Well, there is such a thing..." Wang Xiaoqiang said in surprise. ()

"Yes, so when we, the sea beast clan, have hatred in our hearts when we see you cultivators, which is why I attack you."

The sea dragon path.

"Then why don't you continue to attack us?"

"Because you are too powerful, you are the most powerful of the cultivators I have ever seen. I am not your opponent at all, so I am willing to give in..." said Na Hailong,

"Haha, you know the truth." Wang Xiaoqiang said with a smile.

Qiao Zhi listened to the conversation between this man and the beast, and felt a sense of time and space reversal. This is too strange. The beast can speak, and what the man and the beast talk about is cultivation?

Cultivation?

Isn't that something from online novels? Why did it appear in the conversation between this man and one beast? The meaning of the sea beast seems to be Wang Xiaoqiang is a cultivator, and he is an extremely powerful cultivator.

Qiao Zhi turned her beautiful eyes and stared at Wang Xiaoqiang tightly, and was extremely surprised. Is this the Wang Xiaoqiang I know?

At this time, the sea beast said again, "Cultivator, what is your name?"

Seeing that this sea beast was not an evil person, Wang Xiaoqiang replied in a local way, "My name is Wang Xiaoqiang, this is my wife, Qiao Zhi."

"Uh, Wang Xiaoqiang, Qiao Zhi, hello, you guys are coming to the sea to find treasures, right?" said the Hailong,

Wang Xiaoqiang said, "That's not the case. We mainly come for fun. Of course, if we encounter treasures or something, we will not let it go."

"Okay, Wang Xiaoqiang. For your sake, I'll take you to a place where there is treasure." Na Hailong said.

After hearing this, Wang Xiaoqiang and Qiao Zhi both lit up their eyes. Then they looked at each other and finally agreed.

So, the giant beast led the way and led the two to search for treasures.

Although this sea dragon is very generous, it is very flexible when swimming and it is very fast.

Soon, Hailong took the two to the wreck of a shipwreck.

Judging from the volume of the wreckage, this is an oversized ship, and it looks a bit like a Chinese ship.

Seeing these, Wang Xiaoqiang and Qiao Zhi were a little excited, so Wang Xiaoqiang immediately drove the Lingquan submarine into the shipwreck to check. The first thing that caught his eye was a lot of porcelain...

Except for the damage to the bottom layer of porcelain, the remaining porcelain is preserved quite well, and the patterns on the porcelain are quite exquisite, with flowers, birds, insects and fish on it. They are all vivid.

And what is certain is that it is porcelain produced in China.

"It seems to be Yuan blue and white..." Qiao Zhi stared at the patterns on the porcelain with her eyes tightly, and said in surprise.

"From the appearance of this wreck, it is definitely not a modern wreck. The porcelain on it is definitely not a modern handicraft. There are so many things. If you take it away, you will definitely be able to buy a lot of money." Wang Xiaoqiang said. However, there was not much surprise on his face. After all, he is not the small farmer he used to be. Money is really nothing to him.

"Oh, Xiaoqiang, look at the box, it seems like it is clothes or something..."

When Wang Xiaoqiang looked at it, he saw a box carved with the pattern of birds looking at the phoenix, and there was a crack in it. It seemed like fabric inside, but Wang Xiaoqiang couldn't believe it, "No, if it was a clothes, it would have rotted a long time ago." As he said that, a spiritual hand hit him, pulled the box open, then reached into it, grabbed the fabric, and pulled it out to take a look.

Sure enough, it was really clothes, fabrics, etc., and it was certainly silk...the gorgeous silk,.

Seeing this situation, Wang Xiaoqiang and Qiao Zhi were both shocked. They were not shocked by the beauty of the fabric, but by how these fabrics could be kept in the sea for so long...

There is a desert Silk Road in China and a Maritime Silk Road. It is not rare to appear on this wreck. However, if you want to understand why these silks have been in the sea for so long and have not decayed, you are afraid that you will have to wait outside to find an expert to identify them.

