Chapter 660 'Me'
Wu Yufei started singing affectionately
...
If a person becomes a memory, it will be charming ~
Love makes you feel deep when you are shallow~
Meet a thunderstorm~
That's it~Not ~
No regrets, I feel regretful~
...
Actually, you are already an idle person~
Actually, I hate being merciful~
Or for a moment, it hurts the body
So weak ~ like a patient ~
I just want to find a shoulder pillow~
...
Unforgettable to you~ I heard it as if nothing had happened without charm~
You are real~ Actually, you are so strange that you can't remember it~
Don't forget you~ I'll be fine after a wonderful game~
I myself, I understand that everything will always last for a limited time.
...
The style of painting on the stage and Cheng Yayun's explosive style just now immediately made a 180-degree turn!
Many viewers know that Wu Yufei's pure sound control singing style is fundamentally different from Cheng Yayun, who takes the metal explosive route, but everyone is still a little surprised that Wu Yufei will sing such a sad work in the melee.
This is in line with Wu Yufei's usual style of singing affectionate works.
But isn't this song too saliva?
Many viewers will feel this way when they listen to this song for the first time, especially those who are a little pursuing the little taste. They just listened to the majestic "hat'" of Yayun, and then listened to Wu Yufei's Cantonese song, which is a bit unacceptable.
Even those audiences with high acceptance, half of their listening, still did not vote for Wu Yufei.
After the passage, Wu Yufei's instant score was only 22.5 points!
This score hit a new low in today's game!
Zhou Qinghua was inexplicably anxious to see it!
Although compared with Cheng Yayun's "Hat'", Wu Yufei's song "I myself" is not very outstanding, but professionals should be able to hear that Wu Yufei's performance in this song inherits the previous super high standards, and almost every note, including every transliteration, is extremely accurate!
It is difficult for a few famous singers to achieve such singing skills. For a newcomer, this is such a powerful singing talent and singing skills!
Are these audiences deaf in their ears? Why don’t they know how to appreciate them?
Zhou Qinghua, who is the best singer, was pissed to death by the audience and music critics.
He himself admires Wu Yufei's singing, and also admires Lin Zaishan's new work "I Am".
But it’s useless to appreciate it alone. The four mentors of this game can only play supporting roles. The audience and music critics who determine the trend of the game must be recognized by them before the contestants can advance.
After halfway through singing, Wu Yufei seemed to have not received any recognition or support.
But in fact, many music critics gave Wu Yufei's singing high scores in their hearts. As long as such singing is not a biased music critic, they will definitely not refuse to give her a high score.
They were seriously appreciating Wu Yufei's singing, and they didn't want to get out of Wu Yufei's ultimate performance for a moment, so they didn't have time to score.
Wu Yufei wants to be glad that she did not see the instant score on the big screen behind her, otherwise no matter how good her mentality is, she will definitely be affected. Even a scheming old man like Zhou Qinghua is almost desperate to death, which shows how bad the situation is.
Fortunately, Wu Yufei has completely entered the singing realm and is not distracted from thinking about anything else. Instead, she sang the song "All-like" of the female singer with the same name as her in another world.
...
It's very troublesome to go to bury the flowers with tears~
Only complaining and crying blood and not having time ~
Or frustrated~ it's for work~
Crying ~ Not romantic enough~
I just want to sigh with the feeling of love~
...
Unforgettable to you~ I heard it as if nothing had happened without charm~
You are real~ Actually, you are so strange that you can't remember it~
Don't forget you~ I'll be fine after a wonderful game~
I myself, I understand that everything will always last for a limited time.
...
Unforgettable to you~ I have heard that I forgot about love and no jealousy~
I am so sad that I don’t have Lin Daiyu’s ability.
Don't forget you~ It seems like you want to play the inner drama for Dream of Red Mansions~
I myself ~ I have never loved the tragic legend~
I myself would rather rest my strength for overtime~
...
Among the audience, I believe that Lin Zaishan is the person who has the most feelings to listen to this song.
The Wu Yufei on the stage has a big difference in tone from the Wu Yufei in another world, and it did not make Lin Zaishan feel too impressed by Lin Zaishan, but the song itself impressed Lin Zaishan only because the lyricist of this song is Lin Xi.
In fact, both planes are the same. The lyrics about love breaking may resonate more easily, so I don’t know when it started. People love to listen to love breaking songs. The more miserable the lyrics, the more likely they are to become popular.
Lin Zaishan first listened to "I myself" at the award ceremony of "The Top Ten Golden Songs" broadcast on TV. It may be because of the singer. She subconsciously felt that this was a slutty song without nutrition. If she hadn't seen the lyricist written by Lin Xi, she might not have remembered this song. He had always believed that the lyrics written by Lin Xi would not deliberately spread sadness. However, after listening to this song, he still felt that this song was full of sorrow and an authentic "suffering song". Although the lyrics mentioned getting rid of the bitterness, they were not vivid enough. Perhaps it was because Lin Xi wanted to create some sad emotions to cater to the audience who liked the miserable love songs. After all, people are not sages, and Lin Xi would always have some lyrics that can be dealt with.
