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Chapter 267 Because I like it too much

The premiere ended because many viewers came to watch the movies in a book club. They gathered together when they left, and many people discussed the video they had just watched while walking.

An older young man with black hair said, "The adaptation is very large."

The big blonde boy next to him replied, "But the adaptation is very wonderful, more exciting than that."

The old and black-haired young man spread his hands helplessly and said, "John, I don't complain? I mean the same as you, and the adaptation was unexpectedly wonderful."

The brown-haired man following behind was full of pain: "It is most appropriate to mourn Robert Lu Delun with such a wonderful movie."

"Yes." Another agreed.

The old-aged young man with black hair said: "I never thought that Matt Damon could be so handsome and so cool."

The blonde boy agreed: "My good brother is much better than him than the one Ben Affleck who starred in Pearl Harbor some time ago!"

The painful brown-haired man interrupted at this time: "I heard that this is the male lead candidate who was personally finalized by producer Ronan Anderson. This guy has a good attitude."

"Ronan Anderson?" The blonde boy didn't notice the name before.

The old brunette said, "The first producer and the first screenwriter of the film." He seemed to understand something: "It seems that he was also the producer of the "Purge of Humanity" series and "The God of Death is Coming."

"Two super-selling horror movies?" said the big blonde boy. "This producer seems to be very powerful."

Suddenly someone came up to block the road ahead. It turned out to be someone from the investigation and consulting company. Generally speaking, several people were unwilling to waste time on such investigations and looked down on the little gifts given by the investigation and consulting company.

But tonight is different. They all scored the video because they loved it so much!

The ratings of several people are without exception "a+".

Chicago, late at night.

I received a copy of the movie "Spy Shadows" mailed here this afternoon, and Roger Albert took advantage of his spare time in the private theater.

After reading it, he said to the waiting agent: "It's worth rating."

As his mouth became worse, Roger Albert was unable to speak for a long time, and the sentences he said became more and more refined, which also affected his film reviews.

When he arrived at the study, Roger Albert referred to the relevant information he obtained and wrote a short comment in just twenty minutes.

"It is undeniable that the original book "Borne's Identity" by Robert Lu Delun, known as the father of modern thriller, is already exciting enough. But producer Ronan Anderson still made drastic changes when converting it into the language of the film."

"It is said that when Ronan Anderson invited Tony Gilroy to write the script of "Spy Shadows", he suggested that he should not read it, but to write the script completely according to the outline of the story he wrote. During this process, director Paul Greengrass also personally participated in it and discussed and polished the script together. It took more than half a year to complete it. It can be said that the work of the work is produced by meticulously."

"Now that the movie is released, the result also proves that it is worth it."

"What is most impressive about "Spy Shadow" is its quick editing and handheld photography. This technical change in film language is destined to move "Spy Shadow" from an excellent spy movie to a classic visual paradigm."

"Handholding shaking and fragmented visual language is not a show of skills, but a good explanation of character personality and behavior in the image. Although the original work has given Jason Bourne agility, extraordinary perception ability, calmness and good at using the surrounding environment and other characters' characteristics, we can only perceive this personality, and cannot see this feature on the screen. Paul Greengrass's further development is to purify the character hidden in dramatic conflicts to the audience's iris. This conversion from the brain to the eyes is the greatest contribution."

"Agent films are not just beautiful women, bombs and speeders. Sometimes the mental stimulation brought by extraordinary people walking down the altar is often much more impressive than the boredom caused by lingering in the altar."

"I think the new work "Spy Shadows" will set a new benchmark for the 21st century spy films after its release!"

Having written this, Roger Albert thought of the producer and first screenwriter of the film. After thinking about it for a while, he continued to write.

"I would like to mention the film's producer Ronan Anderson, a good guy who just joined Hollywood, has the potential to become a gold medal producer. He is the initiator of "Spy Shadows" and personally selected Paul Greengrass and Matt Damon as directors and male leads. Now it seems very successful."

"According to my observations over the past few years, Ronan Anderson, as a producer, has a sharp eye. He can not only see far, but also find things that others have not discovered and see a realm that others have not seen. A good producer must have such a unique vision and a broad vision. He must understand and control the market and learn to discover good scripts and new projects. This is the foundation of his life."

