"The Story of Ah Lang" can be said to be too special, especially in this era. Such an authentic old Hong Kong film-style movie is too special for old movie fans and old film critics.

It’s not like not filming the times in recent years, but it’s always to cater to the tastes of the audience today. It can be said that many times, many things have changed.

Even the old directors who were very good at making old Hong Kong films back then seemed to have long forgotten the feeling they used to be.

In fact, to put it bluntly, the style of the movie is on the one hand and on the other hand because of the different stories.

People from different eras have strong and tremendous changes in their cognition. In the past, they did not have any difficulty in making such movies, but now they want to shoot such a story well, but they have too many concerns.

What is most popular is because this is a story about "ordinary people".

Yes, in this year, it’s hard for you to even see the stories of “ordinary people” on the big screen.

Why do you say so?

Aren’t there many stories about small people?

The old film critic Li Qing used this theme to express why he liked this movie so much.

"In the past, many people were asking, what is the essence of old Hong Kong films? What is the difference between the old Hong Kong films you miss and those films now?

After thinking carefully, I finally came to a conclusion that the old Hong Kong films in the past always exuded a "scent of life" and told many stories about small people.

Some people may ask, aren’t there many stories about small people now?

But is that really a little person?

In my opinion, it is not.

The so-called little people, to put it bluntly, are the people of us, the audience.

So, if a movie cannot move you, let you recall, let you feel your past, and let you have some emotional resonance, then sorry, this is really not the little people like us.

"The Story of Alang" is undoubtedly the story of a small person.

Men like Alang are even to some extent, examples of many men.

Many people used to regard young and dandy as idols, which seemed ridiculous to adults, just because adults only divided the pros and cons, while young people did not care about the long term.

Therefore, when you come out, you have to be loyal, and only young people will be serious.

Therefore, every young man may have been a prodigal son, or he has fantasized about living like Alang when he was young.

Of course, Alang is not a good man, he is a prodigal son. No matter how you hate such a person, it cannot be denied that he is riding on a motorcycle with a cigarette in his mouth. He is very cool and handsome when he is running at lightning.

Men are not bad, women don’t love them. Whether in movies or reality, such examples are endless. The prodigal son, with weird long hair, is suave and unruly. Such a man with fetish and unruly nature makes Bobo, a rich girl who has seen too many ordinary people, look in front of him.

Alang is an excellent racer. The masculine aura he exudes makes Bobo feel that he is a heroic character and a not simple character. Women all worship the strong, they all worship real men, and those with masculinity are not immune to women.

In fact, even if this is put in reality, it is still happening constantly. Isn’t it true that bad kids are always more attractive to people’s attention than good kids?

Rebellious children are often more popular than well-behaved children.

That old Alang didn't understand what it was to be a pair of people in his life. Bobo didn't know that Alang was romantic and passionate, nor did he know what the consequences would be to be with such a gangster who had no serious profession. But she refused to ignore her parents' opposition and did not consider tomorrow, and resolutely elope with Alang. She thought Alang would be kind to her wholeheartedly, but she forgot that a prodigal son who had held many pairs of green hands, how could she give up the whole forest for a tree?

She paid the price for her willfulness. Not only did she encounter Alang's cheating, but she was also abused by Alang, and the child was born prematurely and could not have children.

Although Bobo in the movie seems to be hurt deeply, this is not an exaggeration at all, because this is reality.

This is why most people’s first love is unforgettable, but they are definitely unable to reach the end.

After suffering losses, Bobo understood what kind of man could be entrusted to his life. So when she fell in love again, she found an honest man who was successful in his career, gentle and gentle, tolerant and caring for her. She didn't care at all whether she could have children, and even accepted Bozai for her.

The director's cleverness, or the fact that the movie is not offensive, is that Alang is not a "big figure" from beginning to end, nor does he let Bobo continue to be "blind". Her new boyfriend is a very "real" and "normal" person from beginning to end.

He may be jealous, but he will never take his anger. His tolerance for Bobo is in sharp contrast to Alang.

And this is the reality. People will grow up, let alone women like Bobo who have received such a painful lesson.

But even such a perfect man, Bobo did not cherish him in the end. He resolutely returned to Alang's side. Perhaps the attraction of bad men to women is always beyond honest people. Even if the bad men were not good to her, even if the honest people were good to her, she was not as good as the bad men's smile in her heart.

Alang is dead. It can be foreseeable that Bobo will still take Boza to the United States to find his boyfriend. The honest man takes over it. I don’t know if it is a blessing or a sadness. But who can change the truth that men are not bad and women don’t love this eternal truth?

Hurt makes women grow up. Similarly, women teach men to grow up. Bobo's departure makes Alang, a prodigal son, grow up overnight. Alang, who was once unruly and irresponsible, changed his mind and resolutely took on the responsibility of taking care of his young son after he was released from prison.

This chapter is not over, please click on the next page to continue reading! In order for Bozai to grow up happily, Alang did not remarry. He raised Bozai alone. Although he was just a truck driver and did not live a wealthy life, he gave Bozai infinite care. He let Bozai, who lacked maternal love, feel the deep fatherly love.

Father and son are deeply in love, and share weal and woe. Their big heads are pasted in the dilapidated house, and father and son tease each other, play and play, and have fun in hardships during the hard days.

Ten years have passed, but deep in Alang's heart, he still thinks of a woman named Bobo. This woman once loved him deeply and fought for him, but he failed her, hurt her, and caused regrets that would never be restored.

He did not become a good husband, which led to Bobo's departure. He was responsible for his own fault. He wanted to reconcile his old dream, but reality no longer allowed him. He could only transfer his love to the crystal bozai who loved them.

