are not even suitable for three dimensions, there are always a few suitable songs that are suitable for picking and choosing.

In his amazing memory, Ye Weiyang began to quickly screen out his previous experience of surfing on B station.

Not to mention, after screening for a while, I really found a very suitable song for him.

"The Heart Making", also known as "The Heartless", can also be translated as "Psychological Suggestion".

This song was very popular on B station around 18-19 in his previous life, and it was also because it became popular in Japan and later spread to China. It is a song that both Japanese and Chinese fans have killed each other.

When this song became popular, eight of the top ten songs in the cover area of ​​B station were covered by this song.

From UP hosts with millions of fans to UP hosts with only 10,000 or 20,000 or thousands of fans, they all compete to cover this song.

There are even several cover versions that are widely circulated on other platforms.

This song is the most popular Japanese song before Genji Yonezu became well-known among Chinese fans.

A moving melody, a heart-wrenching lyrics, and the singer's explosive and hysterical crying voice.

This song has become one of the few Japanese songs that can become popular in China without relying on the influence of animation.

Whether it is the band adaptability, style, and level of lyrics, this song is very suitable for a non-closing band.

And it is actually very similar to Ye Weiyang's usual lyric style before.

To put it bluntly, it is that it can still maintain his character as a "musical poet".

Although this character is obviously not what Rainbow Plan and Ye Weiyang want to do, it is a hat that fans and the public insist on putting on Ye Weiyang.

And at the beginning, it actually seemed a bit like a praising.

But until now, Ye Weiyang's hat as a "musical poet" can be worn firmly, and it is not easy to abandon it.

This song "Make the Heart" can deepen the impression of Japanese fans of Ye Weiyang's "musical poet".

After all, the lyrics of this song are very "Japanese lyrical" and have a very obvious "Japanese sadness".

It is very similar to Japanese Waka and Haiku.

The more I thought about it, the more Ye Weiyang felt that this song was very suitable.

"Hey, this song is very difficult to sing. If it is lowered, it will lose the explosive power and heart-wrenching feeling of the chorus."

"But if it doesn't lower the tune, the original tune is a female voice. If I want to sing, I may not be able to sing it with my red neck."

Ye Weiyang was very melancholy facing the arrangement computer.

This song "Making Heart" is indeed a good song, but for him, it is both difficult and challenging.

This is really a happy trouble!

"Don't worry, let's make it first and try it!"
Chapter completed!