Early the next morning, Ronald opened the large refrigerator in the kitchen of the temporary apartment where McGillis and Foster lived together.

This is a double-door refrigerator produced by GE Company, with the trademark GE in cursive letters on it. Ronald recognized that Aunt Karen also had such a refrigerator at home, and it was filled with baked cookies and various ingredients.

This is a brand that has been with American families for decades. From the beginning of gas drive to the current use of electricity, it has always been a good helper for American housewives. Before the current leader entered politics, he hosted a program for GE to promote these products.

New electrical lifestyle.

"Why is there no meat in the refrigerator?" Ronald rummaged for a long time. The usual bacon, sausages, and steaks were all gone. There were only some chicken breasts among a lot of vegetables, eggs, and juice.

"Whatever..." Ronald took a few tomatoes, washed them and cut them into pieces, then added a few lettuce leaves, pickles, scrambled a few eggs, and bread that popped out of the toaster.

Put several slices of bread together, then use a high-end knife to cut off the four sides of the bread, and then cut it in half along the diagonal line.

Finally adding fresh OJ juice, Ronald carried the tray into the bedroom.

"Oh, I didn't expect you to be a great chef." Jodie Foster came up and took a piece of sandwich and bit into it happily.

"He's really good at making breakfast." McGillis also took a piece and put it in his mouth.

"I wish you a good appetite and a happy meal." Ronald took a sip of orange juice, picked up the bread he had just cut, and bit into it.

"Hmm..." Jodie Foster's eyes lit up. This sandwich contains red tomatoes, green lettuce and cucumbers, yellow scrambled eggs, and some mustard sauce. Not only does it look pleasing to the eye, but it also tastes great.

It also goes well together. It's a rare vegetarian breakfast, and Ronald made it very appetizing.

"I didn't expect the breakfast you made to be so delicious. You really know how to do everything." Foster happily took another big bite and looked at Ronald with shining eyes.

"When I was in high school on Staten Island, New York, my aunt had to work several jobs to earn money. She would come home late at night, and I would cook breakfast every day for a long time."

As Ronald said, he smiled and used his hands to help her wipe away the traces of sauce on the corners of her mouth.

"Ronald, have you been to Canada for filming? How was the filming there? This time we will also shoot the whole process in Canada. There are fewer and fewer crew members staying in Hollywood."

McGillis came from behind and put her arms around Foster's shoulders. She was a bit bigger than Foster, and she sat with the petite Foster, as if demarcating her own territory. Foster held it with his backhand.

Her hands make the two of them feel a bit like good sisters.

"This is the first time I'm filming alone. The original crew and my mother will accompany me. It's still Canada..." Jodie Foster rarely showed a trace of a young woman who needs protection.

"The security there is very good, so you don't have to worry about staying in a hotel. The language and customs are also very similar to America. As long as you stay in the crew's hotel and don't run around, it will feel almost the same as here." Ronald also said, "The nanny

The story of the dirty trash can, a prop from "The Adventures", was taken away by the cleaning workers early in the morning.

"Hahaha..." Jodie Foster burst out laughing. This was obviously not the reaction a top Yale student should have.

"Very good, keep it up." Ronald understood that Judy had slowly begun to assume the role of a waitress who had not graduated from high school.

"Really? Do you think it's okay for me to use this method? I did have a mother who helped me take care of everything on the set. The heroine was alone. Her mother ran away from home and found a new boyfriend. After hearing that her daughter

After being violated, he was still indifferent and just wanted his daughter not to ruin his life..."

Female stars who have received higher education are indeed ahead of other actresses that Ronald worked with in terms of depth of thinking. There are many people who rely on intuition in the acting industry. Foster has both intuition and understanding of acting theory.

, I think when you work with a director, you will be better able to convey the director’s intentions to the character.

"Keep it up, Kelly will love a co-star like you."

Ronald kissed the two beauties goodbye gently. He also wanted to go to MGM to talk about the next marketing arrangements for his movie "Moonlight". In order to win the award, he needed MGM's marketing plan to cooperate.

…

MGM/United Arts is a listed company. After Weintraub failed to get the CEO position and left angrily to start his own independent production company, the company has been in continuous turmoil, and the stock price has been abnormally high in the bull market.

fell.

So much so that no one from the distribution department took the initiative to negotiate with Ronald except for the scheduled release time.

Fortunately, Weintraub's secretary and lover, the red-haired Susan Akins, admired Ronald very much. A lot of her knowledge about film production came from working on the two "The Kid" crews.

Ronald learned from distance observation.

After Ronald couldn't find the person in charge of the distribution department of MGM and had no choice but to ask her for help, even though she was already the vice president of Weintraub Production Company, she still went out of her way to accompany Ronald.

I went to my old company, MGM, and approached the distribution department to discuss the distribution plan for "Moonlight".

"Of course, we at MGM/United Arts will highlight the works directed by Ronald." A senior manager whom Ronald had met before treated Ronald and

Escorted by Susan Akins.

"Why are you like this? This is not how Mr. Weintraub taught you." Susan Akins was full of admiration for Jerry Weintraub. His business philosophy was abandoned in Columbia.

It was obvious that Susan was furious.

"Moonlight is the first film produced by MGM/United Arts after the company resumed its production business. It was decided by Mr. Weintraub himself at that time. Ronald will bring opportunities for revival to the company. You guys

This is equivalent to abandoning everything Jerry has done for this place, everything..."

