After confirming the three songs "The Train Drives Outside the Clouds, Dream Requiems in the Sky", "100,000 Hippies", and "A Guide to Waste in Life".

Ye Weiyang actually had already imagined what kind of public opinion will be when these three songs are released.

In fact, the development of the situation was similar to what he guessed.

Some professional music critics in the mainstream music scene, as well as some music studies, and relatively senior music lovers, praised and loved these three songs very much.

They felt that Ye Weiyang made a breakthrough this time, took the lead in music production, jumped out of the previous framework of the Chinese music scene, and began to explore new things.

This is definitely worthy of admiration and praise for the non-closing band that has already achieved success and fame!

But the base is larger. Usually, I just watch Douyin and listen to music to make fun of it. Ordinary listeners who like popular pop music basically say "no sense" to these three songs.

Although due to the fame and status of the band that never closes, they will not spur the band that never closes, nor will they dare to spur the band.

But after they had listened to it once, and even before they could finish it, they removed the three songs from the playlist and never planned to listen to it again.

As three well-known independent music in their previous life.

Even the first two songs can be called Chinese independent music masterpieces.

But in fact, the audience of these songs in previous lives may not be as good as the "White Moonlight and Cinnabar Mole" that was popular on Douyin.

This is the result of the song style.

Sometimes it’s really not to blame some music critics for saying it too bluntly.

The public's eyes may be sharp, but their ears are deaf.

The song "White Moonlight and Cinnabar Mole" uses the most popular and popular chord routines. The lyrics are directly used to cover some simple love and love, which can ensure that they become popular at the public level.

For most beginners of music lovers, their musical aesthetics are at this level.

So a large number of shameless "musicians" caught a few universal chords that would be popular as long as they heard them, and wrote them over and over again.

Anyway, as long as the song written by these chord progressions of "4536251, 15634125, 1645, 251, 456, 6415" can be loved by the general public. How much else can I think of new chord progressions?

Over time, ordinary listeners have been trained to hear them now.

When you hear these familiar chord progressions, you will immediately feel that "this song is very good", "very brainwashed" and "good"!

When you hear some songs written by non-mainstream chord progressions, you will subconsciously feel that these songs are "not good-sounding".

It's not that these songs are really bad.

Instead, the public's ears have almost been PUA, and the brain has formed a fixed mindset.

This is why after the release of "The Train Goes Outside the Clouds, Dreaming Rest in the Nine Skyscrapers", most people who are used to listening to popular Douyin songs and popular songs in the current mainstream music scene think that this song is average and in a fog.

However, the "deep music lovers" who usually have mixed aesthetics and listen to any style of songs, including independent, rock, pop, R&B, reggae, alternative music, have a very high evaluation of this song.

It is because their "musical aesthetics" have not been PUA and have not been trapped in the universal chord song that is a good thinking pattern.

Listen to both sides, and believing in both sides, and being dark.

This statement is not only very reasonable in politics, but also in the music field.

The Chinese music scene is the most utilitarian music circle in the world, with the highest utilization rate of some "universal chords".

Whether in the Korean, Japanese, or European and American music scenes, although many musicians like to use this "universal chord", it will not be common.

It cannot be said that a hundred flowers bloom in full bloom, but it will not make the "universal chord" stand out.

But in the Chinese music scene, there are seven or eight of the ten new songs that can be used with "classic" chords.

Moreover, these songs that use universal chords have been tried and tested. As long as they are arranged, they will become popular, which leads to a vicious cycle.

The remaining songs without using "classic" chords will be difficult to become popular.

Some unconventional musicians in the music industry have excellent singing skills and good musical aesthetics. They can easily catch songs, but the songs they write can't become popular no matter how popular they are. (Yes, I'm talking about Tan Weiwei, Yuan Yawei and the others)

The public likes those swearing songs produced by joking and turning universal chords and assembly lines. What can I do?

Some people have always complained that the music industry is full of plagiarism and slutty songs.

Wasn't that also the audience voted with their own feet?

No one listens to serious musicians without universal chords and unconventional songs!

The songs written by Xu Song are becoming more and more diverse in style, more advanced, more and more connotated, and more musical, but fewer and fewer people listen to his new songs.

What he most popular is "Stay Face" and "What's wrong with it" written in universal chords.

What can I do?

In fact, Ye Weiyang is already lucky enough.

The Chinese listeners in this world have better musical aesthetics than those in previous lives.

Maybe it is because this world is already 2026, and the musical aesthetics of Chinese listeners have been upgraded several times.

At least when the three songs "The Train Drives Outside the Clouds, Dream Rest in the Sky", "100,000 Hippies", and "A Guide to Waste in Life", about half of the fans of the band can appreciate the beauty of these three songs.

Three days after the reviews of these three songs were published, they were half positive and half negative.

This is much better than in the previous life.

No matter how good the reputation of these three songs in their previous life are and how famous they are in the niche circle, they are not as powerful as a squid song in the mainstream music scene.

In this life, because the fame of the band that never closed was sensational enough, these three songs became famous all over the country almost instantly as soon as they were released.

Many listeners who have not yet completed the PUA saliva song that has not been filled with the Chinese music scene are still very enthusiastic.

Ye Weiyang also used his own influence to force the Chinese music scene, which was dominated by universal chords, to pry a crack open.

With the current achievements of the band, Ye Weiyang really has no higher pursuit of popularity, fame, etc.

What he is pursuing now is to change the atmosphere of the entire Chinese music scene!

Just start to change from the abnormal situation of songs written by "universal chords" that can become popular!

Ye Weiyang, who was originally just a playful attitude towards independent music, saw such polarization of the evaluation of "The Train Driving Out of the Clouds, Dreaming Rest in the Sky".

Secretly made up your mind!

No matter whether it can succeed or not, he will try to reverse the somewhat miserable musical aesthetic of the Chinese public!

It’s not that musical aesthetics must be very advanced, but at least it must have a variety, rather than being completely used to PUA with universal chords!!

I would like to recommend another powerful new book. I think it has the potential to be popular, and the results of the new book period are extremely good!

"I don't accept anyone as a media person"
Chapter completed!