A few k, a few k grows upward.

And there are many more comments.

But most of them are in Japanese.

"Is this Mr. Fu's knight? Hmm...it's different from what I imagined. It just doesn't feel right."

"Response to 'This is...': This is not a traditional jazz direction, but an adapted jazz. It requires specific analysis of specific works. We don't want all works to be analyzed with the same set of theories. Do you understand?"

"Wow, this arrangement by Fu Jun is really cool! I really like this jazz arrangement of Chopin!"

"Very interesting work, love comes from Japan."

"Judging from Fu Jun's jazz arrangements, Fu's understanding of jazz has surpassed that of ordinary people. It is not surprising that a performance of this level can enter a jazz club."

"Can this level be on an equal footing with Hiromi? I don't quite understand. Can someone please explain?"

"On a purely professional level, we do not discuss innovation, improvisation and other aspects, but only basic skills. The basic skills demonstrated by Fu Jun are among the best among all the jazz musicians I have ever seen, and he can even reach the top.

Seed, there’s nothing to say about it.”

"You're talking nonsense. Fu Jun is a classical musician. Among all the musicians, those with the strongest basic skills are almost all classical musicians. As for jazz musicians and pop musicians, although they can play some more peculiar

works, but when it comes to basic skills, no one can compare with a classical musician like Fu Jun, right?"

"In fact, we can also see from Fu Jun's adaptation of classical works that when he adapts, Fu Jun will not purely adapt it into the kind of jazz we imagine, but will adapt it according to its era, such as Chopin

Among all the jazz, Fu uses all classical jazz performances."

"Is there a possibility that... Mr. Fu doesn't know how to perform modern jazz?"

As soon as this comment was posted, it was ridiculed by everyone.

"Hahahaha, are you kidding me? Fu Jun can enter the jazz club and be a member of Hiromi. Can he do modern jazz?"

"Asshole! How dare you insult Mr. Fu! Please apologize to Mr. Fu!"

"The person in front of you, if you are uneducated, don't speak out. It's not easy to play traditional jazz well. It's much more difficult than learning new jazz. It's like you have become a college (Japanese high school) mathematics teacher, but you said

Didn’t you take advanced mathematics in college?”

"Although I don't know much about Jazz, what you said was so rude. You not only insulted Jun Fu, but also insulted Hiromi! Please apologize to Jun Fu and Hiromi, Kuso (bastard)

!”

"..."

There were many comments on Fu Tiao's videos soon, and they are still growing.

The increase in the playback volume of these works also triggered the review of big data streaming on YouTube. After the system automatically analyzed the data of Fu Diao's video, it also pushed this video to other people who were interested in jazz.

Originally there were only comments in Chinese and Japanese, but some languages ​​such as English, Italian, French and German began to appear gradually.

It's just that those are still a minority, not particularly numerous.

Ishihara Hiromi also noticed this. After watching her fans criticize each other, she felt helpless for a moment. She didn't know if she should stop the group of people, saying that Fu Diao really didn't understand modern jazz very well.

He just played classical jazz to the extreme.

After all, Twitter and forums in Japan are still very hostile, especially towards people within their own circle. It is simply the Plus version of China.

It's just that there aren't many simple curse words in their language, and they don't sound particularly cruel.

In addition to Ishihara Hiromi noticing this, many other people who participated in that jazz circle exchange also saw this video of Fu Tiao.

Although they cannot understand Japanese, they can use Google Translate to directly translate the page and view the entire page.

Seeing the group of Japanese people quarreling about whether Fu Tiao will be a new jazz, I couldn't help but want to laugh a little.

Fu Tiao admitted in the club that he was not good at modern jazz.

It does sound a bit unbelievable, but it is indeed true, so it is interesting to watch these people quarrel when they know the truth.

However, they would not sit around doing nothing. People said that Fu Tiao did not know modern jazz, but only classical jazz, so no one tried to make trouble.

The most important thing for them now is to go to Fu Tiao's concert.

None of them, including He Shen, Ishihara Hiromi, Kapustin and others, didn't have some spare money. For them, buying a Fu Diao ticket at a premium was not a big deal.

Especially after having had contact with Fu Tiao before and knowing the content of the encore after Fu Tiao's concert, they were even more willing to spend more money to buy Fu Tiao's concert tickets to see what Fu Tiao's concert was like.

.

Therefore, when the group of people on the Internet were very noisy, they had already begun to read Fu Diao's previous works in advance to make themselves more familiar with Fu Diao's playing style and to better appreciate Fu Diao's performance.

Time passed quickly. While the Japanese were still fighting among themselves, the time had already reached Paris time, which was around three o'clock in the afternoon on Saturday.

Holding the sheet of music in his hand, Fu Diao walked slowly to La Boétie Street in the 8th District of Paris, stopped in front of a very traditional French-style building here, and stood firm.

"Salle Gaveau, Gaveau Hall, should be over here."

Fu Diao picked up the message sent to him by Deutsche Grammophon in his hand, compared the names on it, confirmed the place where he was playing, and walked into the concert hall.

Just as he entered the door, a waiter who thought he was dressed very formally came over from the side, looked at Fu Diao's Asian face, and spoke in English.

"Sorry sir, we are not officially open for business yet. If you have booked tickets for tonight, please take a walk around for the time being. Only after the specific time can you check in and take your seats... Do you need me to check on you?

What’s the check-in time?”

"No, no, I don't have a ticket. I'm not here to attend a concert."

Fu Diao looked around at this old concert hall, which was located in the center of Paris and was said to be more than a hundred years old. Looking at the interior decoration, he nodded with great satisfaction and spoke to the waiter.

"I am a performer who was invited to give a piano concert tonight..."

"Fu Tiao."
Chapter completed!