Tang Wei is not in Cheng Yu'an's taste. Cheng Yu'an thinks she is good-looking at most, but she cannot be called a beauty.

Tang Wei is not doing very well in China right now. He has been getting roles, but they are not particularly good ones.

"Martial Arts" has been her best resource in China in recent years, and she is currently filming the racing movie "Rapid Angel" directed by Ma Chucheng.

In fact, due to her relationship with Chen Zhixi, it can be said that it is easy to perform remote scenes, and Cheng Yu'an will not interfere with such things.

But in order to silence the people below, Chen Zhixi chose not to use her best friend.

"Actually, Zhixi doesn't need to do this. The company usually hires actors who are acquainted with them." Cheng Yu'an chatted with Tang Wei for a few more words, "Yang Xue is my junior sister in the academy, and Jiang Xin is my junior in "Dragon Babu"

Everyone I know from the cast and crew are all friends. You have both acting skills and popularity, so I will definitely look for you if there is a role that suits you."

After all, I ripped someone off in "BJ Meets Seattle," so let's find a chance to make some amends.

"Then thank you, Director Cheng." After receiving Cheng Yu'an's promise, Tang Wei left with satisfaction.

The entire forum revolves around Asian films, especially the issue of how young Asian filmmakers grow up.

Wang Zhonglei said that the training mechanism for young filmmakers should be improved: "They must be allowed to lose money, and life and death cannot be determined by one thing. It is a very bad practice to stop giving opportunities after a script is failed."

Showbox's senior producer Shen Changhuan extended the talk about Showbox's new director support program based on Wang Zhonglei.

Cheng Yu'an didn't have much to add, he just discussed again the training mechanism for remote veterans to bring in new ones.

The industry knew many things, but Cheng Yu was not allowed to install them.

In fact, the protagonist of this forum tonight is not Cheng Yuan, but Wang Zhonglei.

Huayi signed a strategic cooperation agreement with UAM, an alliance of six major Korean brokerage companies:

"UAM is composed of six Korean brokerage companies, hoping to expand the Asian market. On this basis, we first focus on China, and Huayi Brothers is the most trustworthy brokerage company in China. I believe that for Huayi Brothers

, UAM is also a trustworthy institution, so the most important basis for our cooperation is two words - trust. We hope that through strategic cooperation with them, we can share the best film and television projects and artist resources from China and South Korea, and establish

Smooth information communication channels and jointly explore the feasibility of development to promote more and more specific cooperation in the future."

Wang Zhonglei arrived in Busan just yesterday. He said at the signing site: "Through this strategic cooperation, we can also establish the largest information exchange platform to share information on movies, TV series, brand cooperation, media cooperation and other entertainment fields between the two countries.

I believe that in the future, outstanding Chinese artists will be able to enter the Korean mainstream market and develop, and at the same time, many outstanding Korean artists will join Chinese film and television projects, and of course, these will definitely include Huayi’s projects."

Cheng Yu'an looked at it in the audience and pouted.

This UAM first looked for cooperation with a remote agency, but remote management has production as its core business and is not optimistic about the acting performance of the artists recommended by UAM. Moreover, for its own production business, it does not worry about finding actors.

There is no need to force Koreans to come in for cooperation. Of course, Hallyu is very profitable, but music has always been a shortcoming in remote areas, so Cai Yinong is not very interested in this cooperation; another reason is that the four major domestic production companies in South Korea

Prevent UAM from communicating remotely.

Take a look at the names of these six agencies: SM, KeyEast, AM Entertainment, StarJ, YG, JEYP. Which one is good at making movies?

This UAM alliance was created by the six major brokerage companies to fight against CJ and Lotte.

Oh, by the way, the original time and space was this cooperation agreement, and Huayi stuffed Lee Minho into the Spring Festival Gala.

Song Chengxian came to the mainland to develop. After he had lost his temper, he went to Huayi Pier. In order to open up the situation, he formed a CP with Liu Yifei.

Gan!

