Chapter 216 The end of Qingping
Cantonese pop is rapidly rising in status and beginning to become local popular music culture.
But at this time, someone just jumped out and severely criticized the newly popular and popular things. This attitude and intention are worthy of scrutiny and consideration.
Whether he was supported by vested interest groups and acted on orders is a very possible motive.
Suppose that because of his appearance, the monopoly interests of vested interest groups have been damaged, and if someone is willing to speak for him and criticize him, he would naturally want to support these spokesmen, whether it is financial or other means.
As the pioneers of Cantonese pop music, Xu Guanjie and Lu Dongjie were definitely the first to be hit.
But Xu Guanjie's style has been fixed, and he has firmly established himself as the number one singer idol among young people, unshakable. These criticisms are harmless to him, but may actually arouse the fans' defense.
So by putting Xu Guanjie and Lu Dongjie together, they might just be deceiving others, focusing their attack on Lu Dongjie, and specifically targeting Lu Dongjie's weaknesses.
They feel that Lu Dongjie is the most threatening. This guy is a monster. Not only can he compose (actually copy) various types of Cantonese songs, he can also sing them himself. The most important thing is that this guy is restless and has opened his own record company.
Make trouble.
Lu Dongjie's record company has released two mini albums, which have always been on the radio charts. They can be heard on the big speakers in front of the record company on the streets, as well as in karaoke bars, dance halls, bars and nightclubs.
Even in today's English colleges, these students used to have a special liking for English pop music, but since Kuang Meiyun and Zhang Yuanyuan released albums, this trend has changed quickly.
After all, Cantonese songs in the past have always been labeled as "native language discrimination", "unrefined" and "old-fashioned". Since Lu Dongjie's debut, he has changed these old views and released many songs with very fresh tunes and lyrics.
pop music.
The theme songs of TV series related to him are overwhelming. Now, the momentum of this Cantonese pop song is unstoppable, and it has begun to penetrate into the ears of the audience in all directions.
People and companies seek advantages and avoid disadvantages. If they see the craze and feel that the emerging Cantonese pop music is profitable, they will add other funds and talents to this industry.
The emergence of this phenomenon is the rise of one industry culture, which must be accompanied by the suppression or decline of another industry.
Therefore, for people and companies engaged in related Mandarin period music, English pop music, and Japanese pop music, their vested interests will definitely be damaged. This is not just a wolf coming, but a tsunami coming.
At this time, the moral defenders came out and severely criticized Lu Dongjie's songs, saying that Lu Dongjie's songs were vulgar and straightforward, were about love and love, love and love, and had no educational significance and could even teach children bad songs.
This argument will surely win the approval of some conservative parents of teenagers, who will resist him.
You should know that a popular song nowadays can be popular for at least half a year, or at most two or three years.
However, since Lu Dongjie dares to come out as a copywriter, he is naturally not afraid of criticism. Making money is the main thing.
Just because the top management of Jiashi TV saw that the market was so good, they couldn't help but want to come in to dig for money and do some publicity to launch their TV original soundtrack.
Lu Dongjie has in his hand a list of theme songs and interludes that Jiayi TV has used on TV since they started broadcasting. Lu Dongjie does not need to count them in detail, because the number is not large, and he knows it well.
Lu Dongjie picked up the pen and started writing the tracks for the album on his manuscript paper.
The first song, "Star" - Mary Zhang.
This song is the theme song of the same name for the 1976 fashion drama "Star" starring Jiang Tsang and Mary Zhang. The lyrics and music were written by Huang Zhan. The original name was "When You See the Stars in the Sky".
Mary Cheung became the Miss Hong Kong champion in 1975. Her beauty and talent are certainly not bad, but her singing skills were a bit lacking. The song had a mediocre response after it was released and did not become a big hit.
However, after Lisa Chen's cover and then Dexian Ye's cover, this song finally became popular and became a popular cover song. Many singers use this song to express their feelings as singers in their solo concerts.
The second song, "Who is the great hero" - Lin Mu
The theme song of Jiashi's martial arts drama "The Legend of the Condor Heroes" was also written and composed by Huang Zhan. The popularity of this song can be said to be unknown to everyone in Hong Kong.
In the same year, Xu Guanjie gained a lot of popularity by taking other people's serious songs and filling them with nonsensical lyrics, and turned it into "The Legend of the Sparrow Fighting Heroes". Two songs, one serious and one funny, deservedly became the most popular song in the streets last year.
's hit songs.
The third song, "Guangdong Hero" - Guan Zhengjie
This drama had a twist. At that time, Jiashi introduced a Taiwanese drama "Hong Xiguan and Fang Shiyu". After a period of time, the TV and film management agency ordered it to stop broadcasting. It was claimed that there were too many fighting scenes in the drama and it was too intense.
, has a bad influence on young people.
But Jiashi was unwilling to give in. Your censorship office wouldn't let me broadcast it, so I would make a film of the same type myself. Then this "Guangdong Hero" was born under such circumstances, but Qijuqi soon after,
"Hong Xiguan and Fang Shiyu" returns to the JiaShi screen.
The fourth song, "Crane and Divine Needle" - Guan Zhengjie, Hua Wa
The fifth song, "The Legend of the Condor Heroes" - Guan Zhengjie, Wei Xiuxian
The seventh song, "Martial Arts Couple" - Feng Weitang, Wei Xiuxian
The eighth and ninth songs, "The world of mortals comes and goes, a dream" - Guan Zhengjie, Hua Wa
This is the theme song and interlude produced by Lu Dongjie for "The Legend of the White-haired Witch". It is a two-word song. The Mandarin version features Wa Wa as the lead vocalist, and the Cantonese version features Guan Chengjie as the lead vocalist.
No. 10, "Superman Theme Song"
This is Lu Dongjie's application form for joining Jiashi. It is a children's film "Seven Stars" (Ultraman) introduced to Japan. It also has a theme song. It can be said that Lu Dongjie has won many awards with this song.
Teenage fans.
No. 11, "Time is like a song"
This song is the theme song produced by Lu Dongjie for the fashion drama "Airport 77". Unfortunately, the drama was cut in half due to various factors, but this song left a very deep impression on the audience.
Song 12, "A moment away from the end of the world"
This is the theme song produced by Lu Dongjie for the fashion drama "Eye of the Sky". It is his first song to successfully top the Radio Television Hong Kong Chinese Song Chart, and it has stayed at the top of the list for several weeks.
This is an album with eleven Cantonese songs, the first of which is a popular song that is well-known in the streets.
The work of selecting the tracks for the TV soundtrack album is completed, and then it is handed over to the record factory for recording.
These guys can't see the situation clearly and use this to attack Lu Dongjie, so he doesn't mind adding more fire to the market.
Chapter completed!