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A piece of dilapidated barbed wire stood on the coast behind the police station. After Matthew assisted, he rushed upwards, and his hands and feet turned over the barbed wire, jumped down from above, looked back, and saw no zombies chasing him, breathed a sigh of relief, and walked ahead along the barbed wire and the river bank of the set.

Not long after walking out, I saw a broken area of ​​the barbed wire mesh. A steel pipe that was nearly one meter long was wrapped in the middle of the tilted barbed wire mesh. When I thought of escaping from the police station, I didn't even bring a gun, so I quickly walked over, picked up the steel pipe, stepped on the barbed wire mesh with one foot, and wanted to pull the steel pipe out of the winding.

Perhaps it was because the props master was too tight. With Matthew's strength, he didn't pull it out. He had to hold one end of the steel pipe with both hands and increase his strength. With a harsh friction sound, the steel pipe successfully broke away from the wire and entered his hand.

Matthew tried to wave a few times, seemed very satisfied, nodded and prepared to move forward.

"Stop! It's past!"

Behind a camera, director Zach Schneider's voice came, "Are the two actors and the zombie actor ready?"

The deputy director over there immediately replied loudly, "Everything is ready!"

Zach Schneider issued another order, "The camera adjusts the camera position and prepares to shoot the next one."

Matthew was standing and not moving as Zach Schneider had ordered before. The two cameras moved along the pre-paved slide rails and continued to stay on his left hand. However, one shot opposite Matthew and the other was responsible for shooting his frontal footage.

With Zach Schneider's order, the shooting began soon again.

Holding the steel pipe in his hand, Matthew showed 120,000 vigilance. He was also afraid and nervous about the unknown. He walked forward and came to the place where the barbed wire turned, and suddenly stopped because of the dense sound of footsteps coming from the opposite side.

Matthew took a few steps and looked forward. A man and a woman were running towards this side crazily. The man was a middle-aged actor in his forties, and the woman was naturally Alexandra Dadario.

Behind these two, a large group of extras who were dressed up as zombies.

The group of zombie extras were all swaying, like crazy tigers, running very fast.

The two formal actors were not slow either, as if they had used their strength to feed themselves. And as the two of them got closer and closer, the crew suddenly became extremely quiet.

The entire crew seemed to be stunned.

The recording engineer in charge of the live recording looked at the actors running over and opened his mouth slightly.

The two female makeup artists were amazed, and an emotion called envy, jealousy and hatred emanated from their eyes.

"It's too big... it's too big..." The person in charge of the props on the scene murmured, "It's too big..."

Not to mention these people, even Matthew was lost for a moment. Alexandra Dadario, who was running towards him, jumped up and down as he ran, seemed to be able to jump out of the neckline at any time. The strange scene can only be described as magnificent.

"Also both are seventeen or eighteen years old, Kaira can't even reach A..." Matthew was puzzled, "Alexandra Dadario is at least e, right? F may be."

Moreover, girls of this age are unlikely to have surgery, so they should be purely natural.

Not only Matthew, but even director Zach Schneider was stunned for a moment. There are actresses like Hollywood, but the visual effects that can be produced when running like this are really... shocking!

Zach Schneider realized that the atmosphere on the whole set was not right, so he opened his voice and shouted loudly, "Stop!"

Matthew shook his head slightly, knowing that this article must be re-shooted.

Sure enough, Zach Schneider's shout came over again, "Reset, start shooting again in five minutes!"

With Zach Schneider's yell, the crew returned to normal. Matthew looked forward, and the extras who played the zombies were walking back scattered. The two actors running in the front bent down and held their legs, gasping for breath.

He first looked at the middle-aged actor in his forties, and then his eyes fell on Alexandra Dadario. He probably noticed someone looking at him. Alexandra Dadario raised his head and looked at Matthew. When he saw Matthew looking at her, he immediately showed a slightly shy smile.

Matthew nodded slightly at her, and Alexandra Dadario smiled again, turned around and walked back.

Five minutes passed in a flash, and the shooting started quickly.

At the command of director Zach Schneider, Matthew came to the turn of the barbed wire again. Alexandra Dadario and the actor ran over crazily, followed by a group of extras who were even more crazy than them.

"Switch the lens!" Zach Schneider said to the photography assistant who controlled the camera. "Follow the close-ups with Alexandra Dadario's chest as the focus."

