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1.1430 Hitler's Hollywood

Saxonyhausen concentration camp platform, "Outstanding Lady's Call".

Lisa, a female reporter who received the encrypted message, walked from the "production carriage" into the upper cockpit.

The "News Interview Room" located in the "Production Carriage" is equipped with high-tech products from the 1940s comparable to the head of state's train. It includes telex printers and coders that can encrypt and decipher telegrams, telephone switches and password machines that can answer calls, and 700-watt short-wave radio equipment.

"I received a secret telegram on the set, the crisis has been lifted." As a female reporter Lisa, who came from the original plot of "The Great Battle" and completed the "same character coverage" in "the similar and similar cross-play fusion time and space" in "the plot fragments of World War II, similar to the plot fragments of World War II", the official identity of "now" is Lisa Stubbe, a special agent of the Seventh Bureau of the Soviet Union. It should be noted that the plot line of the "Soviet Seventh Bureau of the Soviet Union" is not the plot memory of the core members of the "SA3 Sisters Group" who returned to the plot fragments of the Great Battle", namely the plot memory of the battlefield girl Danielle and her "Times Relatives and Friends Group" who returned to the plot fragments of the Great Battle", namely the plot memory of the battlefield girl Danielle and her "Times Relatives and Friends Group"

.But with the continuous derivation of the main plot of "Same-like plot fragments of World War II, which are similar and soluble, cross-drama fusion time and space", a new plot derived after completing the "same-character coverage". From the perspective of personal plot nodes, Lisa, the female reporter of the "Previous Node", is not yet a special agent of the Soviet Seventh Bureau, Lisa, and Lisa, who has completed the exclusive personal branch plot line of the "Same-character coverage", is already a special agent of the Soviet Seventh Bureau of Lisa, (tsk, you are worthy of being the peak of imagination in the Internet era).

In other words, from the chief female journalist of "Signal" magazine in Paris to the agent Lisa Stubbe, the fusion and derivation of the personal branch plot line is also subtly completed at the same node as "same character coverage" in a subtle way.

"Are you sure the mastermind behind it is the 'No. 2 person'?" asked second casting assistant Anna Moffett immediately.

"Consultants lurking in the experimental field were also found together." Female reporter Lisa Stebet spoke quickly: "Former design manager Chad Felix Paul Wagner, and chief expert Dr. Gunther Vince, are all elite figures who are dissatisfied with the Third Reich."

"I didn't expect it would be them." Pilot Hannah Leche couldn't help but sigh: "The elites of the Third Reich actually chose to conspire to assassinate the head of state."

"These so-called 'elite elements' have one thing in common, that is, it is difficult to successfully brainwash by the Nazi propaganda machine." Female journalist Lisa Stebay said the key.

"Indeed, this is why the Nazis arrested and persecuted and even purged dissidents." Second casting assistant Anna Moffett also agreed: "The crisis on the set has been resolved, and we must ensure that the 'Premiere Day' is safe. Lisa, let's see you next."

"Don't worry, 'Premiere Day' will definitely not be our 'Harvest Day'." As a famous female journalist with an interview pass, Lisa Stebay will soon attend the media meeting of "National Glory: The Battle".

As mentioned earlier, movie premieres are usually held in theaters or specific event venues, and guests invited include film producers, actors, fans and media. In addition to movie screenings, there are also entertainment receptions and thank-you dinners. Therefore, the premiere is also called the premiere.

Referring to the premiere event process, the "SA3 Sisters Group" has formulated a careful plan.

According to convention, media meetings are the most important external publicity link in the Third Reich, and the reception before the movie screening and the thank-you dinner after the screening are social venues for celebrities from all walks of life. If the reception reception speech is the number two person, then the speeches at the thank-you dinner are mostly the number one person.

Just imagine that with the first and second figures of the Empire, the security rigor must be the top. Therefore, these open and open activities are mostly not dangerous or unexpected. After the end, the biggest test for the 10 German stars of the "SA3 Sisters Group". Because, the "lucky ones" among them will be fortunate to be "separately received" by the head of state.

Of course, on the other hand, this is not a huge opportunity for the socialites in the upper reaches. As Mrs. Katy said: "The biggest difference between a salon and a brothel is that it is not just the physical transaction here." It is conceivable that the profits of being able to "complete a transaction in person" with the head of the Third Reich are great.