With a thought, Wang Xiaoqiang put the silk into the Sumeru Ring, and then put the whole pile of porcelain into the Sumeru Ring. Finally, he searched in the wreckage of the shipwreck and found that the sixteen jars of wine were well sealed. Wang Xiaoqiang put the sixteen jars of wine into the Sumeru Ring with his thought.

In addition to these wines, Wang Xiaoqiang also found some exquisite antiques, one of the jars, which looked very good.

This jar is about 25cm high and about 30cm wide in diameter. It has a wide ring foot on the plain bottom, a short straight neck, a slightly thicker lip, a round belly, a wider shoulder below the shoulder, and gradually close to the lower abdomen.

As soon as he saw this jar, Qiao Zhi couldn't help but scream, "This jar seems to be Yuan blue and white. It seems that this ship should be a shipwrecked from the Yuan Dynasty, or it would be from the Ming and Qing dynasties..."

"That's right, this is the picture of the Yuan blue and white Guiguzi going down the mountain," Qiao Zhi said. The picture of the picture of the picture of the Guiguzi going down the mountain is painted with blue and white with imported cobalt materials. It is divided into four layers, one layer of neck is decorated with water ripples, the second layer of shoulder is decorated with tangled peonies, the third layer of abdomen is the theme pattern of "Guiguzi going down the mountain", and the fourth layer of the lower layer is the deformed lotus petal pattern inside, commonly known as "Eight Large Sizes". The theme picture describes the story of Sun Bin's master Guiguzi, at the repeated request of the Qi envoy Su Dai, who agreed to go down the mountain to rescue the famous Qi generals Sun Bin and Dugu Chen who were trapped by Yan State. Guiguzi sat upright in a car pulled by a tiger and a leopard, leaning forward slightly, and his expression was self-defeating.

If, as extraordinary as an immortal, he showed a demeanor of planning and winning thousands of miles away, two infantrymen in front of the car set out with spears in their hands, a young general was heroic, walking on a horse, holding a battle flag in his hand, writing the word "Guigu" in his hand, behind the Su Dai horse riding hall. The group of people and mountains, trees and stones formed a spectacular and beautiful landscape painting. The entire blue and white pattern was colorful, full of pictures, sparse and dense, with clear main and secondary, and integrated. The characters were portrayed smoothly and naturally, with full charm, and the mountains and rocks were touched and dyed with ease, with exquisite strokes, and perfect, just as Mr. Sun Yingzhou said: "The Yuan Dynasty porcelain is 'exquisite'."

"Xiaoqiang, it seems we are going to pay another purchase. This jar once sold at a price of over 200 million..."

"So. The lots of bottles here should be Yuan blue and white." Wang Xiaoqiang pointed to the piles of bottles and jars and said.

"Well. You shouldn't be wrong," Qiao Zhi said affirmatively. Thinking about it, it was the same. The shipwreck has been a few years, so there will be no fakes.

"We can buy billions of Yuan blue and white porcelain alone." Qiao Zhi said happily.

Yuan blue and white porcelain is the most dazzling landscape of Chinese porcelain.

Yuan blue and white porcelain opened up a new era of transition from plain porcelain to color porcelain. Its magnificent style, bold painting style, and numerous painting levels, which are very different from the traditional aesthetic taste of the Chinese nation. It is really a strange flower in the history of Chinese ceramics. At the same time, it also made Jingdezhen the center of the world's porcelain making industry in the medieval period. The Yuan blue and white porcelain was represented by Jingdezhen. Its exquisite production was rarely passed down from generation to generation, so it is extremely precious. According to time, it is roughly divided into three stages: extension period, Zhizheng period and late Yuan Dynasty, among which "Zhizheng model" is the best.

Yuan blue and white porcelain is generally divided into two colors, one is gray-blue and lighter, and the other is dark blue and more colorful. In traditional concepts, those with gray-blue color are domestic materials, and those with blue-blue color are imported materials. Imported blue materials are used on large, medium-sized or small Yuan blue and white porcelain, and domestic cobalt materials are only used in medium-sized and small-sized containers.

