Because this extremely dark and dark underground palace is full of ghost energy, and it is extremely cold and very wet! Not only are the walls covered with evil murals and reliefs with fangs and claws, but there is also a gloomy and murderous aura that can be felt strongly but cannot be described in any way, which makes people tremble.

The cold and low temperature of alum bones in the underground palace made people feel rough goose bumps all over their body, which was filled with an uneasy atmosphere and a feeling of being unruly, as if they were hiding infinite danger, blood and murderous intent, which made people's internal organs extremely nervous.

Half of this terrifying feeling comes from strongly colored murals and reliefs. Most of these murals are monsters with three heads, six arms, ferocious faces and green fangs, as well as many vicious evil ghost Yasha, who also hold various weapons, grin and waving their teeth, as if they want to destroy the world.

A giant monster was painted opposite, with fat heads and big ears, and looked fierce and angry, as if he wanted to eat people at any time. He was covered with monsters with wolf heads and human bodies, and dozens of demons eating and drinking in hell.

There are also typical scenes of Guangjun soldiers riding on horseback, flying in the wind, wielding their swords to cut off enemy heads, and dark clouds in the sky and winds are coming.

The infantry charging in the picture, holding sharp swords, spears, swords and swords, shouting to kill the enemy all the way, blood was everywhere, dyeing human faces and armor red. In front of the infantry were yaks with sharp knives on their heads and war mastiffs as vanguards. The enemy was defeated and people were overturned.

These bloody killing murals are combined with reliefs, and the battle situation is vivid and vivid, and the swords and pens are full of art and terrifying appeal. People and animals are lively and lively, transcendent beyond the stone murals.

At the same time, the carving and removing stones are from shallow to deep. The lines are simple and smooth, and the shape is simple and vivid. The lines have greater agility and flow than the three-dimensional block surface. The outstanding craftsmen combine reliefs, round sculptures, and ancient paintings through the use of carving lines, bringing people a huge sense of power, movement, expansion and explosion-like impact shock.

This outstanding technique of combining painting and carving is endless, either picking up the ground and carving the sun, or picking up the ground and embossing the sun. It pays great attention to the linear concave and convex treatment. After seeing it, it makes people's blood rush, but it is extremely terrifying, and it falls into boundless horror and cannot extricate itself.

In the tragic scene, there is also the roar of wind, heavy snow, goshawks returning to their nests, the sky is dim and the earth is dark, the blue lake is surging, the snow-capped mountains are towering, and the terrifying brave army of light is in the iron-blooded battlefield where the sun and the moon are gone, and the white-haired wind is raging all over the sky, and the horrifying scene of slaughtering prisoners.

These terrifying and crazy pictures show the mythical Guangjun that year. They fought hard all year round, with military wars and invincible wars...

Everyone was searching for the so-called Second Tibetan treasure in this extremely terrifying underground atmosphere, but they found nothing.

When everyone walked around the underground palace like a mole looking for food, they finally turned their eyes to the huge coffin on the huge stone bed in front of the stone wall according to the old rules.

Everyone looked at the large dark coffin and exchanged glances with each other. They found that the lid on the coffin was not sealed, but was covered on it.

The Monkey King Baboon relied on his strength and was eager to move the lid away, but the lid did not move at all. This guy used all his strength, and the lid of the coffin was only moved less than an inch. It turned out that this was a stone coffin lid, which was more than half a foot thick, three meters long and two meters wide, and naturally heavier.

"Get up, mom is a slap, it's useless at first glance." After saying that, Brother Qi bent down the wolf's waist, used all his strength, and roared. The extremely heavy lid of the coffin was overturned to the ground by him, shaking the ground.

I saw that inside the coffin was a standard coffin with a size similar to that of ordinary coffins in the mainland. The gap between the coffin and the coffin was full of sharp bronze arrowheads, and each arrow had a terrible barb. Once anyone was caught in an arrow, he would definitely bring a large piece of bloody muscle when pulled out.

I don’t know why so many arrowheads are placed here, which is incredible! Could it be that the owner of the coffin was an archer who won every attack during his lifetime?

Surprisingly, the lid of the coffin inside the coffin was not sealed. Brother Qi slowly moved the lid away, and a pungent and strange smell came to his face, making them almost sick. This unpleasant gas lasted for a long time.

