Chapter 188 The Jazz God’s Control of the Field

Andre noticed something was wrong, not just him, but many other people also noticed something was wrong.

Especially those who are very familiar with this piece "Bell", basically those who listen very carefully to every detail and every wrong sound in this piece, their expressions have all changed.

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This girl, she played wrong!

Yes, the girl who volunteered to play Liszt’s bell obviously made some small mistakes in her playing. Although the music still sounded like Liszt’s bell, it was just that for those professionals, it was no longer the same as the bell.

The gap is huge.

A slight difference can make a difference of a thousand miles.

This is the girl's state at this moment.

She obviously felt some mistakes in her performance. After all, she had played this piece countless times, so how could she not hear it?

It's just that she forced herself to control her emotions, prevent them from collapsing, and let her hands continue to move forward according to the feeling of the music.

As a musician who is about to become a professional, having wrong notes and good rhythm is the most basic quality. No matter how bad she feels now, she cannot make any mistakes.

only……

But she couldn't help but look towards Fu Tiao, her heart filled with expectation and desire.

She hoped that Fu Diao would discover her problem, help her gain some space, and correct it again.

Now the clock has gradually begun to deviate from the course. This deviation from the course has gradually made her mind become a mess, and even the music she is going to play next is beginning to be a little confused.

Wait a minute, is it Level 5? Or is it Level 5-5? Or has the key been changed here?

No, no, that's not how it's played. This place should be Subordinate Seven...

Yes, yes, subordinate seven is a subordinate, uh... yes, right?

Her current performance is almost complete with her hands running around the stage, continuing to run according to her previous playing habits, but her brain has been almost completely disrupted.

This is a rollover, a complete rollover.

He walked onto the stage so confidently and took such an important opportunity to play Liszt's "The Bell". As his first performance on such a large stage, he wanted to make a splash and stand out.

But in the end, he actually faced the threat of overturning...

No, it's not a threat, it's the status quo.

Now her car has completely derailed. If she doesn't stop to rest, she will definitely crash the car and kill everyone.

Or go back to the front directly? Start again from the place where the track has not derailed?

Her eyes looked at Fu Tiao again, and she couldn't help but feel a little entangled.

Do you want to look back?

According to common sense, Fu Tiao's performance should have been arranged before. She is just an introduction to show everyone how the normal original music should be played.

Although it doesn't matter how well she plays, but...

At the very least, she had to follow the original song instead of making it up according to her own ideas.

Although Fu Tiao said that the piece he was playing now could be adapted according to the part she had played wrong before so that the music would not sound so disharmonious, this was ultimately limited. If he suddenly walked from the back to the front to play a section again, Fu Tiao had time.

Reaction?

This girl didn't know that she was looking at Fu Tiao with extremely complicated eyes.

She didn't know what she should do now, whether to continue derailing or to get back to the front at a suitable point and do it again.

There seemed to be a slight commotion below the stage. Many people in the concert hall had been immersed in classical music for a long time. Their understanding of classical music was far beyond that of ordinary people. Naturally, many of them gradually heard what she was saying.

Go to the rollover.

The sound in the music, like running water, bells, and bells, is no longer steady, but seems a little urgent.

Even if it barely sounds like a clock, the music is far away from a clock, that is, the outer shell is similar, but the inner part of the music is completely different.

In fact, this similarity is not given by her to a large extent, but by Fu Diao's supplementary performance while playing behind her.

Fu Diao transformed her music into jazz. During the performance, he roughly understood what the piece looked like, so even if there were some weird parts, he could adapt it through his own understanding.

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However, this help is not the basis after all. If the front is too far away, he still has no way to pull back and is likely to yaw along with it.

Listening to all this, those who clearly felt that the performer had overturned could not help but look at Fu Diao, waiting for his behavior.

According to the current understanding of everyone on the stage, the only one who can save the stage at this time should be Fu Tiao.

Fu Tiao, as the champion of the Chopin International Piano Competition, can now directly play Zhong's jazz adaptation. He must know Zhong's original music well, otherwise he would not be able to adapt it so skillfully.

So what will Fu call him? What kind of treatment will he carry out?