Imported cobalt materials, namely Sumaliqing, the components of imported cobalt materials in the Yuan Dynasty were low manganese and high-iron. They contained sulfur and arsenic, no copper and nickel, and were different from the blue and white materials in the blue and white materials in the blue and white materials in the blue and white materials in the blue and white materials in the blue and white materials in the blue and white materials in the Tang and Song dynasties and Ming dynasties were different. The blue and white patterns painted were bright and deep, and had spots of purple-brown or dark-brown. Some black and brown spots showed "tin light". "tin light" was a natural luster that appeared in the black and brown spots and had a concave and convex feeling. It was due to the changes in the blue and white materials during the high-temperature firing process and the glaze melted according to the atmosphere in the kiln. Modern imitation Yuan blue and white also appeared, but the "tin light" observed in the imitation seemed to be a silver-gray piece applied to the blue and black spots, and some spots were denser, giving people a sense of stiffness.

In addition, Sumaliqing has the following characteristics: it is a bright indigo cyan, slightly containing purple of different degrees, and some are very elegant violet. It has a thick and light color level, the outlined lines are darker, and the colored blue material is lighter. There are blue-black or blue-brown spots at the accumulation of blue material, and the glaze is concave and matte. The blue material is finer and even, and the edges of the lines are slightly dizzy. Some are thick in color, and there are radially dispersed. Blue-black crystals or crystalline lines are seen, which should be caused by coarse blue and white particles in Yongle and Xuande in the early Ming Dynasty.

The domestic blue and white materials used in Yuan blue and white are composed of high manganese and high alumina, which is very different from the imported materials at the same time. The blue and white patterns depicted are blue-gray or blue-black, with thick and light color levels. There are blue-brown or yellow-brown spots at the accumulation of blue materials, and there are fewer black-brown spots. For example, when the manganese content is too high, the blue and white patterns are slightly red in the blue, and the glaze surface is concave and shiny.

From the bottom or section of the residual instrument, it can be observed that the body color is not white enough, the body is thicker and has small pores. Although Yuan blue and white porcelain has added alumina components to increase the firing temperature, the degree of porcelainization is still not as delicate as that of the body of the Qing Dynasty porcelain. When Yuan porcelain is made, the body mud is not refined enough, and most utensils are exposed at the bottom of most utensils, and the so-called sand bottom is formed by using the method of cushioning of sand or iron spots. A small number of utensils contain iron or iron spots. Because the body soil contains iron, the exposed tires of the utensils are sintered in the exposed tires of the utensils, commonly known as "flint red". Small objects such as bowls and high-foot cups generally do not see kiln red, large jars, and large bottles, although the tires are exposed, the kiln red is not seen in the lids of large objects such as large objects such as large objects. Some plates also have lighter iron-red sand bottoms deliberately painted by craftsmen, and there are traces of rotating patterns of wheels.

In the Jingdezhen bottles and cans of the Yuan Dynasty, they were made of segmented tires and then bonded with timber mud. The surface of the bonding tool often protrudes, giving people a sense of unevenness. The marks on the outer wall have been polished, but the marks on the inner wall are still clearly visible. The inner side of the neck of the object is slightly cut, and the inner wall is not cut, so the carcass joints on the bottom, abdomen, mouth, etc. in the instrument are obviously displayed.

The foot edges of the general utensils are irregular and bent, which means that the body was not carefully repaired during the Yuan Dynasty, so the molding process appears rough. However, there are also some exquisite objects, and the body looks white and delicate. The foot cutting method is often cut with an oblique cut on the outer wall of the foot at the bottom. The foot of the large utensil is mostly digging feet, and the foot is deep and shallow. The circle of the utensils is not very neat and curved. The bottom of the utensils can be seen in spiral cutting marks. The bottom of the large bottle and the large jar are thicker and sparse, and the cutting marks of the plate and bowl are thinner and denser. There are kiln sand on the bottom and the inside and outside of the utensils, and some have been melted into the glaze. (To be continued...)
Chapter completed!