When Cheng Yu'an thought about this, he couldn't sit still at the scene. He got the praise he deserved and left with others.

Cheng Yuan will stay in South Korea for a few more days.

I can't rest after returning to the hotel, there are still many invitations to deal with.

The first is a meeting with Lee Joon-dong, the producer of Lotte Culture.

Lotte is a little dissatisfied with YC Studio not making movies throughout this year.

Of course, they also know that YC Studio was too high-profile in the Korean market last year and attracted attention, but if you don't make movies, how will I make money?

The company's inherent production of seven or eight small-scale movies every year is certainly enough, but who would complain that it makes less money.

So Li Jundong came to promote the film.

"Director Cheng, actually you don't need to pay attention to outside voices. We can ensure the operational safety of YC Studio."

Of course Cheng Yu'an believed what Li Jundong said, but he still said: "After all, we are still too young in the Korean market, and we still need to solidly consolidate the foundation. Last year's results were very good, and we also need time to digest it."

Anyway, no matter what you say, I will only film two TV series this year, and I will not make any more movies.

"I heard... "Pacific Rim" has encountered some financial troubles, and we at Lotte are very willing to help Director Cheng."

"It's not necessary. It just postponed the shooting time. The matter is basically solved." Warner did not withdraw from "Pacific Rim" after all. It just made some wrangling and pushed the start date to February or March next year.

Li Jundong finally mentioned the release of "Hunting", and Lotte hopes to win the distribution rights of "Hunting" in South Korea.

Cheng Yu'an said: "The Korean distribution rights of this film were sold to NEW when it was in Venice. I'm very sorry."

Li Jundong returned without success.

…………

Cheng Yuan is really busy in Korea, meeting and having meetings with different people every day.

Luc Besson didn't give up and wanted to invite him to invest in Europa, but Cheng Yu'an didn't even meet him.

You still think of yourself as a hero!

Director Wei Desheng and producer Wu Baige of "Sediq Bale" asked to see Cheng Yu'an, which confused him.

What needs to be discussed was already discussed in Venice. What else is there to talk about in Busan?

Once they arrived at the conference restaurant, halfway through the meal, the two revealed their true intention: they wanted to remotely release "Sediq Bale".

They thought that Cheng Yu'an supported "Sediq Bale" in Venice and said a few good words, which showed that he liked the movie very much and would choose to distribute it.

Why do some people always regard Cheng Yuan as a villain?

Wu Baige is the director contracted by Xiaoma. If you don’t go to Xiaoma, why don’t you come to me?

Will I want a movie that even Pony doesn’t want?

It was a scene talk in Venice, can't you hear it?

Saying a few kind words won't cost you two pounds of meat, and you still listen to the truth.

Cheng Yu'an didn't say anything, so he let Wei Desheng talk.

How hard it is to film and how difficult it is to raise funds:

"I should be the thickest-skinned director in the history of Bay Island movies. I borrow money every day. As a result, Bay Island entrepreneurs blocked me and hung up the phone as soon as they heard my name."

Good story, keep it up!

Say it again and I will be moved by you.

Wei Desheng said: "Director Cheng also watched "Sediq Bale" in Venice. The quality is very good. You will definitely make money by distributing this movie."

When you borrow money to make a film, you can talk about your ideals and feelings with investors, but when you talk about distribution, you have to talk about money directly.

Wei Desheng understands this.

But Cheng Yu'an knew that he would definitely lose money by distributing this film, which had a box office of 17 million in the Mainland.

I'll give you a hammer!

Cheng Yu'an didn't accept it: "I don't want to release "Sediq Bale"."

"Why?" Wei Desheng really thought this was a good film, but he and Wu Baige met with many distributors and couldn't reach an agreement.

"First, as a commercial film, "Sediq Bale" is too long and challenges the audience's patience; second, mainland audiences may not be interested in the anti-Japanese resistance of the Bay Island aborigines, because mainland anti-war films have already

Enough."
Chapter completed!