Following Harvey Weinstein to the hotel, Kate Beckinsale held some fantasies, hoping to see the script Harvey Weinstein mentioned as soon as possible and discuss the heroine.

In the past two years, her career has been too unsuccessful. The failure of "Van Helsing" was a tragic result. Not only did no one dare to use her as the heroine of a commercial production, but even the previously successful series of movies "Legend of the Night" was stopped by Shahai Entertainment.

If you can win a heavyweight award, even if you are nominated for a supporting actress, your career will turn around.

Although Harvey Weinstein had a bad reputation, Kate Beckinsale came to the hotel because Harvey Weinstein could indeed make a name for himself.

Besides, how many Hollywood producers have good reputations? Ronan Anderson Jerry Brookheimer?

There are a mess of rumors between the former and Anne Hathaway and Scarlett Johnson, and there are rumors everywhere in Hollywood.

The latter, she has played the heroine of "Pearl Harbor" and has personally verified...

But when I arrived at the hotel and left the elevator, Kate Beckinsale's fantasy was instantly shattered.

"Sorry, Harvey." Kate Beckinsale stood in front of a suite, looking at Harvey Weinstein who was swiping the card to open the door, and asked with doubt: "When we talk about work, shouldn't we go to the conference room or office?"

Harvey Weinstein opened the door and made a gesture of asking for help: "The script is here."

Kate Beckinsale hesitated for a moment, and finally walked into the room. Harvey Weinstein closed the door with a smile.

"Sit as you like." Harvey Weinstein loosened his tie: "Kate, wait for me for a while, I'll go change my clothes."

Kate Beckinsale reminded: "I'll go home later, it's better to be faster." She specifically emphasized: "Where is the script? Give me the script first."

Harvey Weinstein took the briefcase from the living room file cabinet, took out a copy of the script, handed it to Kate Beckinsale, and went straight into the bedroom without saying anything.

Kate Beckinsale quickly opened the script and sat on the sofa and started to read it.

But before the page was finished, the bedroom door opened from inside, and Harvey Weinstein walked out.

Kate Beckinsale looked up and then stunned.

Harvey Weinstein was wearing a bathrobe, and through the open gap of the bathrobe, you could see some eye-catching things.

At this moment, Kate Beckinsale felt that the food for lunch was pouring up.

Harvey Weinstein took a bottle of wine and two cups from the wine cabinet: "Let's have some wine, I'm tired today. Kate, I heard from Michael Sin that your massage technique is very good, and I'll help me with the massage later."

With a "click", the script in Kate Beckinsale's hand fell to the ground.

How could she not hear such an obvious hint?

Kate Beckinsale wants to escape immediately.

Harvey Weinstein said naked: "After today, this heroine is yours. I'm not afraid to tell you that this movie project will be the seed player for me to operate the Oscars in the future."

Kate Beckinsale, who was just about to stand up and say goodbye, sat firmly on the sofa, as if he had been imposed with a magic trick.

It was not the first time Kate Beckinsale had encountered such a thing for many years in Hollywood, so she calmed down and said, "Harvey, you are already married."

Many directors and producers are still very concerned about their family.

Harvey Weinstein suddenly laughed: "You don't have to worry about this. I have an agreement with Georgina. I can have a one-night stand with anyone when I go on a business trip."

Kate Beckinsale is in a dilemma.

A life-saving voice suddenly rang out, which was the ringtone of Harvey Weinstein's cell phone.

"What's the matter?" Harvey Weinstein connected his phone: "What? A British screenwriter and producer is looking for me? I have a new project in my hand. Do you think the subject matter is very good? Well... OK, let him wait for me in the hotel vestry for ten minutes."

Kate Beckinsale was relieved when he heard these words.

Harvey Weinstein went to the bedroom to change his clothes, and after coming out, he said, "Kate, take the script back first, think about it carefully, I will call you tomorrow."

Kate Beckinsale left the room like an escape, and until he entered the elevator, he found that his hands were holding the script firmly.

Will you answer the call from Harvey Weinstein tomorrow?

Harvey Weinstein went downstairs and met the British screenwriter and producer named Pitt Morgan in the hotel front hall. He carefully read the script given by the other party.

This is adapted from real events, involving many top figures in the UK. They caused a huge sensation around the world back then, and naturally have attractive value.