Should we let this man continue to rot, or will he take action?

Everyone didn't know what Fu Diao would do, but they were full of great expectations for Fu Diao.

This kind of rescue scene on the stage can best show a person's strength.

At this moment, Fu Diao seemed to feel something was wrong.

According to his understanding of music, he clearly felt that there were some problems with the harmony progression of the person in front of him. Many of the chord progressions were clearly forbidden chords, but she used them without any scruples.

This type of prohibited chord progression does not mean that these chord progressions cannot be used, or that using these chords will have unpredictable consequences, but that these chords are bad.

What is the function of chord progression? Anyone who has learned a little bit about harmony can easily answer it. The function of chord progression is to increase the tension within the chord, making the music more tense or more dynamic.

relaxation.

Why are these forbidden chord progressions banned? In fact, it is obvious that these chord progressions have no way to provide changes in chord tension.

Just like nonsense.

In music, especially the music of the romantic period, it is rare to talk nonsense. Not only does nonsense have no effect on music articles, it may even relax the original emotion and make it less interesting.

At that time, interest in music was very important. If a piece of music was not interesting, then the piece of music would lose its interest in being liked by ordinary audiences.

At that time, most of the people who listened to classical music were middle-class people with a little money. After dinner, the family could squeeze out some spare money to go out to listen to music and watch dramas. This group of people was the most concerned about money.

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In the past classical period, classical music was only for the royal family. They did not care whether the music was interesting or not. After all, the money they spent raising musicians only accounted for a tiny fraction of their daily expenses.

As for these middle class people, the money they pay for attending concerts does not fall from the sky casually, but is earned piece by piece through hard work.

How could they allow the music to be so boring that I don't even want to listen to it?

Therefore, music without tension changes is almost completely prohibited. If you analyze the works carefully, you can clearly find that in the classical period, for example, Mozart and Haydn would write some such chord progressions. By the time of Beethoven,

You will almost never find a chord progression like this again.

Now in the performance of the student in front of him, Fu Diao heard many, many similar chord progressions.

The chords are messed up, and except for the chord melody sounds that seem to be the same thing, everything else is a complete mess.

This feeling is very bad. Fu Tiao is so bad that he has a little doubt. How can this work that is liked by so many people and even selected by name be so bad?

Fu Tiao didn't understand, and he couldn't help but look at the girl next to him, and found that the girl's expression was very strange.

Fear, fear, worry, expectation, desire...

There were also many unreadable emotions in it, which made her face become very tangled and she stared at herself.

Fu Diao couldn't help but be startled, watching her eyes gradually light up, and then taking a look at the piece he was playing, and couldn't help but smile.

The situation was now obvious, and Fu Diao instantly understood what had happened.

This girl, she played wrong.

It is actually very normal to make mistakes when playing at a concert. Very few people can play it perfectly well. Even Fu Tiao will occasionally make a slight mistake.

Horowitz has always said that mispronunciation is not an obstacle that limits music, but lack of musicality is.

Your normal mispronunciation actually does not do much harm to the music. After all, humans are not machines. No one can guarantee that their music will be completely error-free, or that it is normal to have errors.

It's just that this girl has a lot of mistakes now, and the number of mistakes is a bit outrageous. It's almost the same as a complete overturn.

Seeing that she seemed to feel like she couldn't hold on any longer, and the music gradually became more and more outrageous, Fu Diao couldn't help but sigh, and whispered while playing.

"Just play as you want and don't worry about me."

"Ah? But..."

The girl was stunned. She didn't expect that Fu Diao would actually say that. She was immediately at a loss. Her fingers were still running unconsciously, and her eyes were fixed on Fu Diao. Her tone no longer had the same confidence as before, and she couldn't help but whisper:

"But the music you arranged is just..."

"It's okay, trust me."

Fu Diao shook his head slightly, interrupted her words, and quickly added a large section of flowers in his hand, instantly overtaking the main melody of the music.

At the same time, he also progressed based on the music on the previous Liszt clock, continued to develop according to his own understanding and the wrong pronunciation of the girl next door, made a variation, and said casually.

"Keep playing as you think and don't worry about me."
To be continued...