Fu Diao's arms slowly lowered, and the heaviness and pathos in the music ended in his hands.

The title is clearly called Passion, but there is no element of passion in his music, only sadness and pain.

This is not a mistake in Fu Diao's interpretation, nor is it wrong to say that there is no passion in the music.

In fact, in the Passionate Sonata, the kind of enthusiasm for everything that everyone imagines does not exist. The most accurate expression should be the hope under countless torture and pain.

What is passion?

Beethoven's own explanation is Shakespeare's storm. Everything you can feel when facing the storm, the poetic feeling facing tragedy and despair, is called passion.

Life is such a road, faced with a long road of suffering, a road of thorns that cannot be escaped and can only be endured.

In such a life, you can fully feel the world full of contradictions and exploration. Everything in the world is unknown and worth exploring. However, under the unknown and contradictions, the results you get from exploring

What exactly is it?

Fu gave his answer using music.

More pain, and more hope.

The more you sink, the deeper you sink into the abyss, the more real everything you can feel, and the more you can grasp the glimmer of light in the world.

When you are in a world full of light, you will never be able to find real hope. All kinds of light will cover your eyes, making it impossible for you to distinguish what is real and what is false.

And when you are surrounded by darkness, even if that light may be false or disillusioning, it is the most real light in your life and the light most likely to save your life.

If you don't grasp this hope, you will only fall into the abyss helplessly.

So what is the end of the abyss?

There is no doubt that it is eternal darkness and eternal death.

Everyone is going to die, and no one can escape death. We are already on the road to death from the moment we are born. Only some people take the first step, and some people arrive later.

However, one thing that is different between humans and other creatures is that humans are creatures full of struggle and unyielding.

Although the destiny of human beings is also death, this death is different from the natural life and death of living things.

They affirm the sufferings of life and will not sink into it.

The most noble thing about human beings is to fight unyieldingly against the endless suffering in this sinking state.

Fight with nature, fight with heaven and earth, fight with all things, and fight with others.

Fighting against the forces surrounding and hostile to him...

And this is passion, unyielding passion, the passion that struggles to reach out and touch the finger of God on the dome.

As long as you have struggled, worked hard, struggled, and persisted, even if the final destination is still death.

But that kind of death has a sublime and tragic beauty.

The passion in his bones burned everything, making the world boil in his hands, burning everything that was bound to him.

Fight.

This is everything shown in the first movement of Fu Diao.

It uses extreme oppression to fill everyone's hearts with despair and pain, and then gives them a glimmer of hope, forcing them to fight for that glimmer of hope.

This is also the method used by Lang Liangyue.

Although the types of interpretations by the two of them are different, the methods they use are also the same.

They were all taught by the same master, so they can't break the moves.

This is the main reason why Lang Liangyue said that Fu Tiao's music has reached his level, but there is still a little way to push him down.

However, the focus of Fu's tune is not here, but in the second movement that no one pays attention to.

Fu Diao panted slightly, and a trace of sweat flowed down his forehead and into his collar, causing his breathing to become slightly disordered.

He suddenly thought of what Klaus said to him when he was playing Beethoven's sonata.

"If we just purely discuss Beethoven's Passionate Sonata, in fact Lang Liangyue is basically at the pinnacle of music. Many people are trying to surpass Lang Liangyue, but in the face of Beethoven's emotional high

When it comes to sonatas, Lang Liangyue's performance is actually suitable for most people and has become the most authoritative version that is worth listening to and learning."

"Then what should I do?" Fu Tiao looked at Klaus and asked softly: "There must be a solution, right?"

"Well, there is one, but it's not the most appropriate solution."

Klaus smiled at Fu Diao and explained: "In Beethoven's sonata, the first movement and the third movement have been tried countless times by everyone, and there are countless

Do you know that people choose to play these two movements to cope with the exam?"

"Well, I know..." Fu Tiao nodded: "These two works are very famous."

"It is precisely because of this that these two movements have relatively the most appropriate and authoritative performance methods."