In the "Famous Fair" of the Third Reich, what you want is nothing more than the word "Famous and Faith".

The so-called "value" means "waiting for sale" and must not be "selling too cheaply".

It is no exaggeration to say that the Saxony Hausen concentration camp, where celebrities gather, is like "Hitler's Hollywood".

In addition to the classic promotional films "Victory of Will" and "Olympia" that are often mentioned by later generations, the "Jewish Seus" which aroused anti-Semitic sentiment. From the time of taking power to the fall of the Nazis, they produced more than a thousand movies, and presented a grand ambition to compete with Hollywood and attempt to establish their own "Dreamworks" star system. They incite emotions through images, bewitch people's hearts, brainwash the people, and whitewash the peace: "The Third Reich is a dream, Goebbels' dream, and even in the end, the Germans are unwilling to wake up from this dream."

Fascists make art serve politics a behavior that can never be tolerated. However, it is impossible to face the beautiful women who are dressed up in attendance and the beautiful women with jewels and jewels. If you can't say it, it's impossible. To borrow a word from the player: "Who can withstand this."

With the Air Force customized version of Leica IIIc "spatch camera", the female reporter Lisa Steber, who had just walked into the press conference through strict security procedures, met two dazzling female stars.

One is "Nazi Garbo" Jari Rondell, and the other is "Fantasy Lover" Marika Rock.

This chapter is not finished yet, please click on the next page to continue reading the exciting content later! Zarah Leander, also known as "Sarah Leander". His original name was Sara Stina Hedberg, who was taken from her first husband's surname. In 1929, she began her acting career at the Swedish provincial theater, and soon she began to star in Stockholm and Vienna. In 1936, she signed a contract with the UFA Berlin film studio, although her mastery of German was not perfect. During World War II, she became the highest paid star in the Nazi film industry - she portrayed the charming and elegant image of a martyr in most movies shot in Nazi Germany. Therefore, she is called "Nazi Garbo".

Before and during World War II, due to her huge reputation, she appeared on the cover of about 80 German magazines. At the same time, this made Nazi propaganda minister Joseph Goebbels uneasy, who believed that all of these should be held by a German actress. In the 1930s and 1940s, the German film industry had a tradition of introducing foreign aid from Nordics. Sarah Lende, a Swedish, singer, film actor, and the most popular female star in the Nazi German film industry. Some researchers even called her "the most popular among the male and female stars of the Third Reich, no one." As we all know, the Swedish who was beyond the reach of the gods in the history of world film was called Greta Garbo, and his descendants wanted to be her.

When Lien De debuted, he also attracted the attention of German Ughur Film Company with his "bad imitation of his compatriot Greta Garbo", and replaced Marlene Dietli, who had long left Germany. Sarah's first German film was made in 1936. She made a total of 10 movies for Ughur Company, forming the main part of her Nazi film. She was promoted as the "great Swedish artist" and "second Greta Garbo". Her androgynous style similar to Greta Garbo brought her a large number of gay fans. In the eyes of these fans, Sarah "is almost not a woman, but more like a queen of cross-dressing". Sarah always plays a singer and her voice is also "masculinity".

In 1943, the Germans who were in trouble in war began. The tight-krought in the funding refused to pay Sarah's salary for Swedish kroner. Her house was also destroyed by air strikes. She secretly returned to Sweden. Since then, her image in Germany plummeted and no longer popular with the Germans, but Sarah did not withdraw from the film industry. In 1944, Swedish radio decided not to play her records, and her career undoubtedly fell into a downturn. After the war, she worked hard to rebuild her career in Sweden and successfully overcome the producer's fear of "working with an artist who was a famous German movie star during the war." In Austria and

Germany, her comeback was not that difficult, and her return was warmly welcomed by the audience; but in Sweden, in the eyes of many outside of her loyal audience, she was still regarded as a politically controversial figure. Although her 1950 film Gabriela was the third highest-grossing German box office, later films will prove that her film career has come to an end—her few post-war movies have had little effect. Finally in the 1960s, she enjoyed the feeling of a reputation of "making a comeback" at musicals and concerts in Germany and Austria.

By her retirement in 1978, she was already a famous singer on a world tour. To this day, there are still people covering her songs, her movies are replayed on German TV stations, and her androgynous image is still recreated by later cross-dressed stars. In 1981, Sarah Reinde died in Stockholm.
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