"Old Zou, what did Mr. Li show you? Why are you so excited?" He Guanchang walked over quickly and asked.

He Guanchang is also a smart person. Although he chats with his colleagues, his attention is always focused on Li and Wen.

At this time, when he heard Zou Wenhuai's cry, he immediately found an excuse and came over.

"Lao He, Lao Liang, come and see, Mr. Li really gave us a big surprise!

With these things, as long as we work hard, it will only be a matter of time before Daqin Film and Television surpasses Shaw Brothers." Zou Wenhuai excitedly waved the documents in his hand towards the two of them.

"Haha! Then we have to see what kind of good thing it is that makes the always steady old Zou ecstatic." Liang Feng also came over teasingly.

When the two of them came forward, Zou Wenhuai excitedly put the document in their hands.

He Guanchang and Liang Feng took the document with curious faces, and after a moment they both took a breath.

"Mr. Li is worthy of being a tycoon, and this handiwork is different. With the sale, he built dozens of cinemas and a 500-acre film and television base.

It also brings new ideas to the Hong Kong film industry, and I am convinced by He Guanchang." He Guanchang sighed deeply after reading the information.

"Yes! Daqin Film and Television has these capitals, so why worry about not being able to rise." Liang Feng was also dancing excitedly.

Several people looked at Li Wen's details and were all excited.

The first document they took was naturally Daqin Film and Television’s hard facilities, theater chains and film and television bases.

As filmmakers, the three of them all understand the position of a film company with theater chains and film and television bases in the entire industry.

In recent years, the film companies that own cinemas in Hong Kong are very independent and have almost a monopoly in the industry.

Small and medium-sized film companies without theater chains and film and television bases are no different from beggars, relying entirely on the support of big giants.

Film companies don't spend much money to make a movie, but if they want to show it in theaters, they have to pay a large fee in advance, and this fee is the guaranteed fee.

The bottom-line fee means that when ordinary film production companies play the movies they produce in cinemas, they must rent the screens of the theater chain companies. Therefore, the bottom-line fee is the cost of renting the screens of the theater chain companies.

But if some people think that it is just a simple leasing relationship between Party A and Party B, they are totally wrong. When the film production company plays the movie in the cinema, the production company cannot make the decision and everything must follow the arrangements of the theater company.

Theater companies don't care whether the movie you make is good or bad. If the movie is of good quality and has high attendance, the theater will refund the base fee, expand the film schedule, and finally collect more than half of the box office share after the movie is removed from the shelves.

It would be a disaster if the movie flopped!

The theater company will directly deduct the base fee paid by the production company as the cost of renting their cinema, so the theater company will make a profit without losing money.

These are just normal operations, and they mainly rely on the hard power of the production company.

What is even more outrageous is that if the films of ordinary production companies collide with the films of film companies with theater chains, the theater companies will not hesitate to sacrifice the films of these ordinary film and television companies.

Not to mention the best time to watch movies during the holidays. Don’t even think about these lucrative festivals for ordinary movie companies. Even if you are lucky enough to be listed, a layer of profits will be severely stripped off by the theater company.

The most shameful thing is the fee settlement, because movie tickets are sold through cinemas, and all the money is kept by the theater companies.

When a movie is taken off the shelves and the box office share is settled, it is normal to settle the payment in one month. In most cases, it will be delayed for a year and a half, causing many small and medium-sized production companies to go bankrupt.

In his previous life, Zou Wenhuai had the most fun with this shameless system, which caused countless small and medium-sized film companies to suffer.

So I say without hesitation that with its own film and television base and theater chain, Daqin Film and Television will be in an invincible position in the film and television industry without being manipulated by others.

The first document describes the company's hardware facilities, while the second document describes the new film shooting system given by Li Wen.

In the past, when film and television companies made movies, they would make movies within their own companies. They were ranked based on seniority, from front to back, based on distribution.

However, the new film shooting system introduced by Li Wen injected new vitality into the newly established Daqin Film and Television.

In the future, directors or star actors under Daqin Film and Television can set up their own studios. Of course, these companies will generally be invested and controlled by the company.

At that time, if the director and star's studio have good scripts, the studio will provide part of the funds, and the company will provide part of the funds and channel resources.

The benefits of doing so are self-evident, including reducing the company's investment risks, winning people's hearts, retaining famous directors and celebrities, and finally stimulating creative passion within the company.

The third document is for the company's artists, mainly regarding salary and safety issues.

In the document, Li Wen requested the establishment of a special company to protect the daily life and safety of these celebrity artists.

The newly established company will integrate brokerage companies, insurance fund companies, and security companies into one.

The brokerage company is responsible for the daily life and work of the celebrity artist. In terms of daily life, it must be meticulous and solve all the artist's problems like a nanny in later generations.

In terms of work income, the brokerage company must ensure that all its artists can no longer live on dead wages, but must flexibly source their income channels to tap out the maximum value of the artists and achieve a win-win situation for the company and artists.

Currently, Hong Kong does not have a sound social security system, but the fund company under Daqin Film and Television exists in the form of a social insurance company.

This is actually the five insurances and one fund within the Daqin Group. In the future, not only Daqin Film and Television, but all companies under the Daqin Group will have it.

In the future, a small part of the income of all actors and artists under Daqin Film and Television will be deposited into the fund company, and the company will use the majority as subsidies.

When these employees have nothing to do, they can apply for living expenses. They can also receive certain reimbursement for injuries and illnesses. When buying a house, they will also receive certain discounts in Daqin Group's own real estate. After working for a certain number of years, they can also receive monthly payments.

pension.

Star actors in Hong Kong are really miserable now. The monthly salary of most first- and second-tier stars is only one to two thousand Hong Kong dollars.

So much so that many star actors find it difficult to maintain their basic daily lives when they have nothing to film.

These celebrities are all walking ATMs. Li Wen is in business for the long term. He is not as short-sighted as film and television companies like Xiangdao, who only care about exploitation and don't care about the life and death of his employees.

If Daqin Film and Television introduces such a system, it will well protect the life rights and interests of its employees and become the most warm-hearted company in Hong Kong.

The last one is the safety issue of celebrity artists, which is also an issue that Li Wen pays special attention to.

Those who can enter the screen and stage are basically handsome men and beautiful women, and there are very few bad ones. In Hong Kong, where the underworld is rampant, the film and television industry is always closely related to these underworld forces.

When Hong Kong's economy began to take off in the 1970s, the underworld would definitely focus on the film and television industry, which could both make money and launder money.

Later generations of superstars such as Liu Tianwang and Brother Fang were threatened with guns by the underworld, not to mention smaller actors and stars.

In Hong Kong, where color is rampant, many famous artists have been arrested and filmed in class films.
Chapter completed!