Klaus stood up, walked to the edge of the classroom, took out a disc and put it on the gramophone in the classroom, played it, and spoke to Fu Diao.

"The first movement is about pain, despair and unfulfilled hope. The focus is on the struggle for the unattainable. This is relatively easy to understand, while the third movement is about the spirit of achieving it in one go!"

After a pause, Klaus said with great gravity: "The only special point is the second movement."

"Is the second movement difficult?" Fu Diao looked at Klaus in confusion and asked.

Klaus just shook his head and said slowly: "The second movement is not difficult. The reason why I say the second movement is because there is only one way to interpret the second movement, and that is to make good use of the tension of the music."

He pointed to the record that was playing in his hand and said softly: "The longing for hope and the face of the disillusionment of ideals. This is a slow movement. I know that Dio is very good at slow movements, but you must pay attention to one thing.

, that’s the dramatic conflict here, it’s very strong.”

"The more intense dramatic conflicts bring about the limitations of interpretation and the ineffability of expression. Everyone has the same expression and the same dramatic conflict, which also makes this place a pure struggle for internal strength.

."

"Internal strength?" Fu Diao was stunned, not expecting such an answer.

Seeing Fu Diao's confusion, Klaus smiled and nodded easily: "Well, yes, internal strength..."

"The so-called internal skills refer to your inner skills. In addition to basic skills, you have sensitivity to music, the ability to interpret music, and the expression of music beauty. The most critical point is your ability to appreciate the beauty of music. Your ability to appreciate music beauty.

The higher your ability to appreciate the beauty of music, the stronger the effect of your expression, and the more perfect your interpretation can be."

"This place is a pure competition of internal strength, and it is also the only chance to surpass Lang Liangyue."

"And you, I believe your sense of beauty in music can reach that level!"

Klaus's words flashed through Fu Diao's mind. He looked at the black and white keyboard in front of him, his eyes couldn't help but narrowed, he took a deep breath, and pressed slowly with his hand.

Buzz…

Buzz…

Buzz…

The sound of the piano played slowly, and the tenderness unique to the second movement slowly climbed up along everyone's tailbones, grabbed everyone's spine, and broke everyone's brains.

Goosebumps suddenly appeared.

The beauty of this music?

Everyone looked at Fu Tiao in front of them, and their pupils couldn't help but dilate.

The beauty of this music makes them feel as if they are no longer in this world, as if they have arrived in heaven and have been saved.

The despair in the first movement seemed to have completely dissipated at this moment, and all the sorrow and pain around it disappeared at this moment, leaving only the simplest, clearest gentleness.

Everything around him dispersed, leaving only Fu Diao in the music.

As far as their eyes could see, they could only see Fu Diao sitting on the stage, smiling and playing the piece in his hand.

The look is relaxed, joyful, and with unparalleled comfort.

Just like the works in his hands, it brings the same feeling to everyone.

Under such a feeling, everyone's emotions could not help but feel a little relieved. They completely pressed their bodies into the music and let themselves fall into it.

When they were listening to Fu Diao music before, they even thought about whether they needed to resist Fu Diao music and let themselves be independent of Fu Diao music so that their emotions would not be too painful and sad and unable to extricate themselves.

Up and down, the tenderness in the music was heavy and enveloped everyone.

Every weakening and every crescendo is filled with indescribable sweetness and temptation.

This is heaven, and here is everything everyone dreams of.

They no longer need to continue working hard, this is their end.

They will not continue to fall into the abyss, because this is already heaven.

"Perfect……"

Argerich, who was very far away, could not help but close his eyes, raise his fingers, and follow the lines of Fu's music to flow slightly, and even the corner of his mouth could not help but reveal a smile.

Like ordinary audiences, she was immersed in Fu's music and couldn't extricate herself.

This kind of music makes her feel enjoyable and makes her extremely addicted.

"I like this kind of performance, Daniel (Barenboim), what do you think? You are an expert on Beethoven, and you should know more about Fu's playing. What do you think of Fu's playing?"
To be continued...