After reading the letter, Ren lost his mind for a while.

Was Alexia really killed, or was she killed by a being whose name she did not want to mention.

Ren looked at a piece of text in his heart, "No one is its opponent." He had heard Alexia say this before, when he mentioned the white wolf that attacked Coti.

Lyxia told him.

She told Renn that it was a god worshiped by people in the past, and no one could be its opponent.

But for some reason, there was no news of the wolf god appearing after that. Could it be that it came to Brica? If it was it, why didn't it cause the same crazy scene as before? Or was it another "god"?

Ren was not sure, but there was no doubt that there was a terrifying existence lurking in Brica now. Maybe he really should do what Alexia said, find Andel as soon as possible, and then leave Brica.

But can I really leave, or will I leave...

Moreover, finding Andel is not easy.

Renn smiled bitterly. The only few helpers he had could not help him now.

After reading the letter in his hand again, and when he read the last paragraph, Renn thought that Enid had said something similar before she sealed herself.

Enid said that with Ren's wisdom, she believed Ren should be able to know what to do. Alexia told Ren that she filled in his admission recommendation, so she also believed Ren

You will know what to do.

"Unparalleled courage...and wisdom? You really think highly of me. Even I don't know if I have these two things." Renn looked at the last paragraph of himself and thought silently in his heart.

To: "But I will go on."

But what he has to do now is to get out of this room...

The clues left by Alexia have been found, but he is still trapped in this painting.

"Is there anything else I haven't noticed?"

Ren folded the letter in his hand and put it in his pocket, and searched the room again. He rummaged through the books for a while, and checked the desk and Alexia's body, but found nothing new.

It wasn't until he got close to the portrait of the lady that Ren suddenly felt something moving in his pocket.

Looking down, he saw that the letter he had put in his pocket had been folded and transformed into a small paper man. He opened Ren's pocket and crawled out, then took off Ren's clothes, climbed all the way to the top of his head, and finally jumped down.

Jumped, jumped onto the frame of the portrait.

I saw it hooking the edge of the picture frame with the instep of its feet, the whole little figure hanging upside down, its hands like holding the moon in the water, reaching towards the eyes of the lady in the painting, and holding out her purple pupils.

"No, not the pupils!"

When the object in the eye was taken out, Ren suddenly realized that it was a pendant. He looked back at Alexia's body. No wonder he had always felt that something was missing. It turned out to be Alexia.

The amethyst pendant I had been carrying had disappeared.

After the pendant was taken out by the paper figurine, the portrait of the lady on the ground revealed her original appearance, which turned out to be brown pupils.

Renn walked to the portrait and stretched out his palm. The paper man let go and the pendant fell into Renn's palm.

Compared with when Alexia wore it in the past, the pendant lacked the unique brilliance of magic items, but it was still crystal clear. It must have been specially treated to prevent the murderer from discovering it.

But why did Alexia leave this pendant behind? And it was placed in such an obvious place.

Ren looked at the portrait on the wall. Anyone who enters the world in this painting will definitely notice this beautiful portrait of a woman at first sight, and the chair Alexia is sitting on is also facing this painting.

Painting, if you hide the pendant in such an obvious place, aren't you afraid of being discovered by the murderer?

After Ren checked the pendant several times and found nothing, he was full of doubts and put the pendant around his neck and stuffed it into his collar.

At this moment, probably because the pendant was discovered, the scene in front of him was distorted. When he looked at things again, Renn had returned to the museum's warehouse, and in front of him was the "Victor".

The white scales that previously guided him were nowhere to be found. They probably dissipated shortly after destroying the protective magic. However, Ren thought of the description of the white scales in Alexia's letter. She said they were used by her.

Left deliberately to mislead "it".

For this description, Renn understood that "it" was looking for Alexia, so Alexia, who felt the crisis coming, hid in the painting "Victor". But even Brie

The warehouse of the Card History Museum did not make Alexia feel at ease. She expected that the other party would still be able to find her, so she placed the white scales in the warehouse.

When the other party finds the warehouse and sees the white scales, they will think that they have been deceived by Alexia. This is just a bait. Alexia is not here at all. It is as if the person running away deliberately went to the wrong place.

Traces left on the road.

Unfortunately, the other party was not fooled.

This speculation, combined with the letter Alexia left, Renn thought that what he was thinking should be very close. The only question is, why can this white scale be used as bait?

Is it because Alexia left a mark on it that was enough to mislead the other party, or is it because the scales have a very close relationship with her?

If you want to clarify this issue, I am afraid that you will only have the chance to know it if you actually see that "it" one day.

…

When being sucked into the painting, "Victor" fell to the ground, and Ren possessed him to pick it up and prepare to put it back to its original position.

After putting it back on the shelf, Ren retracted his hands into his sleeves and wiped the fingerprints on the frame through his sleeves.

Although the magic protection on the painting disappeared, there was no alarm and nothing was lost. The museum would probably just think that the magic failed accidentally and would not investigate further.

While wiping, Ren's eyes couldn't help but look at the contents of the painting again.

""Victor"...Victor..."

This infamous painting is still the same as before, with the chair facing away from the picture, the figure with exposed arms, and the portrait of an elegantly smiling lady.

But as he watched, Ren's eyes became more and more talkative, and the corners of his mouth gradually rose.

""Victor", who is the winner?"

…

After everything was done, along the original route, Ren returned to the position where he first entered the warehouse, and then was teleported back to the guard room again, where he sat in front of the TV, as if nothing had happened.

In the monitoring room, the museum staff noticed something moving here, looked over, and found that Ren yawned, got up and left the guard room, and used the walkie-talkie to contact their colleagues.
Chapter completed!