Burial is also called Burial. This is one of the ancient rituals of sacrifice to the land, and it actually means burial.

However, before the burial, the last fire festival was held, which was actually a destroyer.

This is why most of the artifacts in the Sanxingdui sacrificial pits we see today are burning or smashing.

Instead of being destroyed by others, it is better to destroy ourselves. That's what it means.

Now Chen Wenzhe has a comprehensive understanding of Sanxingdui, especially the unearthed cultural relics. He even knows what these things are used for!

This is clearer than that of the researchers at Sanxingdui Research Institute.

Those people still guessed by mistake, and he saw the use scene directly.

"Huh? This is Chaping Mountain? It should be Longmen Mountain and Yulei Mountain? This is Mount Shinji Mountain? Shenxian Ridge is a landmark!"

This time I looked back, the scene I saw was so familiar, because these places are very famous.

Of course, it is not only because Chen Wenzhe knew that the kings of Shu Cancong and Yufu were all "demonized and immortal" in Mount Feng.

Mount Yushan is Chaping Mountain located on the western edge of the Imakawa Plain. It is actually a member of Longmen Mountain and Yulei Mountain, which is the origin of the River Yushan.

The Shujiang River is one of the three major tributaries in the upper reaches of the Tuojiang River, and is called the Shujiang River from above the Pengzhou Pass.

The following entry plain is divided into "Nine Rivers of the River in the River", including the Yazi River flowing through the north of the ancient city of Sanxingdui, and the Mamu River passing through the city.

Chaping Mountain, the birthplace of the River Delta, has been considered as the place where "gods and immortals" live since ancient times, and is still called "gods and immortals" by villagers.

If it were before, Chen Wenzhe might not have known all of this.

However, Sanxingdui is so famous that I have seen so many Sanxingdui's bronze ware.

So, he really understood a lot.

When he visited the Sanxingdui bronze ware before, he saw an introduction that the route of the Yufu King to the deification of Mount Feng was clearly marked.

It starts from the Sanxingdui site and goes from east to west along the Yazi River-Mamu River-Xiaoshi River to reach the pass.

From this, we crossed the Tianpengque, which was sandwiched between two mountains, and then walked along the Shuo River from south to north to reach the foot of Longmen Mountain.

After that, enter Longmen Mountain from southwest to northeast, and the wide Qingjiang River Valley to the east.

Finally, it flowed up and climbed to Shenxianling, a destination with an altitude of more than 4,700 meters.

This is a landmark building. Just take a look at it and you will never admit your mistakes for Chen Wenzhe.

The current Tianpengque, Pengxian County, is located at the transit station. Because the two mountains are opposite and the terrain is dangerous, it is very easy to identify.

And it is also because of this terrain that this place became the turning point between the east-west and north-south directions of King Yufu’s “Ascending to Immortality”, which is the so-called dividing line between the world and the world of ghosts and gods.

The river valleys in Shandong Longmen are the fishing, hunting and gathering areas on which the "cultivating people" rely for survival, and the mountains and steep mountains are ideal places for self-cultivation and immortality.

After the Yufu King led the people into Mount Feng's "deification", some of the Yufu people left behind to migrate eastward.

Later, in the Sichuan-dui area, the Twelve Bridge culture with obvious characteristics of Sanxingdui culture was formed;

Some of them go north, pass through Hanzhong Chenggu, and enter the Baoji area of ​​today's Shaanxi.

They established a country during the Western Zhou Dynasty, and now they have a cemetery in Rujiazhuang, Baoji, and even have inscriptions.

It seems to be from the bow or from the fish, which means shooting fish.

In addition, there were also found bronze standing portraits similar to Sanxingdui, which means that the two are likely to have a relationship.

There are also many cultural relics unearthed in that area, especially in the ancient tombs discovered previously, among which the representative one is a bronze fish lord.

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This Western Zhou fish-shaped priest is 15 cm high, 28 cm long and weighs 1.1 kg.

The fish body is fat and hollow, the fish mouth is slightly opened, and there is a small perforation on the lower lip.

The fish's gills are full, with a square mouth at the dorsal fin, and an arched square cover is placed on the mouth.

Using the fish's dorsal fin as a square cover to catch the hands, it shows the unique craftsmanship of the ancients.

In order to make the fish body attach, there are four human-shaped feet under the fish belly with two sides facing each other and holding the belly with both hands as a weight-bearing.

Three of the four villains had large populations, wide eyes and hair on their heads;

Another small person has a tight mouth and no hair.

Four villains with exaggerated expressions are made of fish, vivid and interesting.

The whole body of the fish is decorated with lines and scale patterns, and each of the two gills is decorated with a group of simplified sting patterns to distinguish them from the fish body.

Each side of the button cover is decorated with a complete set of linear fish patterns, and the edges of the square cover are decorated with a dragon pattern. The dragon patterned dragon head meets at the front of the button cover.

The Yuzun pattern is simple but not complicated, and is accurate and precise.

This treasure is now in the Baoji Bronze Museum. This is a bronze ware that combines the ancient Shu culture of Sanxingdui and the Central Plains culture.

Many things like this were unearthed later.

Not to mention the others, there are many of them just Shu Ge.

For example, a bronze triangular auger was unearthed from Chenggu, which belonged to the late Shang Dynasty.

This kind of agitator with an isosceles triangle, also known as the "Shu Ge", is mostly distributed in Shu and Hanzhong areas, especially Shu, which is extremely rare in the Central Plains.

This may be the material remains of King Wen of Zhou who "attacked Shu" and "conquered Shu", and the ancient Shu people surrendered to Zhou and exchanged with each other.

It may contain a large amount of cultural information about the ancient Shu people migrating northward.

After the ancient Shu Yufu Kingdom was "deified" and disappeared, the remnants of Yufu were able to go north to establish a country, which was probably affected by the migration of these ancestors.

This ancient country is located at the northern end of the "Chencang Road" of the Qinshu Road, and Chenggu is located at the hub of the ancient road.

This ancient country is most likely a survivor of the Sanxingdui ancient country, and was built after migrating through Chenggu.

According to existing archaeological data, in addition to inheriting local Baodun cultural factors, the early Sanxingdui culture also absorbed a large number of other foreign cultural factors.

Such as the Xia and Shang culture of the Central Plains, the late Shijiahe culture of the Jianghan Plains, and the Shimao culture of northern Shaanxi, etc.

From November 2019 to May 2020, when archaeologists excavated the Sanxingdui site, a bronze statue of a two-handed top was unearthed from the No. 3 sacrificial pit.

Similar bronze statues have been unearthed in the past, but may not attract people's attention because of their inconspicuous shape.

This bronze statue of the top priest shows the image of the priest in the sacrificial scene.

A precious utensil such as the Bronze Lord above the head, and used as a ritual vessel for sacrificial rituals, reflects the Xia and Shang cultural ritual system.

In the sacrificial pits No. 1 and 2 of Sanxingdui, bronze lords similar to the Central Plains bronze ware production technology and shape were also unearthed.

There are also bronze plaques inlaid with turquoise similar to the Erlitou Xia culture in the Central Plains, which show that the bronze culture in the Central Plains had a significant impact on the formation and development of Sanxingdui culture.

This is also quite consistent with the traditional Central Plains cultural contents such as the "Shan Hai Jing" mythological contents of the above-mentioned bronze sacred trees.
Chapter completed!