Chapter 475, the second volume of this book, "The Book of Heavenly Cars" has finally ended in nine months.

This also marks that players have officially passed two-thirds of this book.

As Annan breaks his six mirrors one after another, finds the light in the mirror, the real light of the sky carriage is about to hatch.

Simply put, it is time for Annan to complete the sublimation ceremony in the next volume.

Let me give you a brief introduction. The length of the third volume should be slightly shorter than the second volume. In other words, if you start writing in mid-March, you should be able to complete the book before the Spring Festival.

The next book has already taken shape, and friends all say it's so good (thumbs up)

However, after writing this book, Amao will definitely not publish a new book immediately, but will have to take a short break and adjust his work and rest to exercise (it is probably difficult to complete when saving the manuscript). But it will definitely not be later than the end of March next year.

There may be less than nine months left in this book, or maybe it is a little bit too much. It mainly depends on whether there is any sudden inspiration, which makes me suddenly feel that a certain nightmare is particularly awesome, and I have to write it even if I add a tamp.

If this happens, it is inevitable that you will have to continue a small piece of it.

After all, you must also like to watch it (sincerely).

The main stage of the next volume is the United Kingdom and the Knights, as well as a small number of plots from other worlds.

By the way, yesterday I saw someone saying that this book is rather dull...that's natural.

Because the initial positioning of this book (or all of Qi Miaomiao's original worldview works) is based on the concept of "a travel notes of a magical world". All my books so far are based on "settings" as the main axis and "small stories" as the flesh and blood, making a new worldview rational and logical style.

Compared to the mercury blood that was quite stiff back then, I have now mastered the skills of inserting the plot in the process of throwing the settings...

The reason for using this writing method is that when Amao is very forced to count the ups and downs of strong orgasm when I read the book myself, I feel that the ups and downs of the mighty climax. If I can't finish it in one breath, I will have to be stuck for several days, which is particularly uncomfortable if I don't go up or down...

But I believe that I probably can't make a comeback (fork hips).

Moreover, the subject matters I write are all types that cannot be updated. If I accidentally explode too much, some strange bugs may occur.

Of course, this can also be considered a kind of self-stimulation, not so market-oriented.

However, after focusing on writing self-satisfaction articles for six or seven years, I can write them well and make money. Then I think there is no problem to continue this self-satisfaction road.

When readers get tired of the same big fish and meat, they will occasionally feel refreshed when they come back to eat a bite of the cucumber with a novel flavor.

In addition, I still remember some readers often mention why there are so few plots about players.

Part of the reason is that my comments in the first volume have already said that if there are too many plots from players, it is easy to collapse. In that case, it is actually a funny article, and Amao's personality is too serious. I do want to write that kind, but I can't...

About four or five months before the book was opened, when I had a dinner with other authors, the definition of the player elements in this book was "adjustment". The Mist Continent is actually a desperate style similar to the Farns World of Mercury. If players are removed, it can indeed make the plot more smooth or more ignited, but the readability will undoubtedly be much lower.

The role players play in this book is to be able to pull readers out with jokes when they are about to sink into this world.

This is a technique he told before when chatting with Uncle Tong. How to calmly tell a tragedy without making readers sad?

The answer is to keep the stage distance so that readers can always realize that "that is a story that is far away from themselves" without immersing them in it.

If it is a tragedy that is too close, such as a tragedy that happens around oneself and the protagonist is played by relatives and friends, it will make people feel heartbroken and sad. Parental mother-in-law and daughter-in-law dramas are actually using this effect to "snatch the heart".

But I don't really like the kind of plot that makes people feel sad after watching it.

Storytelling and opera are advising people. I started typing the first word on word in 2013. This is the concept I have adhered to. Even if I can’t understand any heavy truth when reading, when I reminisce, I can still pass by “as if I understand something”.

The heavy and solemn tragedy does have artistic value and is very high, but when readers click on the book with the attitude of "I'll come and have a relaxed and happy look", they are so overwhelmed by the heavy despair that I think this is also a fraud.

Therefore, the reading experience must be taken into account.

During the mercury period, I liked to use a knife. But the more I wrote, the more I was more restricted and I didn’t dare to use a knife. This is the reason.

There are some characters that I originally wanted to get rid of, but considering the reading experience and the feelings that readers have accumulated for the characters, I couldn't bear to start. In the end, I could only start a new plot, making it invisible, which saved my life.

A strange metaphor...it is like killing a pet in front of the owner. I think when a reader cuts off an important role of "love" from the heart, the mental impact the reader feels probably converges to this extent.

He is heavier than a device, but lighter than a person. But he can be remembered in the end.

Maybe it's the tenderness left in the cat's heart...

Finally, there are a lot of people asking questions in the past few days. Here I will reiterate the fan attitude of this book, which is welcome!

After all, I am also a fan-born person. Whether it is fan-picture or fan-culture, as long as it does not violate relevant laws and regulations, it is very welcome here. As long as you do not make commercial profits and indicate the source, you don’t need to ask for my opinion specifically, and ask is welcome.

After the player completes this book, if someone wants to write directly with the player's worldview and put it on the shelves at Qidian, I don't mind as long as the source is indicated. The reason I have to finish the book is because I don't want to explain the settings that have not been released yet, but I don't want to see you being slapped in the face by me...

It's time to code. Finally, there is the ending word of this volume.

The appearance of [Book of the Sky Car] marks the reopening of the door to the light world.

The next volume, the last volume is, [Expedition to the Sky].
Chapter completed!