This box is made of Qing Dynasty porcelain, and six are the Qing Dynasty Qianlong pastel bird pattern double-eared lords.

The Qing Qianlong pastel nine peach celestial ball bottle has the same size as the Kyoto Museum.

The colorful deer pattern bottle in Qianlong Qing Dynasty.

Olive bottles of blue and white figures in Yongzheng, Qing Dynasty.

Qing Yongzheng enamel landscape pattern bottle.

The blue and white cloud dragon pattern jade pot spring bottle in the Kangxi period of the Qing Dynasty.

After reading the eight porcelain bottles, Chen Yong felt deeply moved.

These porcelains were made by the imperial court offices of the Qing Dynasty and the Qing Dynasty, and were specially made for paying salary, birthday celebrations, sacrifices and furnishings.

There must be no more than six porcelain styles at a time. After making them, they can be carefully selected and destroyed on the spot if they have flaws. After several wars, the invaders have almost become lonely products.

It is difficult to find the same at the Kyoto Museum. Among these eight porcelains, there is only one Jiutao Tian Ball bottle, which is the same as the collections of the Kyoto Museum. The Kyoto Museum calls these great treasure porcelains.

Chen Yong thought there were only so many boxes. Looking at the height in the box and the height on the ground, Chen Yong tapped his hand at the bottom of the box and found that there was another layer below.

Chen Yong took the wooden board and saw four rows of things inside, each with eight pieces.

These shapes are relatively small and are wrapped tightly. Chen Yong took apart every item and found that the box was opened and turned out to be on it. This layer should be on it.

There are three-color porcelains of the Tang Dynasty, five famous kilns of the Song Dynasty, blue and white fine products of the Ming Dynasty, and the Qing Dynasty palace offices. These are also first-class cultural relics.ъìqυgΕtv.℃ǒΜ

Chen Yong was in a thrilling mood and couldn't calm down for a long time.

In my memory, I don’t have the complete box of porcelain that I have collected for the past life.

What is the second box? Chen Yong guessed in his heart.

Chen Yong opened the second large box again. This box is also waterproof and shatter-proof. The box contains rolls of things of varying lengths, like wooden sticks, and they should be calligraphy and paintings.

They are all wrapped in waterproof oil paper and wrapped tightly.

If you want to tear open the packaging, you can't find a hole, so you can only use a blade to gently cut the oil paper.

Cut the oil paper and exposed a roll of scroll. Chen Yong untied the ribbon and placed it on the table. He held the scroll with his left hand and slowly pulled it down with his right hand.

This is a mountain painting, the whole painting is yellow, the width is about 100cm and the length is about 200cm.

There are towering mountains in the painting, which are surging up to the top of the mountain, and the momentum is enchanting. The mountains are densely covered with jungles, and a waterfall in the depths of the valley is like a line, flowing thousands of feet.

The mouth of the giant rock at the peak is abrupt and the trees are straight.

This is the ink painting "The Traveling of the Streams" of Fan Kuan in the Northern Song Dynasty. This is almost exactly the same as the "The Traveling of the Streams" of the Palace Museum in Taipei.

Chen Yong's head seemed to be muddy at this time, and he was confused.

Chen Yong immediately went to the car and took his backpack, found the magnifying glass inside, and looked at the painting silk bit by bit with the magnifying glass. When he saw the horse-driving man behind the horse, in the bushes in the lower right corner, Chen Yong kept nodding.

Fan Kuan's secret notes signed are exactly the same.

Fan Kuan uses his vigorous and cold brushwork to depict the steep edges and bone-like rocks to depict the rocks. No one can imitate it. With Wang Jianrong's identification level, it is impossible to see the true or false! Many painters in all dynasties imitate Fan Kuan's (traveling pictures of the mountain) who can imitate the shape, but cannot imitate the spirit.

Otherwise, how could it be the number one magical painting of the Song Dynasty!

This painting has no signature, no title, and no seals collected by other emperors.

Chen Yong is sure that this is a genuine work by Fan Kuan.

Chen Yong believed that there were three possibilities. One was that Fan Kuan painted two identical paintings at that time, and he collected one and another passed down to the world.

Second, when Fan Kuan paints, he first draws sketches and then draws detailed pictures.

That is, we will make drafts first and then write articles now.

The third is to reveal the painting. One painting can reveal two paintings. Chen Yong believes that revealing the painting is impossible, otherwise how can those seals and inscriptions be explained?

Chen Yong carefully put away the painting.

After counting in the box, there were 38 scrolls. Chen Yong took out the 38 scrolls and put them aside.

There is also a layer of oil paper inside, which is of varying sizes and heights.

Chen Yong took a look selectively. There were basins, bowls, pots and cups here. These were all royal and court supplies in all dynasties.

There were more than ten books in the corner of the box and a thick volume of scriptures. Chen Yong picked up a book and read it. This was a book called "Explanation of Diamond Sutra" from the Tang Dynasty, written by Huineng.

Huineng was from Xinzhou, Lingnan in the Tang Dynasty and a Buddhist Zen master. He was taught by the fifth ancestor of Huangmei, Hongren, and inherited the Dongshan Dharma. He was the sixth ancestor of Zen Buddhism. He was known as the Sixth ancestor of Zen Buddhism in the world. Emperor Zhongzong of Tang posthumously named Zen Master Dajian.

"Explanation of Diamond Sutra" has 2 volumes. This is the most treasure of Buddhist sect in Nanhua Temple. Chen Yong is quite interested in this Vajra and takes a look at it carefully when he has time.

The others are also scriptures, and it seems that they were stolen from that Buddhist temple by the Japanese devils.

Chen Yong picked up the books and thought it was a scripture or something. When he opened it, he found that it was a medical book, written on silk cloth or a witch doctor of the Miao people.

The font of this witch doctor is written in ancient Miao text. Chen Yong couldn't understand a single word, so he could only put it aside first and study it carefully at night.

Chen Yong opened the last box, took off the cotton paper on it, and wrapped everything inside with greased paper.

There are Buddha statues, incense burners, pen holders and inkstones, ivory products and rhino horn cups.

There are ancient jade and jadeite.

There are also five jadeite rough stones, which are more than ten kilograms and twenty or thirty kilograms.

Chen Yong used a strong flashlight to shine, and the whole piece of jadeite rough stone was transparent, green and oily, with a sufficient head and high ice type. This was the old pit jadeite rough stone.

The other four raw stones are all high ice species and sun green.

It seems that the real good things of this shipwreck are in three boxes, and the gold bars and silver rounds in front are just appetizers.

So far, Chen Yong has the most porcelain and calligraphy and paintings in his hands, and every piece of porcelain is a fine product.

With these 38 calligraphy and paintings, there are still 338 of them that have not been opened and seen. I have no idea what these more than 300 paintings are. It seems that I have to find time to open them all.

After Chen Yong finished sorting out these boxes, it was already past 5 pm.

Chen Yong booked a private room at a restaurant in Guangzhou and invited everyone to dinner tonight. He drove Chen Xiaoying and Chen Yuan to the private room on the third floor. Cao Wenhua and his family, Huang Dong and Bai Longjiang were all here, and they were waiting for the three of them.

During the meal, Chen Yong told everyone: "Starting tomorrow, we will go to Yanjia Village to demolish some construction materials. Everyone has been busy these days."

Bai Longjiang asked inexplicably: "Boss Chen, we will demolish other people's houses. That's illegal. Besides, what good building materials can these houses have?"

Chen Yong said: "The houses in Longjiang are all from Chen Yuan. We demolished all the houses and no one cared about them."
Chapter completed!