Everyone was surprised to find that the body inside had no hair and muscles because it was old, and only the gray-white skull frame was left!

That's not counting, and only half of the skeletons are left, which means that the pelvic thigh bones and calves and toes are all there. However, the upper half of the spine, sternum, arm bones and skulls above the lumbar spine are all missing.

This made everyone very puzzled. Even if the master was cut in half, he should be pieced together when he was buried after death, rather than just half of the skeleton bones.

Besides, the deceased must be an important figure on the large stone bed in the center of the tomb. It cannot be a criminal or something, and it should be unlikely to be cut in half.

Then, the only explanation is the amazing "body burial" in ancient times.

Some people have said, what is this body-cut burial? In fact, it is a terrible funeral system that modern people still do not understand. As early as the tomb of the Banpo site in Xi'an in the Yangshao culture of the Neolithic Age, archaeologists were surprised to find that the limbs and fingers of the deceased were incomplete, and the incomplete parts could be found in pottery or fillers.

Similar phenomena have also been found in Neolithic sites and tombs in Yongchang Yuanyangchi, Ledu Liuwan, Qinghai, Tanshishan, Minhou, Fujian, and Mishan Xinkailiu, Heilongjiang and other places.

For example, the well-preserved children's skeletons, finger bones and foot bones are missing, or the finger bones and toe bones cut from the dead are placed on the top of the human skull and in the small gray clay pots buried with them. It gives people the feeling as casual as pickled pickles.

This terrifying historical funeral phenomenon is called "body cutting funeral ritual" by archaeologists, and is referred to as body cutting funeral! From the wide range of its regional span and the frequent discovery, it is concluded that it was once a relatively popular funeral custom in prehistoric humans in my country.

As for why there was such a damn bastard's cruel funeral custom at that time, there are still many completely different views in the academic community today.

Some people believe that humans initially sacrificed babies to the gods they feared. For example, in the myth of the Western Regions, or when tribal and ethnic groups in backward areas, they were killed devoutly, which is a typical example.

Later, I changed to only cut off my fingers or toes as offerings for offerings; finally I changed to using other animals instead of humans as sacrifices. Later, I became more humane and civilized. I used a variety of pottery figurines, and you will figure it out.

And the early dead bodies that were missing fingers and toes were the bearers of this mutant human life.

Some people also believe that the phalanxes found in the burial pots and filling soil do not belong to the deceased, but are the touching consequences of the self-harm of the deceased's relatives.

The custom of trauma to traumatize one's own limbs during funerals and to mourn the dead is found in many ethnic groups or tribes.

For example, you are a little Japanese who are always experiencing earthquakes. Their Hokkaido, in the northern part of Hokkaido, will cut their foreheads when burying their parents.

There are also the Karo people in the Western Prairie of the United States, these typical Native Americans! When attending the funeral, they cut off their fingers without blinking, poking their thighs and scalp, making everyone in a state of blood.

The intention of others is to express sincere condolences or to indicate that the dead are supported by the blood of the living, thereby enhancing the power and wisdom to get rid of the underworld.

Sure enough, when everyone was surprised and confused by the half-skeleton skeleton, the impatient Monkey King Baboon bent over and took out many large pottery black jars from under the stone bed. Each jar was as high as a knee, and it was filled with fragmented bones of the human body, which shocked everyone.

There are skulls, celestial lids, pipa bones, collarbones, ribs, first, second, third thoracic vertebrae, etc. in the jar! It seems that it is indeed a burial of body cutting.

In today's words: This is a horrifying case of corpse dismemberment! My God!

Everyone became dumbfounded for a moment, surprised, or not.

This mysterious funeral culture and the underground world are already full of strange and strange things. The tomb left by this mysterious and terrifying army of light is even more incomprehensible.

At this time, everyone felt that the cold in the gloomy underground palace was heavier, and they were trembling with coldness. It seemed that the god of death was summoning them in the dark, as if they were in the Hall of Yama in the underworld of hell. A sense of fear arose, as if a big death was large, firmly covering everyone, which was terrifying.

After checking the broken hands and feet in the jar with fear, they took out the half skeleton from the coffin with a strong curiosity.

Then, he opened the rough felt inside the coffin with fear. Finally, everyone saw a big red willow box about one meter long and half a foot high and width at the bottom of the coffin.
Chapter completed!