With a black face, he controlled the chaotic fog on the ship and exploded directly in Bruno's ears.

The silent explosion full of chaos made him, who was highly inspired, hold his head and squat in defense in great pain. Ludwell, who was also highly inspired, naturally noticed the abnormality. Thinking that he was under attack, he immediately held his hands around his waist.

Just before he was about to draw out the stabbing sword, he felt a tap on his shoulder.

It is an invisible and intangible touch that comes purely from spiritual touch.

He was familiar with this feeling, it came from Arthur in the cabin.

Realizing that this mysterious demigod was ready to take action, he felt his whole body relax, and with a rather dramatic and exaggerated gesture, he made a gentleman's salute in the direction of the cabin, and then started to control the ship with high spirits.

Taking control of the "Black Tulip" again, he found that the mysterious attraction derived from the "Death" disappeared.

The ship began to leave the storm and move toward a safe channel.

This is because Arthur covered the entire ship with the mist of change, including the bright red tulip chaos, which directly blocked the mysterious connection from the distance.

This is also the safest way at present.

The only trouble is that when the two extraordinary abilities of "Walker's Costume" and "Eye of Chaos" are turned on at the same time, "Change" and "Chaos" will be automatically attracted to them. In the current natural disaster environment where a battle is about to occur, it is more dangerous.

.

After successfully digesting the "Disaster Scholar" in Sequence 4, he has been able to use the "Disaster Blade" freely, but this extraordinary ability to directly use "chaos" to cause damage, the damage caused by it is full of random results.

It may cause damage immediately, or it may erode slowly, or... it may be something else that cannot be sensed.

It all depends on the balance of the target itself. The more fragile the balance, the better the effect.

On the other hand, if faced with full coverage of high-quality armor, or a rock obstacle with a solid structure, this ability may not be as destructive as a small artillery.

"Chaos" itself is an extraordinary power that is very difficult to control.

Especially in the natural disaster environment like this, the "chaos" of nature has become so violent that he doesn't dare to control it at all. It's either that he can't, or simply he doesn't dare. As long as he takes action to guide the natural disaster to attack the enemy, he will be the first to be affected.

As for the final outcome, is it my mortal enemy who is wounded, my wounded enemy who dies, or the result of both being injured and both of them dying.

Not sure at all.

This is the real "chaos", which cannot be perfectly controlled by a Sequence 3 who initially possesses divinity and is in a bad state. However, as the potion is digested and the sequence continues to improve, this problem will be improved until it is truly mastered.

"Confusion" results.

Of course, facing a pirate king who may have malicious intentions, defense or escape are not good options.

Just wait for the "Black Tulip" to leave the storm and return to a safe channel.

Arthur can teach the other party a painful lesson without any scruples.

But how could it be possible for the other side to allow the prey "Black Tulip" to escape?

Just when Ludwell successfully steered the ship, a blurry, dark giant appeared from the edge of the storm. If you didn't know the situation, you might have thought it was a huge sea monster that was easy to encounter after leaving the safe channel.

As the waves surged, the gloomy and dark behemoth quickly came into distance.

It was a sailing ship far larger than the "Black Tulip".

The total length is nearly two hundred meters, with its front and rear tilted high, and the whole thing looks like a crescent moon; its surface is painted black; the cannons on the side of the ship are divided into three rows, orderly up and down; the part that protrudes from the deck, except for the mast,

, also towering and huge, at least equivalent to a five-story house.

The strangest thing about this ship is that it has only one sail, with a black tombstone painted on it.

"Death number"!

It is one of the most famous and legendary ships on the five seas.

It is the flagship of the "Immortal King" Agaritu!

As the distance got closer, the mist of change that Arthur used to wrap the ship fluctuated extremely unsteadily to both sides, as if it was being pulled wildly by invisible hands.

Immediately afterwards, individuals among the undead servants on the ship began to break the contract and attempt to destroy the ship.

This is an extraordinary intervention from the Death Ship.

Ludwell could not devote his energy to solving these additional troubles while controlling the ship.

Just when he thought he had to rely on Arthur, who was secretly fighting the "Immortal King", to solve these minor troubles, a golden light passed from the corner of his sight, making his skin clearly feel burned.

Following his perception, he saw a figure from behind.

A bald man with wheat-colored skin who is over two meters tall.

The hot burning sensation came from the short-handled square-headed hammer that was filled with golden flames in his hand.

It's Bruno!

This guy took out a magical item from the sun field from nowhere. Not only did he get rid of the undead servants who broke through the contract restrictions, but he also used the "Purification Holy Light" to scare the "Black Tulip" that was about to be affected again.

Feeling Ludwell's cold gaze, Bruno turned around boldly, extended his thumb, and said with a bright smile:

"Captain, just leave your back to me!"

This time, Ludwell did not continue to look away with an indifferent attitude. Instead, he stared at the other party for a while, sneered slightly, and then continued to steer as if nothing had happened.

This scene certainly did not escape Arthur's eyes.

Bruno's transformation occurred when he used the mist of change to protect the ship. The other person's expression went through a process of brief panic, confusion, and dumbfounding. He repeatedly rubbed his bald head with his hands, sat on the ground blankly, in disbelief.

Looking in the direction of the cabin, he kept saying:

"It's gone, it's gone, it's gone..."

When he finally accepted the reality, he immediately stood up with a radiant face, pulled out a metal short stick from his waist, and used his spirituality to inspire the Holy Light Square Head Hammer to cleanly solve the sudden trouble.

Of course, in a warrior way.

Since Arthur was using Bruno's perspective at that time, he could not see the changing fog conditions on his body.

But he could guess what happened.

It should be that the fate of certain death has been disturbed.

For a "winner", this is equivalent to completing half of the promotion sequence 4 ceremony.

This was almost impossible to happen in the past. If you say that with the protection of a high-ranking being, you can easily survive the inevitable death of the "winner" who is promoted to a demigod, then you underestimate the difficulty of crossing the gate of demigod through the "destiny" path.

Once, the chairman of their school of life, the "mercury snake" who was equivalent to the incarnation of fate, personally took action, but failed to save the students who lost control and turned into monsters in the face of certain death.

The incarnation of destiny is not "destiny" after all.

The "Snake of Mercury" on the mysterious side cannot reverse fate, and only the authorities on the real side have the ability to make some interference.

It has nothing to do with the strength of the power, only the areas involved in the authority are different.

In this case, the best choice is of course the angel of the "Black Emperor" path, but "Chaos" is not bad either. It does not have to forcefully resist the reality caused by bad luck. As long as it has enough character, it can make it come, or have already happened.

The destined outcome of fate has become unknown again.

Either get worse or get better.

At this time, the "luck" of the "winner" will be judged again.

As long as Arthur does not voluntarily give up his asylum and continues to fight against the backlash caused by bad luck, he can completely support the "winner" to refresh the result by relying on "luck" until he passes the judgment of certain death and completes the ritual.
Chapter completed!