Op25-9,Butterfly.

This piece is not long. Normally, the performance time of this piece should be only about 1 minute. It can be regarded as an extremely rare short piece among Chopin's etudes.

It's just that although this piece of work looks relatively short and seems a bit simple, it is actually not the case. Among all Chopin's works, this piece of work is considered to be one of the more difficult and requires a sense of strength.

Under the eyes of everyone, Fu Tiao did not stay on Chopin op 25-8 for a long time, and went directly from 25-8 to 25-9.

His fingers lightly brushed across the piano, and an extremely relaxed and joyful piano sound flowed out of his hands.

If a camera captures his playing hand, you can definitely see that Fu Diao's hand is almost completely pressed against the keys, and the strength of his arm is completely relaxed, allowing his fingers to lead the arm forward.

And the vertical strength of his fingers on the keys was not obvious. Just a slight hook with his fingertips, and the sound came directly from his hands.

All this makes this piece of music feel like a toy. You even feel that Fu Diao's hands are completely motionless and the music can flow out of his hands.

There is no hindrance at all.

Listening to all this, it even makes people feel that this piece of music seems very simple, and anyone can play it.

but……

As long as you have tried this piece yourself, you will be able to feel the completely different point very clearly.

That is, this piece is definitely not as easy as what Fu Tiao is playing now.

This feeling of relaxation is not something you can achieve just by doing it, but you really need to be able to perfectly control this piece of music in order to be able to express the ease when playing.

It is not easy to master this piece of music. It is much more difficult than practicing it completely and performing it on stage.

Everyone under the stage watched Fu Tiao's performance. They had no idea what they should be thinking about now, and they just stared blankly.

Chopin's etudes are indeed a touchstone for Chopin players.

Only those who can truly master Chopin etudes can be regarded as the top Chopin players.

But fortunately, this piece of work is not long, only a short minute.

This minute shocked everyone far more than all previous works, but it has not yet reached its climax.

When Fu Tiao fell on the last note of Chopin's Etudes Op. 25-9 and started playing Chopin's Op. 25-10, Chopin's Eighth Etudes, everyone's brains were completely confused.

"Ah? This speed?"

"Wait, this sense of control?"

"I don't understand. Wait a minute, isn't he tired at all?"

"This arm of his?"

"..."

Although no one dared to say anything at this time, they felt stupid when they saw Fu Diao ending with Chopin's Butterfly and entering Chopin's Octave Etude without any pause.

.

In terms of difficulty, Chopin's octave etudes are not particularly difficult, but the problem is that this piece is an octave etude.

Octave etudes, as the name suggests, are all works in octaves.

What kind of problem does the octave etude have?

That is……

acid.

The most common problem caused by octave etudes is soreness and pain in the player's arms.

Your fingers are open and tense. Unlike the previous works, which focus more on the running of the music, your arms need to be completely tense.

Only in this way can you make your music textured and powerful.

He tensed his arms and pressed the keyboard under him at an extremely fast speed, up and down dozens or hundreds of times in one second. Therefore, all the spectators on the side of Fu Diao looked at Fu Diao's arms, and they even saw an afterimage.

The afterimage caused by Fu Tiao's arm moving up and down with force.

You couldn't see clearly how he pressed the octave in his hand. You just felt that the world in front of you was a little blurry, and the Fu tunes were bombarding the piano in his hand like a typewriter.

More than twenty minutes have passed from the first piece to the current octave etude.

Whether you are an ordinary person or one of the top pianists, normally you should be tired when you are in this place, especially when you finished playing the song "Butterfly", your arms themselves had already produced a trace of soreness.

swell.

At this time, the best way for you is definitely to put your hand on the piano first, let yourself calm down a little, and then play the piece in your hand again after thinking about it.

This not only allows the arms to get some rest, but also calms the audience's emotions.

But no one expected that Fu Tiao would not get any rest at all.

Like a ferocious beast that had no idea of ​​fatigue, it directly smashed out the notes of Chopin's octave etude.

The octave notes were extremely clear, and the image of the musical interpretation was completely in line with everyone's ideas about the octave etude. The whole piano roared painfully under Fu Tiao's hands.

Listening to all this, everyone had no idea what they should say now.

I don’t know if I should say that Fu Tiao is young, or if I should say that Fu Tiao is powerful.

Especially the group of senior citizens, the older group of people.

They even felt a little bit envious when they watched Fu Tiao's performance.

This is the vitality of young people. Such strong vitality makes people crave for it.

Many people are too lazy to think about Fu Diao's music at this time. When Fu Diao was already in the octave, he used enough strength and vitality to directly blast through their defenses, making them just want to spread out on their seats.

, listening to Fu Tiao's performance.

Musical and perfectly expressed.

Tips, no mistakes.

Strength and energy are filled with the exuberance of young people.

Isn't this a hexagonal warrior? Is there anything else that can compete with Fu Tiao?

Even the strongest group of people, such as Zimmerman and Argerich.

If they were asked to play ballads and other works in the first half of Fu Diao now, they might still have a little energy to perform.

But if we say, let them play a marathon of etudes like the second half of Fu Diao.

They may have a richer sense of Chopin than Fu Diao, and may even perform at a god-level level.

But it is absolutely impossible for them to have the energy of Fu Diao, who played directly from the beginning to this point without any rest.

They must be able to gather their emotions in name only, but actually rest their fingers in the middle.

When they think of this, many people can't help but look at each other and smile.

This power is still strong, is there something wrong with it?

Zhao Chengzhen's face couldn't help but turn gloomy.

He thought about his own strength.

If he is asked to play Chopin's etudes, he will have no problem. After all, as a winner of the Chopin International Piano Competition, his playing ability is not bad, and he can even be regarded as the second best among young people to play Chopin.

.

However, if he and Fu Tiao were given the current interpretation.

He thought about it...

He can't do it.

It's not just because his interpretation ability is not enough. Even if he works hard and can reach the level of Fu Diao's Chopin etudes, he still can't play it as easily and freely as Fu Diao.

This relaxed and freehand style can only be seen at a concert, and you can't hear it from the recording at all.

This also makes Fu Tiao's performance even more precious.

"Fu's strength..."

The people from the Conservatoire Supérieure de Musique de Paris glanced at Zhao Chengzhen, hesitated for a moment, and then said: "The strength is really good. There are probably not many opponents among young people, right?"

"Well, around the age of 30, there is no opponent. Lang Liangyue is still good when he is around the age of 40. However, Lang Liangyue's Chopin performance is really hard to describe in words. So if we simply discuss Chopin and Fu's strength, after the age of 50, he is still good."

It should be unstoppable."

"Further up are some old people. Although they may be better at Chopin than Fu Tiao, their physical strength can no longer keep up with their performances. It's a pity..."

A person beside him whispered, looking at Fu Tiao with a little unwillingness, racking his brains to think about who else could defeat Fu Tiao.

But the more he thought about it, the more powerful he felt that Fu Diao was now.

He really couldn't think of anyone at a similar age who could defeat the current Fu Tiao.

Even if we add twenty years, there are very few such talents.

The other person looked at Fu Diao and couldn't help but feel a little anxious.

"By the way, in June or July next year, if the German and Austrian music schools are completely shameless and let Fu take part in the European Conservatory of Music Exchange Competition, what will our French music school do? Will we have to die?"
To be continued...