This chapter is not over, please click on the next page to continue reading! The senior manager was a little embarrassed by Susan. After all, he was promoted by Weintraub as a confidant. At Weintraub, he was promoted by his boss Corkry.

After Ann was kicked out of MGM, he did not leave with Weintraub, but stayed at MGM/United Arts as a senior manager.

He always lacked confidence when facing his former boss's confidants.

"Miss Akins, Director Ronald, I am not trying to deal with you. Mr. Weintraub is the person who can lead the company back to its peak, but after he left, the boss Kerkorian sold the company last year.

To Turner Television.

And Ted Turner, because he couldn't afford the remaining money, sold the company back to Kerkorian this year. Over the past year, internally, we have done nothing but sell, spin off, merge, and sell back to the original owner.

It didn’t work, it just stayed where it was.”

"ha……"

Ronald asked him about the situation, and then asked Susan about some details that he didn't know. It turned out that so many funny things had happened at MGM in the past year.

Ted Turner is the owner of the first cable television network (CUU) to launch 24-hour live news. He owns many media companies. Another well-known company to the public is the Turner Television Network named after him.

Operates cable television networks in affluent areas on the east and west coasts.

He used Wall Street bond financing and spent a huge sum of US$1.5 billion to buy MGM's production and distribution network, and more importantly, he bought a huge film library.

This library includes the rights to all films produced by MGM before 1986, as well as all the film rights of United Artists, and all the film rights of RKO before its bankruptcy.

In addition, there are the film rights of Warner Bros. before 1950 owned by the original MGM, and the copyright of the most famous "Popeye" from Paramount's cartoon business unit.

Ted Turner had high hopes for this. After he obtained the original film library, he immediately colorized the old movies and broadcast them on his Turner Television Network. In October last year, the first film was broadcast on the Turner Television Network

The next pornographic film to be released was the legendary MGM production "Gone with the Wind," starring Clark Gable and Vivien Leigh.

It is a pity that the audience is not interested in seeing color versions of classic movies on TV stations, which sounds very gimmicky.

Turner did not achieve the expected growth in ratings and subscribers. On the contrary, his approach of destroying the precious original black and white copies of the movie also caused great dissatisfaction among major Hollywood unions and film critics.

Chicago's famous film critic, "Bespectacled" Roger Ebert, was furious and humiliated Ted Turner in a newspaper with the headline "The Saddest Day in the History of American Movies."

"Whether it's Gone with the Wind or Casablanca, no one can escape Turner's clutches! No classic can escape his vulgar, computer-colored graffiti!"

Senior managers at MGM spoke painfully to Ronald and Susan about the reputational harm this move had caused to MGM.

Even more outrageous things are yet to come. Due to the broadcast of colorized classic movies, Ted Turner failed to bring enough income. His installment payment for the acquisition of MGM was based on the advertising brought by the broadcast of old movies.

Bonds collateralized by revenue and new subscriber revenue.

Soon, at the beginning of this year, the second acquisition payment failed to enter the account of MGM’s original owner, Kerkorian, as scheduled.

As a last resort, Turner sold the United Artists label acquired by MGM back to Kerkorian for 480 million. Then he sold MGM's production department back to MGM for 300 million.

United Arts.

Then he sold the photofinishing plant and some real estate in Hollywood and Burbank to raise funds. In the end, Turner played a strong game with Kerkorian, buying and selling various properties owned by MGM/United Arts.

The assets were ultimately equivalent to Turner's purchase of the film libraries of MGM, RKO, and Warner Brothers, the three major studios in Hollywood's golden age, for less than 600 million.

MGM's production and distribution departments were at a loss in this child's play buying and selling game.

"So do you belong to United Artists or MGM now?" Ronald listened. This is actually quite miserable. Fortunately, Weintraub escaped from the clutches of the casino owner Kerkorian first.

If you keep struggling, you don't know what will happen.

"I don't know. According to theory, I belong to MGM, but the company's listing code on Wall Street has changed from MGM to UA." The senior manager spread his hands.

The buying and selling game between the two tycoons still left a lot of tailpipes. The film libraries of these three companies were finally sold to MGM through extremely complicated contracts after the antitrust case in Congress and the massive impact of television on Hollywood.

in the hand.

Therefore, how much of the film library acquired by Turner actually belongs to the Turner Television Network is still a matter of great legal controversy. Their lawyers are launching an offensive and defensive battle, and both sides are finding various information from the piles of old papers.

terms, and then bury them in other unimportant documents and submit them to the court. Try to present them as strong evidence against yourself after the trial.

"So, MGM can't give me more support for 'Moonlight'?" Ronald spread his hands and asked the senior manager.

"MGM will still support normal distribution and marketing." The other party also shook his head helplessly.

"That means there is no additional support? For example, awards or something." Ronald clicked his tongue. It seemed that he still had to rely on himself. He wanted to talk to them about the change in the proportion of the share in the later period. If he invested resources himself, would he also have to do it himself?

Take an extra chunk.

"Ronald," Susan pulled Ronald's sleeve, "I know a very good film marketing talent. He used to do marketing plans for Spielberg's ET and Close Encounters of the Third Kind.

If you want, I can talk to him. Now he just started his own business and established his own company. If you are interested..."

"Very good, of course I want to meet him." Ronald was a little overjoyed when he heard that he was the marketing and distribution director of ET, which set a box office record. Susan was next to Weintraub, and she was more interested in such professional talents than herself.

Familiar.
To be continued...