After the filming is done, it will not only make a sensation, but may also gain something at the Oscars.

Harvey Weinstein has been operating the movie for many years and has a clear judgment on the value of the script, but he is not in a hurry. Instead, he hangs Pete Morgan to facilitate subsequent price reduction.

Stamford Bridge Stadium, when Ronan was about to leave, the noisy stadium had gradually become quiet.

The Mercedes-Benz of the British branch of the Embassy Film Company was parked on the side of the road. Ronan had just opened the door for Anne Hathaway, and the bodyguards scattered around stopped a middle-aged man.

"What's going on?" Ronan noticed there.

Finch asked a few questions through the intercom and said, "A British producer wants to promote a movie project."

Ronan glanced over there and was a very strange face.

"Mr. Anderson." The accent that came was indeed like a British man: "Can you delay you for a few minutes?"

This is not a place to talk, Ronan said to Finch: "Let him follow us to the hotel."

In recent years, more and more people have come to Ronan to promote scripts and projects. As long as conditions allow, Ronan will basically chat with them for a while and read scripts.

After all, in this way, I have encountered commercially valuable movies or TV projects.

Twenty minutes later, Ronan met the British producer at the lobby of the hotel where he was staying.

Anne Hathaway has always been by Ronan's side, but apart from curious eyes, he doesn't interrupt.

The British man introduced himself: "Mr. Anderson, I am Andy Harris, a producer who has made a movie called Undercurrent before."

The producer is not pedantic and focused on: "The film is directed by Matthew Cassovez and starring Jean Renault and Vincent Casso."

Ronan has never heard of the director's name, but the two starring actors are quite famous in Europe. Needless to say, Jean Renault is not too cold, the killer who is not too cold.

French actor Vincent Casso is Monica Bellucci's husband.

Ronan asked without going around in circles, "Mr. Harris, talk about your project."

Andy Harris quickly took out the script, put it on the table, pushed it to Ronan, and said: "This is a script adapted by Peter Morgan and me based on real events, recording a major event that affected Britain and the world in 1997."

Ronan picked up the script and looked at the cover.

Anne Hathaway also cast a curious look. This is a very simple printing script. There is only one line of letters on the white cover - "the  .queen"!

Thinking of what Andy Harris just said, Anne Hathaway immediately had a relationship: Could it be the one in Buckingham Palace?

But in Ronan's hands, she couldn't see the actual content.

In 1997, what big things happened in the UK? It also affected the whole world?

Thinking of this, Anne Hathaway was shocked. If it was related to the Queen and Buckingham Palace, there was only one answer!

After reading only a few pages of the script, Ronan knew what the specific description was.

Anyone who pays a little attention to social current affairs should have heard of the serious car accident in which Diana died in Paris in 1997.

The script does not describe the car accident, but the reaction of Diana's ex-husband's family after the car accident.

Ronan looked up and looked at Andy Harris: "The subject you chose is very sensitive."

"There's a little bit," Andy Harris stressed: "but it's also something that the public cares about and has been exploring."

Ronan said bluntly: "It will be very troublesome to films involving politics."

The partner Andy Harris wants to find must have certain investment and production power, and also have strong issuance capabilities.

Therefore, the British company was directly passed by him.

After finally waiting for a suitable film company boss, how could Andy Harris give up easily?

"In fact, there will be no trouble," he said. "I just want to show the strong emotional exchanges between the individuals in the family of Diana's ex-husband within a week after his death. Mr. Anderson, you should have heard that Your Majesty is very concerned about privacy and never accepts interviews from any media. The people do not understand this queen they beloved, especially after the incident in 1997, and the alienation she showed is even more incomprehensible. It is very meaningful to restore His Majesty's life and troubles in this particular environment."

Ronan asked, “Do you know what happened at that time?”

Andy Harris considered it and did not choose to lie, but told some facts: "Because it involves many real royal characters, in order to strive for reality and not cause legal disputes, we cannot reproduce history as it is. But isn't the movie just artistic reprocessing based on certain facts?"

Ronan knew that such a movie that consumed dead people and the royal family might have a huge market, with both certain interests and concerns.

"If the project is done," he asked directly: "What should I do if the royal family puts pressure on the crew?"
Chapter completed!