The competition is OK this year's Qingming Festival holiday. The same time as "My Girls' Generation" is released in DreamWorks' "Genius Glasses Dog", directed by Robert Minkov.

Then the day before the holiday, "Captain America 2" was released.

It's okay, it's been a week.

The market is unanimously optimistic about remote youth films, with a support: at least 200 million.

Of course, no matter how high it is, it will be less than 500 million.

Such films are in a less competitive period, and theaters can eat meat along with them.

Therefore, when "My Girls' Generation" premiered, the theaters gave 31.2% of the film schedule, but there were no films for the theaters at the same time.

At the premiere press conference, Liu Dehua gave the audience a surprise!

Before the film crew was released, they kept saying that there was a super surprise waiting for the audience.

But I didn't expect it would be Liu Dehua!

Liu Dehua airborne the scene, causing the audience to scream!

"I like this guest appearance very much," Liu Dehua talked about the origin of this guest appearance on stage. "It was on the set of "Horror Live" and Director Cheng asked me to play with me. I thought this was very interesting, so I agreed."

"Then I want to ask our starring actors. When I learned that Brother Hua was coming to play a guest appearance, what was his mood at that time?" asked the premiere host.

"I'm very excited. I like Brother Hua very much since I was a child." Tan Songyun is the heroine, but Tong Liya is the most famous among the main creators. However, Tong Liya did not compete with her, but frequently told Tan Songyun, "Brother Hua made a guest appearance in the evening. That afternoon, the crew notified us that Brother Hua would come. Finally, after the show, Brother Hua was pestered by the crew's staff and signed a photo and was delayed for two hours."

The reporter asked Liu Dehua: "Does Brother Hua have a beard? Is there any meaning?"

Brother Hua touched his chin and smiled, "There is a new drama that will start filming in a few days. This is the new look in the drama."

It is about "Lost orphan" which Huayi will start next month.

I don’t know if it was influenced by the remote filming of "Dear" or if I really felt that the topic of fighting against kidnapping was very hot, and I had the obligation to assume some social responsibilities. Before "Dear" was released and under market inspection, Huayi decided to start filming "Lost orphan".

In this way, Huayi is not completely riding on the popularity.

Perhaps the lawsuit with Zhou Xingxing ruined the popularity of the company, Wang Zhonglei urgently needed a video to reverse the audience's impression of Huayi.

That's why I chose to make a movie about anti-trafficking, and I also chose Brother Hua, who is not inferior to Zhou Xingxing, to act.

Brother Hua also likes this script, and his schedule is very suitable for this year, so he agreed.

After the press conference, Liu Dehua did not rush to leave, but instead chatted with Chen Zhixi in the background.

The two will also collaborate on a drama in the second half of the year, called "Saving Mr. Wu".

"Actually, I want to play Huazi." The highlight of this drama is obvious in the kidnapper Huazi. Although Huazi is a male third, the character has an extreme personality and will be very good when played. Liu Dehua is not a person who cannot understand the role.

"But Brother Hua, your accent is a problem." "Save Mr. Wu" has a story prototype, and the original owner Wu Ruofu was also invited by the crew to make a guest appearance. "The prototype of Hua Zi is an authentic northern man, and your accent will make the audience lose the show."

"Can't you change it?" Liu Dehua also wanted to fight for Chen Zhixi.

Chen Zhixi shook his head: "Just getting Wu Ruofu's consent alone will waste a lot of effort, and he will not agree to us to change this way."

The main owner is still there, changing the character setting will make people feel disrespectful.

Moreover, Chen Zhixi also advised Brother Hua to dispel this idea. This was a bad memory after all: "It is very tolerant to be willing to uncover the scars and let us take pictures."

"My Girls' Generation" performed well on Friday the first day, with a score of 27 million and 4 times that of "Girls Glasses Dog" released at the same time.

Although Tong Liya is just a special appearance, she also has to follow the crew to promote it for a few days.

The heroine is not here, and the progress has not been delayed in "Legend of White Fox", and the scenes of others are also promoted.

"My Girls' Generation" has a box office of 155 million in the first three days of the first weekend, and is a high-level performance in youth films.

"Youth films don't need to be innovated. As long as you finish the story well, no matter how bloody someone is, this film is."

"Youth movies can be bloody, but please carry the same sincerity as "My Girls' Generation."

What makes "My Girls' Generation" different from other youth films is that the film focuses on the growth of girls, rather than simply letting the male and female protagonists have a campus love relationship.

The male protagonist Xu Taiyu is a tool in the film, and almost all the highlights are on the girl Lin Zhenxin.

Although the ignorant feelings on campus run through the whole life, the director handled these relationships very restrainedly, and did not say at the top of his lungs that I love you and that you don’t love me, which makes people feel embarrassed.

The emotional scenes of several protagonists were controlled very well by the crew.

"You, the Deskmate", which will be released next month, is a typical youth film that shows off its bloody youth.

When Tong Liya returned to the crew of "Legend of White Fox" on Tuesday, the box office of "My Girls' Generation" in the mainland had exceeded 180 million.

What is even more surprising is that this film has performed very well in the Hong Kong Island area.

Hong Kong audiences seem to be quite consuming this kind of youth film.

After a week of release, Hong Kong achieved a good result of 7 million.

Screening work in Bay Island, Japan, South Korea, Singapore, Malaysia and Thailand has also been put into daily life.

Overseas film manufacturers have also come to buy copyrights and negotiate remakes.

…………

This year's Academy Awards are really miserable.

After Remote Technology canceled its sponsorship, Chen Jiashang asked for three million sponsorships from somewhere, and barely held this year's ceremony.

I heard that the souvenirs given to the guests this year are extremely cheap, and it seems to be a memorial book with a wholesale price of 20 yuan.

Since the shortlist was announced, the Academy Awards have received very little attention and response.

Many invited guests from the mainland said they had no time and licked their faces and sent someone north to discuss with Zhong Lifang, saying that they would put "Old Father" in the best cross-strait Chinese film nomination, implying that as long as Cheng Yu'an could come, he would give him the award.

But the visitor was scolded by Zhong Lifang and kicked out of the remote headquarters building.

There are not many mainland stars participating in the Academy Awards this year. "Lost in Thailand" was shortlisted for the Best Cross-Strait Chinese Film. Xu Shan happily agreed to go, and Huang Bo will also go as an award presenter.

Then it disappeared, and the mainland went to these two.

The other two mainland films: "The King's Feast" and "Soon of the Year". The director and the main actors sent two producers and producers to participate without going there.

It can be seen that they themselves do not pay attention to this trip to Hong Kong Island.

Cheng Yu'an refused the Golden Star Awards, but turned around and went to Beijing to receive the Best Director and Best Film Awards from the 2013 Annual Commendation Conference of the Film Directors Association.

The mainland step-by-step accounting division test has a great impact on Hong Kong and Taiwan.

This experiment is for domestic (mainland) films, and Hong Kong and Taiwan films and co-productions do not enjoy this policy.

This is why the jury of "Journey to the West: The Great Trouble" at the beginning of the year was unanimously optimistic that it would be a big seller, but it still could not obtain the qualification for step-by-step accounting.

However, this experiment left a hole at the beginning of its formulation: the director and screenwriter who apply for step-by-step accounting can be non-mainland household registration, but the crew must have no less than 2/3 of the main actors, the filming team, production and distribution company and post-production team must be in the mainland.

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This has led to a large number of Hong Kong and Taiwan directors flocking in since this year, even more turbulent than the wave of going north at the beginning of the century.

Hong Kong and Taiwan filmmakers complained that this policy has "catched all the excellent local directors" in one go.
Chapter completed!