The real-time lens shot by the camera is displayed on the monitor screen in front of you. Zach Schneider thinks the picture is really shocking, but it can actually be even more shocking. If you use high-speed slow motion to shoot this scene, you should be able to play it on the big screen with high-speed slow motion, which should be a shock to many viewers?

What a pity, Sean Daniel disagreed with his use of high-speed slow motion shooting.

After filming this video, you will accumulate a certain amount of capital. For the next video, you must choose the subject matter and type that is suitable for displaying your expertise.

He saw the real-time screen of the monitor, Matthew rushed towards Alexandra Dadario and then shouted to stop shooting.

Then he was going to slap the zombie shot. He had watched Matthew practice with the prop group and action guide before. Matthew's strength was extraordinary, and he had a real steel pipe in his hand. If he hit the extra person's head, it would not be fun at all.

The crew prepared early in the morning that they could use fakes to make fakes fakes. The fakes' heads and skin were made of resin materials that were filled with plasma.

Of course, the first thing I took to the stage was a stunt actor who was dressed up as a zombie.

"Hurry up! Come here!"

Seeing Alexandra Dadario running towards him, Matthew rushed over immediately. He had already seen that the people chasing behind were somewhat similar to those attacking him in the police station. His skin was white and his body was rotten...

"Help! Help!"

Like all the beautiful vases, Alexandra Dadario had only two tasks at this time, one was to continue to show off his figure, and the other was to scream at the top of his voice.

Matthew let the two of them meet the zombies rushing in front, kicked him in the chest. The extras who played the zombies fell to the ground just right and turned into a rolling gourd. As the running distance between five or six zombies was opened, Matthew proudly dealt with them one by one. With his powerful force, he defeated three zombies in a row.

The fourth zombie rushed up again and bit his left arm with bloody mouth.

"ah!"

Alexandra Dadario was still screaming.

Matthew dodged the zombies sideways, and the steel pipe sucked the zombies hard, and the zombies fell to the ground immediately.

But before he could deal with the two weakest female zombies behind him, the zombie he drew down, got up.

"What are they!" Matthew asked Alexandra Dadario and the others loudly, "I broke his ribs, why can I still get up!"

"ah!"

Alexandra Dadario is still paying attention to fulfilling his vase work.

The middle-aged man said, "I've shot them with a gun, and I can't kill them!"

Several zombies all crawled up, and black almost solidified blood flowed out of their mouths. In addition to the two female zombies who ran over, Matthew was surrounded.

"Stop!" Zach Schneider shouted, "Switch to dummy!"

The assistant quickly brought the kettle. Matthew bit the straw and took two big sips. Seeing Alexandra Dadario's chest fluctuations, it seemed that he was not very comfortable. He said to the assistant, "Get Anna the bottle of water."

Soon, the assistant delivered a bottle of water to Alexandra Dadario and said, "Matthew asked me to give it to you."

Alexandra Dadario unscrewed the water bottle, pulled out the straw next to it and stuffed it into the water bottle. He took two sips in a row and felt better. He turned to look at Matthew, and saw Matthew looking at him, and nodded at him with a smile.

The crew quickly arranged the dummy, and Alexandra Dadario returned the water to his assistant, adjusted his breathing repeatedly, and screaming was also a hard work.

The filming started over and Matthew returned to the steel pipe and smashed the heads of six dummies in various ways. The brain burst on the set and blood flew everywhere, which was a terrible sight.

Some blood and other things were also splattered on Matthew's face and clothes.

This is definitely a heavy-tasting drama.

Matthew also knew that this was one of the selling points of zombie films. Violence and blood are the most important components of commercial films, especially R-level films.

Then, the crew entered a short rest phase, and Matthew sat on a chair in the temporary rest area, and Alexandra Dadario brought a chair and sat next to him.

The two chatted casually, and Alexandra Dadario suddenly asked, "Did I have something wrong with it just now? So many people are staring at me."

Matthew turned his head and looked at her, and had the urge to ask her what she had grown up with, but he still endured it and reminded him from the side, "Most of the crew are men, so many people staring at you, why?"

Alexandra Dadario immediately understood, but it was not embarrassing at all, "So that's how it is."

"By the way, Matthew." She suddenly changed the topic, "I only have character scripts, and I haven't read the full version of the script. Have you read it?"

Matthew nodded slightly, "I've seen it."

Alexandra Dadario asked, “Is the heroine’s role heavy?”
Chapter completed!