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Chapter six hundred and eighty first gap

First of all, it is the lack of sound practice skills.

Stage play performances are mainly performed through dialogue or singing, and the performance is completed at a specified time and place, and the audience can only listen to it once. Therefore, despite having a microphone, in order for the audience to hear clearly, the actor needs to always speak with high volume. An excellent stage play actor must have clear voices, loud and penetrating voices.

Over the years since she entered the industry, Morning Star has put a lot of effort into lines and dubbing, and her self-feeling is already comparable to her professional standards. However, after acting with Pei Haoyuan for several scenes, she realized that she was far behind.

After they rehearsed with the students for three days, Teacher Pei Jing asked them to perform the first five scenes, which lasted for an hour and a half. After stepping down, Chen Xing's voice became hoarse and Pei Haoyuan's voice was as loud as before.

But in these scenes, Pei Haoyuan's lines are not less than hers.

Chenxing humbly asked Pei Haoyuan for advice. Pei Haoyuan said: "You must start with daily speaking. I started from the age of nine. When my aunt taught me to speak, the position of the voice should be deep, resonant, and the width of the voice should be sufficient."

He demonstrated Chenxing and asked Chenxing to stare at his Adam's apple. Chenxing then realized that when he spoke, the Adam's apple naturally lowered and kept at that low position, and then breathed in an abdominal manner.

Chenxing also heard this skill from the vocal teacher, and she also used it when singing, but the difference between her and Pei Haoyuan is that Pei Haoyuan speaks in this way in his daily speech.

Pei Haoyuan didn't hide his own personal feelings at all, and told her about her original voice training method: "I couldn't practice well at the beginning, so my family hired a foreign teacher for me to learn from foreigners' speaking. The way foreigners speak is very consistent with the principle of voice speaking and can make you have a full breath for a long time."

He learned a few words for foreigners to speak on the spot, and told her: "It is easy to speak Chinese in the way foreigners speak in a way that they can't speak clearly, but it can keep you breathing for a long time. Those singers who are not full of breath are all circulating in the music industry by relying on this skill!"

Chenxing suddenly realized why some singers have been criticized for being unable to speak clearly, but they refused to change it. It turned out that the full atmosphere and clear pronunciation were impossible for some singers to achieve both.

The second is the speed of expression conversion.

When Chenxing was acting in a TV series, he also encountered moments of ups and downs, but the speed of expression change in the TV series is incomparable to the stage play. The several scenes rehearsed this time required her to instantly complete the emotional change between sadness, joy, surprise and anger. When she was acting with Pei Haoyuan, she found that Pei Haoyuan's expression was much more relaxed than herself, and her expression was always a beat slower than Pei Haoyuan.

Teacher Pei Jing inspired her: The difference between the mediocre and exquisite acting skills lies in the control of details. If you want to become an acting player, you must strengthen your control over expressions. All kinds of large expressions and micro expressions can be easily retracted, so that you can step up to the first threshold for mature acting skills.

Finally, it is the ability to communicate with the audience.

As actors who have already performed many TV series, their acting skills are naturally much better than those students in the Drama Academy. After Chenxing and Pei Haoyuan performed several scenes together, Pei Jing specially invited several teachers from the Performance Department of the Drama Academy to evaluate the pros and cons of their performances.

Several teachers watched their performances and agreed that the best thing about Pei Haoyuan was that when he was on stage, he not only communicated with his partner, but also had good eye contact with the audience, and Morning Star lacked some in this regard.

Chenxingxin convinced oral.

She really lacks experience in communicating with the audience. Even during press conferences, she cannot face up to the reporters who asked her very well. She has a knot in this kind of face-to-face communication between strangers, and always feels that she cannot understand other people's ideas. What she is good at is to ignore the audience and devote herself to interpreting the role.

Teacher Pei Jing taught her that she must overcome this obstacle as soon as possible, learn to treat the audience as one of her opponent actors, understand their views on the plot, the characters in the play, and have some heart communication with the audience in order to impress the audience more deeply.

After acting in the stage play for several days, Morning Star realized that she gained a lot and began the habit she developed on the set. She rushed to the small theater early every afternoon and rehearsed until very late at night before coming back.

Seeing that she is low-key, humble and serious, the teachers and student actors in charge of rehearsals like her very much. Most of them have watched Chenxing's "Xiaoyao Jianghu" and know that her performance is very awesome. When they encounter those sessions that they think they are not ideal, they ask Chenxing to come and demonstrate. Chenxing can always bring surprises to them.

After Chenxing came here for more than ten days to rehearse, he fell in love with it and asked Teacher Pei: "Teacher, can I come here to study with the students at any time during the acting period in the future?

Teacher Pei glanced at her and said, "Let me think of a solution."

After coming out of the theater, Pei Haoyuan said to her: "Mingxing, you have asked my aunt a problem. This theater is the school's teaching theater. We come here a few times occasionally. My aunt can also explain to the leader that if we come here often, someone will definitely talk about my aunt's gossip."

Morning Star is very regretful: "That's it..."

Chenxing and Pei Haoyuan stayed in the small theater for more than 20 days, and followed the students to rehearse the entire "Thunderstorm". After watching their interpretation, Teacher Pei Jing specially organized a comparison and observation by the teachers from their academy.

The students from the Academy of Drama performed "Thunderstorm", and then Chenxing and Pei Haoyuan played the leading roles, and performed several very critical scenes in their way. After the performance, Teacher Pei asked everyone to summarize the advantages and disadvantages of these two performance methods.

Pei Haoyuan won’t talk about it anymore. As an outstanding graduate of their school, after the training on the set over the past two years, he has grown into a powerful actor with excellent acting skills.

What amazes them was Morning Star's performance.

Chenxing obviously has not received formal performance training and his basic skills are not as good as those of them, such as their professional students. However, Chenxing's acting suddenly appears and is very creative, which gives them great surprises. However, the students they teach have good basic skills, but most of them perform well in a proper manner and full of craftsmanship.

This may be the difference between a talented actor and a learning actor.

The final result of the teachers' summary: the joining of Chenxing and Pei Haoyuan is conducive to their teaching practice and can give these students useful inspiration. Therefore, they are welcome to become the resident guests of this small theater.
Chapter completed!
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