Seeing Lan Masanti's expression about to cry, Wu Di quickly explained: "No, it's not what you think."

"I don't want you to participate in the investment of the brokerage company. One is that I am not sure whether I can run the company well, and I don't want you to lose money. The other is that as a man, I still have to be responsible after all."

"If I always use your money to do anything, whether it's making movies or starting a company, I will have no sense of crisis and I won't be very desperate."

"Because, even if I lose money accidentally, it won't be a big problem. You will take care of everything. What should I be afraid of?"

"I'm not afraid of anything, so I can't do anything well."

"This kind of careless mentality is actually very harmful sometimes. If it is always like this, I will not want to make progress. You can also see that Xiaofeng is a very enterprising girl. As a man, I can

I don’t want to leave her behind too much.”

This reason successfully convinced Ranmasanti, and she nodded: "Okay!"

"Finally grown up and matured!"

"Now that you have decided, I won't say anything or get involved. However, if you have any difficulties in the future and you really can't find a solution, you might as well think of me. When you are desperate, you can go to your mother instead."

What a shame."

"Okay, I remember it!" Wu Di finally laughed heartily.

This conversation completely relieved Wu Di's knot, just because of Lan Masanti's last words.

Wu Di found the long-lost feeling of being able to rely on someone without any scruples or vigilance.

That feeling was not only something he had never experienced before in this life, but he had never truly felt it even in his previous life.

If you have endless money, is that your destination?

There are countless beauties around you, is that dependence?

None of these!

They are not a spiritual refuge, nor can they allow Wu Di to truly relax his soul.

And at this moment, at this moment, Lanmasanti, who didn't know the inside story, opened her arms to Wu Di without any reservation.

For Wu Di, who does not have many relatives in this world and is actually lonely and helpless, this is nothing less than a rare treasure.

How could he not be moved?

To be honest, even if the original Wu Di was standing here, he probably wouldn't be as moved as Wu Di. After all, the original person and Lan Masanti still had a long-standing hatred and complaint.

As a time traveler, Wu Di actually doesn't have much empathy for the sufferings his original body suffered. However, it can be said that Wu Di truly feels how good Lanmasanti is to him now.

Based on this, it is impossible not to be moved.

Walking out of Lan Masanti's house, the more Wu Di thought about it, the more something was wrong. It was not enough for Brother Hai to drag him into the water alone. Did he also want to drag Ms. Lan down with him?

What on earth is going on in his mind?

Is there a bottom line?

Do you still have any basic conscience?

You know, if Brother Hai is really in trouble, then the losses suffered by Ms. Lan will definitely be much more serious than Wu Di.

What does Wu Di have to lose?

Starring in a bad movie?

This isn't the first time he's acted in a bad movie. He hasn't said a word in three words or two. Is it his turn to be the Meng's Orphan?

Besides, in the eyes of the public, the ones who ultimately bear responsibility for Lao Zhang or Hai Ge’s movies will be themselves.

This is the fate of these famous directors. Who made them so famous and loud?

Often in films directed by them, no matter who stars in the end or what the plot is, they are the only ones who take the blame.

The director's popularity greatly exceeds that of the starring actor.

When big stars take over their movies, whether they are ordinary passers-by or infatuated fans, they will only say that it is because the famous director appreciates them, or because my brother and sister have finally made their mark and can be taken care of by a big boss.

But it would definitely not be said that famous directors are kneeling and licking big stars, crying and shouting to let them be in his plays.

This is the famous guide effect.

Therefore, if he takes over Brother Hai's movie, even if it is a bad movie, it will not cause much personal loss to Wu Di.

This is secondly, because Wu Di's personal private life is basically exposed to the public now.

Therefore, anyone who pays attention to the entertainment industry will probably know that Wu Di is Lao Zhang's prospective son-in-law.

For many years, the competitive relationship between Lao Zhang and Brother Hai has been obvious. Lao Zhang's prospective son-in-law will actually star in the opponent's movie.

What kind of breaking news is this?

This shows what?

It doesn't matter how the show goes. Interpersonal relationships are the key. The little Wu Di was originally just a small character in Hengdian, just an extra.

In just one year, she has transformed into a social butterfly who can move between two famous directors with ease.

What kind of magic does this Wu Di have?

His father-in-law would actually agree to let him star in his old rival's movie?

He is also very capable!

However, as an investor, when Ramashanti chooses a project, her first consideration should be the potential of the project itself.

If every project was handled just because Wu Di was considered, it would be too unprofessional.

Moreover, although San Yan Er Pai is also a large-scale production, in comparison, it is still much more economical than Meng's Orphans.

One is that Lao Zhang is not the kind of extravagant director to begin with. Moreover, the scene for San Yan Er is a single shot, and no matter how elaborate the interior layout is, the expenses are limited.

In addition, in terms of general classification, Sanyan Erpai is still a top-notch feature film. It has no computer special effects and basically does not involve too complicated post-production.

To put it bluntly, this type of movie can be made in just a few words. It could have been made in the 1970s and 1980s, when there were no computer special effects.

But the Meng's orphans are different.

That’s a historical film!

The same type as Master!

Speaking of which, Brother Hai and Gu Mei have similar tastes, and they always like to use stories about historical figures.

This chapter is not over yet, please click on the next page to continue reading! Moreover, the taste revealed by the two of them is also the same. We want to tell traditional stories, so our techniques are all traditional.

There is no advanced technical content at all.

You see, you can easily tell by comparing Zhang Feng.

Skin-changing is also an ancient fantasy novel, and it also tells ancient stories. But if you look at people changing skin, what kind of techniques are used?

It’s all stunts!

That all costs money!

To be honest, the movie "Skin Change" currently has a very good reputation in the industry, and even far exceeds its popularity among the people.

Why?

Isn't that because the investor, Ms. Ranmasanti, made a lot of money because of the skin change?

Generally speaking, reskinning uses a lot of computer special effects, and the special effects are of high quality and cost less than 50 cents, so the investment scale is also very large.

However, people’s investment is high and the returns are high, so they spend their money wisely.

On the other hand, for movies like "The Orphans of Meng", Brother Hai's finished product hasn't been released yet, so let's not argue with him for now.

Let’s look at similar types of teachers.

Do you think that since Confucius doesn’t use too many special effects and still tells historical stories from the pre-Qin era, its investment will be small?

no no!

Not only a lot, but at least one-third more investment amount!

Yes!

That’s right!

Don't look at the way our husband made all the actors look shabby. They don't look high-end at all, but in fact, the cost of making this movie is quite high.

First of all, The Master has a war scene, but any historical film, as long as it is related to a war scene, will definitely be a big investment.

In a big scene, the first thing to do is to fill the head.

For example, for an ancient movie like Confucius, you not only have to gather enough heads, but also need a large number of war horses.

Put all this together, it's all money!

In addition, although there are no dazzling special effects, in order to pursue the restoration of history in our minds, we strive to be meticulous in both costumes and props.

Many props and sets were made solely for this movie. Do you think it cost nothing to make those wooden tables and wooden chairs?

Big mistake!

The expenses are also quite high!
To be continued...