"I never float, let it flow and take me to float, float to where I want to go until you open the door..."

On the set, Taylor Swift's singing sounded, and the entire open-air set was in excitement, and many people started to beat the song.

One camera is aimed at Taylor Swift on the small stage, and the other is aimed at the audience below, mainly shooting around Matthew.

Originally, director Peter Chelsom wanted him to sing, but now after changing the scenes, Matthew's cameo is easier, just be an excellent audience.

He has never seen how professional audiences of Angel Brokerage Company perform.

So, Matthew was completely immersed in Taylor Swift's song and was intoxicated by the sound of his song, as if the song had evoked his emotional resonance, and he was almost crying on the spot.

The shooting went smoothly, and the shooting was done once, and director Peter Chelsom was announced to be completed, and Matthew's cameo ended.

He greeted Taylor Swift, returned to the nearby makeup trailer to remove his makeup, and found a girl waiting near the trailer.

When the girl saw Matthew, she immediately greeted her with a naive smile on her face, "Hi, Matthew."

Matthew nodded to her, "Hello, Miley."

The person who came here was Miley Cyrus, the heroine of "Hannah Montana".

Miley Cyrus took out his cell phone from his pocket and asked, "Can you take a photo with me?"

"Of course." Matthew did not refuse.

It happened that Taylor Swift came out of another trailer next to him. Seeing this, he volunteered, "I'll take pictures for you?"

"Okay!" Miley Cyrus stuffed his phone into Taylor Swift's hand and said, "Taylor, take a better shot."

These two people clearly know each other.

Miley Cyrus came to Matthew and hugged Matthew's arm, and Matthew showed a professional and friendly smile.

Opposite, Taylor Swift began to count down, "3!2!1..."

Just as she counted down, Miley Cyrus suddenly stretched out his long tongue and made an exaggerated expression of shaking his tongue.

Matthew also noticed this expression, and through this expression, he suddenly remembered that this girl seemed to have seen it in gossip news and often did some extraordinary actions at that time.

The reason why I remember these is because he has watched an exaggerated comedy of a reporter assassinating a head of state.

"I'm going back to shoot." Miley Cyrus got his phone back and waved to the side, "Goodbye Matthew. Goodbye Taylor."

Matthew waved casually, and Taylor Swift came over and asked, "Are you leaving now? If you leave, let's go together."

"Let's go." Matthew nodded, went out of the open-air set with Taylor Swift, and walked towards the studio's door.

While walking, he was thinking about what happened just now. After this time, he had a clearer memory.

When he saw the shit-and-piss comedy and assassination of a head of state starring James Franko on the other side of the Pacific Ocean, he didn't understand the meaning behind the word "camel toe" mentioned above, so he looked it up and then saw a lot of pictures about Miley Cyrus.

This Disney youth idol completely collapsed when facing the transformation of youth idols that they had to and rarely succeeded.

It seems to have collapsed on its own initiative.

"What are you thinking?" Taylor Swift asked.

Matthew asked without answering, "Are you familiar with Miley Cyrus?"

"Are you a friend," Taylor Swift said, "I've known each other for more than a year."

She asked again, "Where are you going next? Do you have time in the afternoon? Go to my music studio in Los Angeles, and I'll give you some basic music lessons in advance?"

Matthew was a little moved, and finally shook his head, "I have something to do in the afternoon, so I made an appointment to meet someone."

Taylor Swift asked intentionally, "Isn't it because I've had an appointment with a pretty woman?"

"It's indeed a woman," Matthew admitted first, and then said, "A female director, I invested in a film project and needed a female director."

When he arrived at the door of the studio, he and Taylor Swift broke up and got into the car and went to the Angel Agency.

Since the release of Twilight, Susan Collins has been calling him and Helen Herman, hoping to see The Hunger Games appear on the big screen soon.

Matthew is also preparing to put "The Hunger Games" on the agenda, but before starting the preliminary planning, he needs to find a suitable director for this project.

With the successful experience of "Twilight", his first and foremost is still a female director.

Looking at the whole of Hollywood now, there are really few outstanding female directors. Sofia Coppola has to direct the sequel to "Twilight" and has her own filming plan later. It is impossible for her to direct this series again.

The range of options is actually very small.