At the end of the film review, Roger Albert gave four and a half stars of the full five stars and gave his signature thumbs up.

The premiere of "Spy Shadows" was a huge success. On the one hand, it received a one-sided reputation praise, and on the other hand, the unique premiere attracted the attention of countless viewers.

It is very effective in attracting attention under the banner of reasonableness.

The black carpet created by Ronan, the neat black dresses of the crew's main creators and premiere guests, and the subsequent tribute sessions also made the media praise it.

There are not only respects to the deceased in the East, but also many in the West.

Like the annual Oscars, tribute and mourning the deceased members of the academy are essential.

Even though it seems very boring and boring, no media has ever criticized the Oscars in this regard.

This is a universal value orientation in human society.

The only shame is that Robert Lu Delun is the writer behind the scenes, unlike Heath Ledger, who is a star actor in front of the scenes, otherwise the impact on the film would be greater.

No one can deny the important role Heath Ledger played in the success of "The Dark Knight".

Before Ronan's previous life and "The Dark Knight" was released, Warner Bros.'s huge propaganda machine had completed the myth of the Joker and Heath Ledger.

Thanks to the protection of Robert Lu Delun's deceased and the excellent quality of the key film itself, "The Spy" received comprehensive praise after its premiere, and its reputation was so good that it exploded.

The Los Angeles Times praised Matt Damon's acting skills and Paul Greengrass' directing ability, and commented that the film "controls our attention and our respect."

The Dallas Morning Post believes that "The Spy Shadows" burst out with comparable power and energy."

The New York Times commented that the film "wakes all feelings without relying on any special effects harmony."

Even the group of film critics who have always disliked summer blockbusters and boasted about the elegant judges have given great praise to "The Legend of the Spy".

In addition to Roger Albert, Kenneth Tulane, Todd McCarthy and others, many film critics have also received praise from them.

Stephen Hunter of the Washington Post quoted his daughter's feelings about "Spy Shadow" directly: "'You know, this movie is actually only about one thing Matt Damon is so cool.' She likes him very much; I'm second. But she's right: the movie just shows his tough and tough character and rough and handsome appearance."

Of course, it is impossible for all media and film critics to like this film, and they also have criticisms that they are not very interested in this film.

Someone wrote in The Boston Earth: "Matt Damon's performance from beginning to end is like sleepwalking."

The Los Angeles Daily criticism: "Matt Damon did not distinguish his character from a spy."

But these are more like being picky, because both inside and outside the industry believe that in "The Legend of the Spy", Matt Damon played his best acting skills since film, and the role of Jason Bourne seemed to be tailored for him.

The most direct reputation statistics were quickly delivered to Ronan. The reactions in all aspects were similar to those expected, and they could even be said to be even better than expected.

Not to mention anything else, in the cinemasore live audience survey conducted by cinemasore, the average score after watching the movie was "a". According to the responses from all aspects, cinemasore conservatively predicts that the box office of "Spy Shadows" in North America will not be less than $150 million.

Ronan has been maintaining sufficient communication with the Embassy Film Industry. The Embassy Film Industry's publicity and distribution department has made every effort to do it. All resources have been invested in "Spy Shadows" during this period, and has made great efforts in word-of-mouth marketing with a huge reputation.

Hollywood movies have entered this era, and the reputation of movies has long been formed spontaneously, and the concept of word-of-mouth marketing has penetrated into this industry.

Movies with bad reputation try to find their target audience and selling points. Movies with good reputation must use huge media resources to make their reputation full of popularity and strive to be introduced into the ears of every potential audience and even potential consumers.

Even if some people do not go to theater audiences, they are very likely to become part of offline consumers.

The revenue of TV, DVD and new media rights that have just begun to develop, these bring a film to a movie is already surpassing the box office.

As a film company owner and operator, of course, you can't just focus on the movie box office.

"Spy Shadows" is different from those films that use special effects as the selling point. It is close to the documentary's picture style, which can make this film more marketable in the small screen and home entertainment market.
Chapter completed!
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