Cheng Yu'an didn't expect Liu Yifei to confess her love in public, so she was quite pleasantly surprised.

He was always in a good mood while filming today.

Jackie Chan temporarily left the group after the filming started, and he hasn't had his part yet.

"Put it down." Master Weiya was putting Yang Miwang down, "Slow down."

It took more than a week to film the scene in which Yang Mi teases Wia, but it still couldn't be completed.

There will always be various problems.

Yang Mi was bruised all over from being strangled, but she still gritted her teeth and persisted.

She is now the absolute heroine of Cheng Yu'an's movie. She was scolded by Cheng Yu'an on "Resident Evil 5", and she doesn't want to be scolded by his own crew.

"Let's do the climbing scene again." After a few minutes of rest, the assistant director began arranging filming again.

For this scene, the crew built a concrete wall, so it was impossible to actually shoot it in an outdoor building.

"All departments are getting ready," Cheng Yuan stared at the monitor, holding the walkie-talkie in his hand, "Start."

"Walk."

"Okay, the machine can keep up, yes."

"Unit No. 3, give me a overhead shot."

"Ka. No, it's almost here. Come again."

"Okay, Weiala, Yang Mi, control your expression. Let's go... click, no, come again."

Cheng Yu'an walked to the field and asked Yang Mi: "Does it hurt?"

"It doesn't hurt, I can hold on."

After being strangled by Weiya for a week, it must be fake that it doesn't hurt. Cheng Yu'an thought for a while and handed over to the photographer: "Change the angle. Don't focus on the face. Use a medium and long shot, the side and the back, and take a shot from above."

The photographer nodded: "Okay, let's try it."

Cheng Yu'an then said to Yang Mi: "Let's try again, you have worked hard."

"fine."

Cheng Yu'an sat back in his director's chair: "Come on, let's do it again."

…………

Cheng Yu'an is very busy in Hong Kong Island and has no time to attend this year's Magic City International Film Festival.

But this year we attach great importance to remote viewing. "Hello! Mr. Tree" and "The Piano" both have a chance to win awards. What do you think of last year's hit "The Dark Side" and "A Little Thing About First Love"? The film festival can watch these two films.

Movie?

Chen Zhixi, president of the film division, and Jiang Xuerou, chief producer, both brought people to the scene.

Jiang Xuerou also specially participated in the "Film Master Class" themed forum.

This forum is for movie nodes to participate in remotely.

Because the topic we want to discuss today is about the training of new directors.

It is now recognized in the industry that remote training of new directors is the most successful.

Han Yan entered the billion-dollar club with "The Dark Side", and Tian Yusheng and Su Lun also made their screen debuts.

It seems that there are only three people coming out, but how much time and energy does it take to train a director? If you can produce one in five years, you will be great. Three in two years is considered extremely efficient.

Jiang Xuerou shared her experience on stage: "Actually, we don't have any secret tricks. In the final analysis, it's the old model that leads the new. Not only Ning Hao and Wu Ershan, who are already famous directors, but also the company's experienced producers and supervisors, every year

I have the task of bringing in new people."

"I particularly agree with what director Feng Xiaogang said just now. New directors should not set too high box office tasks for them when they first come out. They must be allowed to lose money, but the production costs must be controlled within a reasonable range. Even if they lose money, we can afford it."

"Just like our company's director Han Yan, his first film "Young Babylon" took him two years to recover, but in fact the film only cost 5 million, and the company never blamed him. Later, Yu'an took him for another two years.

It took three more years for The Dark Side to be released."

Everyone knows the remote model, but it is difficult to copy.

Have you ever seen Feng Xiaogang work as a producer or supervisor for a new director?

Also participating in the forum was Wu Baige, who expressed his concerns about the training of new directors: "The market is difficult to accept newcomers at the beginning, which brings great risks to investors. When promoting,

We need to show off as an old man."

He is talking about Su Zhaobing's "Sword Rain". Wu Baige doesn't want to support him?

But the market and investors didn't recognize Su Zhaobing, so in the end they ended up with a nondescript "Wu Baige's work, directed by Su Zhaobing".

Everyone knows that the old and the new are most effective, but no one has the unique advantage of remote control.

Remotely holding the three major platforms of theaters, publicity (Weibo) and electronic ticketing (Taopiaopiao), there are sufficient channels to build the reputation of new directors even without the help of old people for publicity.

Furthermore, remote movies and TV series have sufficient profit channels. Of course, the box office is a big one, but there is another profit that many people will ignore.

That is the video game linkage made by the Remote Technology Game Department.

The game revenue of "Painted Skin" is more than ten times the box office and copyright revenue. The second part is about to be released, making the previously deserted game servers lively again.

Movies like "Wulin Gaiden" that focus on emotions can make games with higher profits, earning 50 to 60 million yuan with eyes closed.

Not to mention a popular work like "Bu Bu Jing Xin". The TV series was launched half a month later, and the number of registrations on that day exceeded 3 million.

Otherwise, do you think the rumor that "remote technology relies on games to make a living" is false?

Another point is that remote is too rich.

If it were not for the consideration of risk sharing, all movies remotely could be digested internally.

It doesn't matter if newcomers can't get money. Yuan Yuan Media Group, Yuan Yuan Film and Television, Yuan Yuan Brokerage, Yuan Yuan Technology, and even Tiangong Yicai and Yuan Qiu Jiahe Cinemas can all come up with money in minutes.

So, it really doesn’t mean that you can bring out the old and bring in the new if you want.

This is why no matter whether they are new actors or new directors or screenwriters, they all like to travel remotely.

Long-distance has almost opened up the entire industry chain, and there are abundant channels to get ahead.

Also taking advantage of the film festival, Remote Media Chief Producer Jiang Xuerou announced part of Remote Media’s filming plans for next year.

First of all, of course, Cheng Yuan is currently filming "Thieves", which is scheduled to be released on May Day next year.

Since we are talking about newcomers, next year we will still promote the works of two newcomer directors.

"Manslaughter" directed by Xin Yukun.

"Yu An admires Xin Yukun very much. He wrote the script of "Manslaughter" himself and will ask Mr. Cao Baoping to be the producer. It is expected to start filming in October this year and be released during the Lunar New Year next year."

Another newcomer named Guo Fan will be filming a small-budget comedy, and Xu Shan is vying to be his producer. It will be called "Rich Second Generation" and will be released next summer.

The finale is Ning Hao's "Lucky Key", which is also a comedy and will be released next summer.

Two old and two new, a very balanced mix.

To announce the film list remotely at the film festival, the price the film festival has to pay is:

"Hello! Mr. Tree" won the Best Director in the main competition section, and "The Piano" won the Movie Channel Media Awards for Best Film, Best Director, Best Actor and Best Actress.

Regardless of the gold content or not, the minimum cards are given.

When Qin Hailu came to visit the class, she even complained about Cheng Yu'an: "You have already given Xun a movie queen, why don't you give your sister one as well?"
Chapter completed!