他对波仔的爱可以说是倾尽所有,波仔喜欢沙皮狗,他掏空了积蓄,为他买来.他逼迫波仔离开,狠揍了波仔.波仔走后,这个倔强的大男人留下了无奈的泪水.

If Ah Lang could turn back early, how happy and happy the family would be. But people always make the mistake of being frivolous when they were young and making it impossible to turn back. The price for women to let men grow up is too high.

Of course, the movie is also a fan of love, which is director Li Yi’s specialty.

After watching the movie, we can’t help but wonder why a prodigal son like Alang and a "bad man" like this can be forgiven?

Yes, why?

But after watching the movie, I believe many people are difficult to disgust with this prodigal son and this bad man, and to some extent, they will still like him and still feel mixed feelings.

This is what director Li Yi’s cleverness lies in, what can make people develop such complex and contradictory feelings?

In fact, in love, Ah Lang was defeated and could not be washed away, so the director did not pay much attention to this.

More on family affection and father-son love.

People have to bear too much in their lives, and feelings are undoubtedly the most unforgettable. Among family, love and friendship, family affection is the most unforgettable. After all, blood is thicker than water. A simple and ordinary movie that recreates life is almost a shocking power. When Bozai and his father were having lunch on the construction site, Bozai promised his father that he would buy him a big house and a good car in the future and take him around the world. Bozai's confidence and tender tone, and his father's gratitude and tired smile seemed familiar. Have you ever made the same promise in childhood?

When my father pretended to be angry and beat Boza hard. In fact, it was to force Boza to go to the United States with his mother to live a better life. When Boza called his father on the spacious and comfortable big bed in the hotel, crying, "Dad, don't ignore me, don't want me...";

When my father finally resisted his love for Bozai and wished to cry alone in the dark and cramped hut alone without saying a word;

When Bozi finally lay on the big bed and cried bitterly, it seemed that his world had collapsed.

Yes, the man who has pulled him little by little over the past ten years, the man who suddenly hid on the street and pulled his pants and always joked with him, the man who seemed to be cynical but silently held up the sky for him in laughter, may have left him from now on. It's too cruel, how can I not feel heartbroken? I never thought that director Li Yi is also a master in portraying relationships between men, and the few details are hard to let go.

I have read many Song lyrics, and there are many good sentences involving the feelings of red men and green women, but there are very few descriptions that praise family affection. Perhaps Confucius' "Mr., ministers, ministers, fathers, and sons" are too strict and have too strict requirements for filial piety. In those difficult three years, people can lose their personal positions and go bankrupt, which makes many things in the ordinary life more calm and calm, because they are commonplace, and are put into a neglected corner, only noticed and cherished at special moments.

The relationship between Alang and his son Bozai began to begin with a nearly perfect life storm, like a bottle of aged wine, emitting a strong fragrance. This may be a common story. Under the director's tepid control, Alang has an alternative tenderness in his unruly unruly situation.

在我看来,影片中最感人的地方不是阿郎的舍身冲向终点,而是阿郎为使得儿子回到母亲身边,狠下心来用衣架对着儿子的屁股痛揍.阿郎的善意与他的下的狠心一般无可指责,他没有郎雄所塑造的父亲那种博大与深沉,多的是“孟母三迁”里包含的温柔和关爱.人在爱中感受到温暖,感受到责任,阿郎在狱中看着自己小孩的眼神,除了悔恨,散发的是可以把年轻的水分都蒸发掉的热量.

This is an ordinary person who only shows his greatness in one or two places, and he will not have any special scheming. Even the orders in Western restaurants are all beer.

In fact, Bozai's role is very outstanding. Bozai has been heartbreaking since he appeared. Although he was bribed by his mother with various materials in just a few days, he didn't even take a look at the Sharpie dog he bought for him, after all, he was a child. But in the end, he cried and shouted that he wanted to go home.

Why don’t you think this plot is very common? Where can I see this pure relationship now?

No parents push the children around for the burden of raising them; no women’s hatred for men; no one shows any selfishness.

But at the last moment, Alang was still selfish. He rode a chariot that he had not ridden for more than ten years and began to prove himself in the form of a prodigal son. Perhaps it was also a kind of helplessness for ordinary people and the helplessness of small people, because in fact, he didn't have too many choices.

What can he do?

For ten years, he was just a worker driving a truck on a construction site. He had never read any books. The one he was best at or was proud of was racing.

After all, he won the hearts of beauty by this move and got Bo Zai.

In fact, in reality, as a small person, there are not many choices.

If Alang wants to reunite his family and give Boza a better life, then he must fight. How to fight? He can only use his life.

That seemingly determined and seemingly casual choice is just the only way for a small person to change his destiny.

This may seem to many people that it is too difficult for a prodigal son to turn back, but in fact, isn’t it difficult for a small person to change his destiny?

On the day when Bobo took Bozai away, the lonely Alang returned to the field. Now, all he has left is racing cars.

What a failed life, he has only this one left.

He has been a good father for ten years, but at the last moment...

For Bozai, he would never see his father's smile again.

Because he tried his best to rush to the finish line, but he was already bleeding and had a sensible sensation.

The flames of the motorcycle exploded surrounded him, and it is unknown whether the final explosion was torn to pieces.

But have you heard my heart-wrenching crying between me and my mother?

Do you know how desperate my mother and I were at that moment?

If you know, why don’t you try your best to get out with the last bit of strength?

I was in front of the screen and everything was in chaos.

The black black eyes and your smiling face can only exist in memories.

You who are unchanging stand in the vast world. From then on, I am a lonely child.

My mom is back, but my dad is gone!

I'm not a crying person.

But I was already in tears, but I was already in tears."
Chapter completed!