However, after listening to it several times, Lin Zaishan discovered that although this was a "sad song", it was not the "sad song" in the traditional sense. The kind of unrestrainedness was actually Lin Xi's superb skill intentionally.
Lin Xi's words and sentences are undoubtedly exquisite and beautiful. For example, the "deep, shallow" in "love makes the eyes shallow" and the two "repents" in "the love makes the eyes shallow" and "there is no regrets and also feels regretful" are both their stylized writing skills and creative methods.
But the most exquisite thing about this song "I myself" is its unique way of expression.
It is well known that Lin Xi likes to use Buddhist principles to guide people to see through and let go, and Huang Wei may have passed the stage of youth and wrote many songs that teach people to see (such as "Falling Flowers and Flowing Water", "Wedding Invitation Street", etc.). Therefore, after the first 10 years of the new century in the Hong Kong music scene, fewer and fewer self-abuse songs, and more and more songs to enlighten.
But, can every listener really let go? Not necessarily.
So, Lin Xi wrote a special "sad song" in a way that goes against the rules, namely "I am".
He created a "self" who cannot let go of this principle by outlining a "self" who knows how to let go of this principle. This kind of knowledge is easy to do and is difficult to do is already reflected in Lin Xi's "Vajra Circle", but the writing of "self" is more exquisite.
In the paragraph, "I" can clearly point out the truth that "when I have not obtained it, I always have the best in the past" (Lin Xi's "It seems like an old friend comes"), but he involuntarily indulges in sad emotions, "I feel that there is no regret, but I feel it is regret."
In the chorus, Lin Xi further amplified the feeling of "not willing to turn around" (Lin Xi's "Vajra Circle") through a series of seemingly contradictory hairpin-like twists): "I" indulge in this room, "I can't Don't forget you, I've heard it as if nothing had happened." On the other side, I immediately sang "You are real, I'm so strange that I can't remember"; "I" just finished saying that I forgot, but now I quickly changed my attitude, and said more firmly and sadly, "Don't forget you, the wonderful thing is like a game." But after a few seconds of self-abuse, I suddenly sang "I understand that everything is always limited."
In the paragraph, Lin Xi's description is closer to the situation of modern people: although "I" is still addicted to that relationship, but is restricted by society. He cannot abandon everything like Lin Daiyu, and then "it is very troublesome to bury flowers with tears, but I only complain and cry and blood and have no time." While indulging in pain, "I" refuses to admit that I have not let go. "I" said that frustration is actually just a use of love to vent the depression of work, but is the depression of work just a sequelae of love?
After the passage ends, the feeling of reluctant to let go of "turning on the light too early" (Lin Xi's "Vajra Circle") in the first chorus continues in the second chorus: Although I feel that "I can't Don't forget you, I have never forgotten you, I have never been jealous of my love rivals", but I want to tell myself, "I am so heartbroken that I am not Lin Daiyu's ability"; even if "I don't forget you, it seems like I want to play for the Dream of the Red Chamber", I am also reminding myself, "I have never been interested in tragic legends."
Finally, "I" said, "I would rather work hard for overwork," which seems to be the female self-reliance spirit of "to concentrate on working and overworking, only by vomiting blood" (Lin Xi's "Yi Shu's Talk"), but in fact, it is just like Lin Xi's sentence in "Needless" "When I work, sleep, entertainment, and pray, I'm so deliberate about living every day", it is just a thorough self-deception.
After reading it carefully, you will find that the whole poem is constantly turning and turning, and it is difficult to find sentences with continuous meanings, but it is this contradiction of swaying left and right that vividly outlines the dilemma of knowing it is easy to do it by the broken heart.
The few lines of "I am myself" in the song are all free and easy self-images that the broken heart is trying to portray, but in fact, they have not reached that level at all. People who shout loudly do not mean they can do anything. Some people yell all day long to let go, but they have to pick them up and torture themselves every day. This is "I am myself" in "I am myself".
I remember the cover of this album released by Xinyibao said: "I myself speaks for the new generation of girls, issues the declaration of independence, and gently interprets the new posture of women." In fact, there is no declaration of independence. "I myself" is just a true portrayal of contemporary people. But as long as you continue to practice, you can always see through it. Therefore, this song is not a simple song of bitterness or truth. It is mixed with both, sad but not hurt, which is extremely true.
Everyone who has listened to the song might as well ask yourself if I am the "me" in "Myself"-
(To be continued.)
Chapter completed!