In the past month, Helen Hermann has been in contact with Catherine Bigelow and Nancy Meyers. The former has no interest in this type of film, while the latter says he is powerless to do anything about a large number of action scenes.

To be honest, these two people are too old, and Matthew also has certain doubts about them, and they may not be able to grasp the preferences of the teenage audience.

A few days ago, I met Charlize Theron and talked about "The Hunger Games". Charlize Theron specifically recommended a director, Patty Jekins!

That is the director she was filming "The Devil".

Charlize Theron helped him meet Patty Jaykins this afternoon.

Patty Jaykins' most famous work to date is "The Devil", but he has also directed a typical teen idol work like "Star Partner".

Moreover, Patty Jekins was born in the 1970s and is one of the youngest female directors in Hollywood.

In the reception room of Angel Brokerage, Matthew met Patty Jaykins.

Charlize Theron introduced him, Patty Jekins and Helen Hermann, and then took the initiative to leave, obviously not participating in the talks between the two sides.

This is the first time Matthew has met the director of "The Devil". Patty Jekins has extremely common long dark brown hair and looks like a very ordinary woman.

However, Charlize Theron revealed some news about Patty Jaykins to him.

Matthew didn't talk nonsense, and went straight to the topic, "Director Jekins, I asked Sally to help you meet you, and I intend to invite you to be the director of a project."

Although the directed works helped Charlize Theron win the Best Actress, Patty Jaykins' status in the circle is much lower than Charlize Theron.

"Sally mentioned it to me." Patty Jaggins hasn't directed a movie for several years. "It's a movie based on "The Hunger Games", right?"

Matthew nodded, "Yes." His eyes flashed quickly across Patty-Jetkins' face, "I intend to make this series a film for women to fight for survival and power."

Patty Jaykins was a little moved, “You mean to make a feminist movie?”

"That's right." Matthew knew that it was too exaggerated to win people's trust, "but the content must be moderate, and excessive fire may cause negative effects."

Patty Jaykins is a director, so he naturally understands this and nods immediately.

Matthew said again, "Director Jekins, you may have heard that I have been sponsoring and supporting women's organizations in North America."

"I know." Patty Judges nodded again. "I am very honored to know someone as enthusiastic about the feminist movement as you."

"You're so polite." Matthew smiled.

In fact, Charlize Theron didn't reveal much information to him, but it was very important. Patty Jekins was a real female white-left, a feminist supporter from the bottom of his bones.

Due to the limited choice of female directors, Patty Jaykins is the most suitable director Matthew has met now. It is really rare for female directors who are capable and have directed works of teen idols.

Besides the director, Patty Jekins is also a very outstanding screenwriter. Most of the scripts of "The Devil" are written by her.

If it were a female director like Catherine Bigelow, Matthew would not have many things to impress the other person besides money, but it would be much easier for a white left feminist like Patty Jekins.

The character he has established for himself over the years, and the funds from the foundation to aid women and children, he can easily gain the favor of the white left feminist rights.

Some people may think that the wealthy people throw out large amounts of charity funds in charity or other charity activities are all supported by money or waste their financial resources, but these can often benefit in other aspects.

People like Matthew don’t spend money on charity.

Patty Jaykins obviously agrees with Matthew. Although he has no opinion on whether he is directing this work, he is willing to continue talking to Matthew and Helen Herman.

"Director Jaykins, if you join this project," Matthew said instead of letting Helen Herman speak, "We also intend to hand over the screenwriter's work to you and the original author Susan Collins."

Seeing Patty Jaykins nodding slightly, he said, "The heroine Katniss is the most suitable female spokesperson. She firmly believes that she is no worse than any man. She goes to the battlefield to save her family. She doesn't need any man to save her, but instead saves many men. I have had a conversation with Susan Collins. I will introduce you to you another day. She is also an excellent woman."

"Okay." Patty-Jackkins responded.

Matthew continued, "I agree with Susan and I, and the heroine Katniss will become the spokesperson for democracy and freedom in the film world."

Patty Jaggins suddenly answered, "Matthew, I'm very interested in what you said. Can you give me some time to finish reading the original work?"

"Yes." Matthew laughed.

The two sides chatted for a while, and he and Helen Hermann sent Patty Jaykins away.

Back at Helen Herman's office, Matthew rubbed his forehead, "The director's problem should not be big, he needs a good enough producer."
Chapter completed!