After the staff of Wang Rui Comics Studio arrived, Li Zhongxin did not directly let these people start creating, but carried out short-term training. He wanted these people to have some preliminary understanding of comics, and also to let them understand that art

If they learn well and draw well, they will not necessarily have an advantage in comic character design and characterization, but they should also learn about brand new comic routines.

Li Zhongxin wrote all the knowledge and understanding he wanted to tell these people to Li Yongguo. He did not want to stand out in such a situation, nor did he want too many people to know that the entire Zhongxin Comics Studio belonged to him.

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Many times, Li Zhongxin has an idea. Although he is the founder of the comic studio and the actual owner of Zhongxin Comic Studio, if the comic business becomes bigger and stronger in the future, he will only leave most of them behind.

Equity only enjoys the right to pay dividends and has no management rights. Everything should be managed and handled by professionals.

He was an art teacher before his rebirth, and when he was thirty years old, he had lost his interest in the art career. In this life, his goal is the stars and the sea. He has extremely lofty goals and ideals, not to mention that he will not put most of the

He devotes all his energy to managing this business, so at this time, he will grandly launch Li Yongguo and Wang Rui.

Li Yongguo stood in the newly expanded comic studio. He first gave a brief introduction to Zhongxin Comic Studio, and then went straight to the topic and told the people below that he would explain comics to them in the next few days.

Some elements, and some essentials when creating.

When Li Yongguo saw the people below sitting down, he pointed his pointer at the two sketch-like cartoon heads hanging on the blackboard and said: "Although cartoons can be exaggerated, they cannot be infinitely exaggerated and can only be based on real things.

Above, so when we draw characters, it is necessary to first observe real people.

Under normal circumstances, the overall frontal shape of a human face is like a duck egg. The distances from the hairline to the eyebrows, the eyebrows to the tip of the nose, and the tip of the nose to the chin are roughly equal. The width of the face is four to five eye lengths. When the head is looking straight, the ears are

The upper edge is slightly lower than the extension line of the eyebrows, and the lower edge reaches the tip of the nose (of course, this is just an average situation. People's ears may be big or small, and their faces may be long or short, so it is impossible to always meet the standard). Generally, cartoons exaggerate more about people.

The face and other parts are not exaggerated much.

Let’s look at photos of real people. Generally speaking, men have higher brow bones, flat foreheads, square skulls, and rough lines. Their faces are generally longer than women’s, their eyebrows are thicker and thicker, and their nose lines are closer to straight lines.

They are wider than women, and their necks are thicker than women's; women's skulls are smaller, the lines are softer, their faces and noses are rounded, their foreheads are round, their brows are not protruding, their chins are generally slightly more pointed than men's, their skin is whiter, and their eyelashes are longer.

Since men's skulls are larger than women's and their eyeballs are the same size, it gives the impression that women's eyes are larger than men's, which is exaggerated in comics.

In comics, the image of a girl has big eyes, a round face, a small upturned nose, and a small mouth, which are exaggerated from reality. Male eyebrows are generally drawn as sword eyebrows, which are closer to the eyes.

This can make your eyes look heroic.

The drawing method of the profile head still follows the vertical thirds.

A woman’s rounded forehead, the smooth connection between the forehead and the bridge of the nose, the flat brow bone, and the slender neck;

Male lines can be outlined with straight lines, a flat forehead, prominent brow bones, thick eyebrows, a thick neck, a straight bridge of the nose, and a sharply curved jaw.

Eyes are the windows to the soul and can express a person's inner world, so drawing eyes well is a very important step. Let's first observe the real eyes: the eyeballs are spherical, with whites, iris and pupils. The colors deepen in sequence, and the pupils often have come from

Side reflection shows the brightness and radiance of the eyes. Therefore, if we want to draw a stunned or numb expression, we often remove that bit of reflection, causing the eyes to lose their brilliance and the whole person's look.

Then let's look at the set of eyes below. This set of eyes...

If you want to express various expressions of characters, it is very important to master their drawing methods to draw the story. The expressions in comics have usually been symbolized and become universal symbols. Some very exaggerated expressions are easy to remember as long as they are remembered.

It can express the character's emotions.

But sometimes the characters' hearts are very complex, and exaggerated emoticons may not be appropriate at this time. Therefore, in daily life or when watching movies and TV shows, you should pay attention to the subtle changes in people's expressions, so that you can reach a higher level.

Just like what we often say about acting actors, to show their skills, they often need to see their grasp of complex hearts, and the same is true for comics."

Li Yongguo stood in front of the podium and talked eloquently, as if at this moment he had become a comics lecturer and had a more general atmosphere.

However, Li Yongguo knew in his heart that most of the knowledge he was telling now came from Li Zhongxin's discussions with him and the understanding of comics that Li Zhongxin explained to him.

After Li Yongguo finished talking about the most critical knowledge about the head and eyes of comic characters, he went on to explain in detail the various mouth shapes and nose types of comic characters, the difference between men's hands and women's hands, and other related knowledge.

Drawing comics is not an easy task, and it does not mean that someone who has studied art and has a solid foundation can create a very good character casually.

Especially in the 1980s, most people had not been exposed to this new type of comics. In their eyes, they were still stuck on the painting style of the 1960s and 1970s.

If they want to create more and better works, they must train these people for a period of time. Only after these people can meet their standards will Li Yongguo let these people officially start drawing comics and making cartoons.

As for the "cool", "burning" and "pleasure" in comic creation, these people cannot learn it overnight. Only by constantly exploring comics in the future can they truly grasp the essence of comics.

Li Yongguo borrowed a sentence from Li Zhongxin, that is, everything is possible. If you don't do it and don't explore it, there will be no possibility.

After Li Yongguo explained some factors that need to be mastered in comic creation, Wang Rui immediately stepped onto the podium.

The people sitting below, except for Yuan Fenqi and Xia Qing, who belong to Li Yongguo's comic room, the rest of them are under Wang Rui's management.

Li Yongguo gave some talks about the creation of the comics. After Wang Rui came on stage, he explained to them the details of the comics, the expression of the characters, and the details of the dialogues of the characters in the comics that Li Zhongxin had explained to them one by one.

Finally, Wang Rui told about Li Zhongxin's plan to create a new comic "Football King".

Wang Rui made this very clear when he talked about it. The comic creation of "Football King" will be divided into two parts. One part is responsible for creating domestic "Football King" comics, and the other part is responsible for creating RB

Comic "Football King".

As for those who are separated to make cartoons, they should use the comic "Soccer King" as a template for the first cartoon to analyze and create. If a high-quality animated series "Soccer King" can be created, Zhongxin Comics Studio will

Consider putting this on the screen.

If the quality of the produced cartoons does not meet the requirements, then wait for the next opportunity to create a cartoon suitable for you.

In short, when we arrive at the Zhongxin Comics Studio in Jiangcheng, everyone must get active and work hard to create, and contribute to the future development of China's comics and animation industry.

At the end, Wang Rui shared some of Li Zhongxin's ideas. Wang Rui told the following people that if they worked hard for a year in 1983, they would have the opportunity to start building high-rise buildings at the end of 1983.

A large base belonging to their Zhongxin Comics Studio.
Chapter completed!