This is a small dessert that is an appetizer before the concert.

However, such a simple appetizer can shock everyone present.

I don’t know how many people have played this piece. Not only ordinary pianists can play this piece, but also many amateur players will choose this piece to play.

After all, this piece is very simple, and it is not difficult for anyone.

Precisely because the difficulty of playing is relatively low, the details in the music and the expression of emotions in the music have become the most important part of this piece, and are also the key points to distinguish the level of pianists.

It's obviously the same sound, but why is the feeling when I press it completely different from the feeling when someone presses it?

The reason is actually very simple.

The dimension of piano music is not only the correctness of the notes, but also the length of the notes, the connection of the notes, the speed of pressing, and a series of other factors.

For example, the piece they are listening to now, Chopin's Nocturne Op9, No2, takes the first note at the beginning as an example.

How do many people press it?

He simply puts his hand on the piano, waits for the beat to arrive, and then presses his fingers directly to start playing.

This is not the case with Fu Tiao.

His fingers were brushing.

He raised his hand slightly and floated gently over the keyboard where he wanted to play. It seemed that without any movement, the music in his hand flowed out.

When a normal person plays the main melody of the following music, it is likely to be a very simple action, such as pressing each note by raising the finger high.

Fu Tiao, on the other hand, pressed his wrist down, making the changes in the midrange and pitch of his fingers more viscous, preventing the music from flowing too fast from his hands.

At the same time, his keystrokes were not as fast as many people imagined, but seemed slightly hesitant and slow.

This also makes the flow of music not seem too fast, but much more soothing.

The fine control coupled with the control of the beauty of the music and the study of details make the level of the music in his hands more terrifying.

It is difficult for you to learn anything from his hands. You can only feel one thing, that is, the level of Fu Diao's playing is really strong and really terrifying.

How old Fu Tiao is now, but he already has such strength, so what level can he reach in the future? Who can say clearly.

But one thing everyone knows is that Fu Tiao is now one of the top people in the world, above Chopin.

It’s the same sentence.

Fu Tiao may only be one god-level performance away from those at the top.

Whether it's a god-level recording or a god-level live performance, with just one simple god-level performance, Fu Diao can basically become one of the strongest Chopin players in the world.

And when you get to that level, no one is higher or lower, there are just differences in styles between them.

Everyone enjoyed listening to the nocturne played by Fu Diao.

With the sudden and extremely fast chords in the last section of the nocturne, the piece finally came to an end.

Wow!

Different from previous concerts, after the performance of Fu Tiao's piece, everyone burst into applause instantly.

Fu Tiao smiled and nodded to everyone, without standing up and bowing.

It's not just forbidden to clap between movements at a concert.

In fact, even the connection between works is prohibited.

Normally, the most correct time to applaud is to start applauding after halftime.

but……

In fact, Fu Tiao does not object to the applause of the crowd, it just slightly disrupts his mood, but the audience's love is real.

At least people don't applaud you in the middle of playing, which is a great honor.

Jiang Ruijia, who was sitting under the stage, heard the discussion between the mother and her son behind her. The mother kept asking her child to learn how to play Fu Diao.

Although the child was a little reluctant, he kept nodding in agreement.

"If I could listen to Fu Tiao's performance and learn to play Fu Tiao, then there would be no ordinary people like me in the world who are not even considered pianists..."

Listening to the discussion between the mother and son behind her, Jiang Ruijia couldn't help but murmured in her heart.

Compared with the opening, the applause of the crowd actually did not last long, and it ended in about ten seconds.

After the applause stopped, Fu Tiao turned to look at the piano in front of him and let out a long breath.

The appetizers are over, now it’s time to show off some real skills.

Chopin, Piano Sonata No. 3.

This is the track he plans to use as his trump card.

Chopin's Piano Sonata No. 3, B minor, Op. 58, composed in the summer of 1844.

This piece was composed by Chopin while he was in Noan with George Sand, and was dedicated to the Count of Bold.

The overall tone is bright, and the development is bright, optimistic, and life-affirming, which is not particularly consistent with Chopin's own feeling of a melancholy piano poet.

However, this piece is the most genius and largest work among Chopin's works.

This piece of work is called a treasure trove of musical thoughts by many.

It's not because of any other reasons, just because of a very simple point, that is...

There is really too much material for the development of this piece.

So much so that most composers can draw nourishment from it and write countless works with different chapters.

F, strong.

A simple descending chord with a six-note main chord appeared in front of everyone with great ease and joy, with a hint of magic and mist.

The intensity is not great, at least not as great as everyone imagined.

It's obviously written as f, but I don't know why the Fu tune doesn't sound like f at all, but like a very simple expression?

Is it a mistake?

Obviously, no, it was absolutely impossible for Fu Tiao to make such a simple mistake.

Soon, everyone knew why Fu Tiao chose to interpret f with such intensity.

Because of his ascending chord changes in the first measure, the second measure, the third measure, and even the fourth measure.

From f, go to normal, then go to ff, stronger.

In Fu Diao's hands, the chords are like melodies, flowing without any pause or hesitation.

Strong interpretation, and even stronger interpretation, are extremely harmonious in the hands of Fu Tiao.

It turns out that this is strong, this is the feeling that Chopin's Third Piano Sonata should present?

When everyone listened to Fu Tiao's performance, they couldn't help but think of this.

Buzz…

Added an extra b.

Another major descending chord with a sixth note.

There seems to be a slight change in the feeling in the music.

The foggy feeling in front of everyone seemed to be getting thicker.

Musical chords, incomparable decisiveness.

It is completely inconsistent with the foggy nature of music.

just like……

Buzz!

Sharp sword!

Zai Fu Diao's fingers were extremely smooth, but he pressed the chord in his hand extremely powerfully. The sound of the chord rang in everyone's ears, and everyone couldn't help but be stunned, and the word suddenly came to mind.

Yes, it is a sharp sword, a sharp sword that can pierce everything.

The power of Fu's tune empowers the piano, unfolding the fog brought about by the six tones of the main chord.

Chopin's extremely resolute and decisive image appeared in front of everyone.

No, not just the image of Chopin.

Everyone even felt that what they heard was not just Chopin, they also heard a feeling of the sea.

The sea is filled with fog, and the huge cruise ship moves forward in the fog, splitting everything apart.

Fu Diao, on the other hand, was singing in a low voice at the bow of the ship.

This feeling was completely different from the previous feeling, and everyone was stunned.

Just now, there were people in that place thinking about the little dessert that Fu Tiao brought them at the beginning of the concert, that simple and very relaxing Chopin Nocturne Op9, No2.
To be continued...