Chapter 263 The production process of the explosion map
The presentation of the explosion diagram is one of Lin's most proud achievements in recent times. It benefits from the simulated changes in drawing star maps and constantly changing basic observation points in order to find the starry sky belonging to the earth. For stars, that is, the relative positions between light points,
Lin has studied to the extreme.
How to move the star map while keeping the distance between all light points unchanged. If the observation parameters are changed, how will the overall star map change? And most importantly, when the stars are moving, how are they related to each other?
How will the distance change? In other words, Lin's star map is not a static model, but a real universe simulation map that can look back on the past and predict the future star positions.
This achievement has been Lin's most important project for a long time. Even the unfinished magic tower in the dream, the magic formations and programs depicted on the first floor, the main work is also this aspect of calculations, even his own
It is still being improved to this day.
The benefits brought by these studies are also quite obvious. Just like the unfolding of the explosion picture in front of you, if Fen is a lich, a genius from thousands of years ago, a master whose talent and magic level completely overwhelms someone, with
Lin made it himself, so there will be slight errors in details.
After verification through various methods, it has been proved that the three-dimensional perspective explosion diagram presented by Lin using whiteboard penmanship is the closest to the original drawing design. Even the explosion diagram presented by He Fen has only a few lines (0.01mm) of error.
, but a certain Lich tried hard to find out where this error came from. In the end, it can only be blamed on the metaphysics of programming, which cannot be explained.
Precisely because what was being done now was very important, and a certain Lich did not want to bring a bomb that could explode at any time, so everything was required to be perfect. The work of developing the explosion map also fell on Lin.
Not bothering to look at someone's triumphant expression, Fen took off a small part from the explosion diagram and threw it in front of Lin's eyes. At the same time, he took out an inconspicuous stone from the pile of materials, put it into the crucible, and said: "This
It’s a star stone. When it is calcined until it emits blue flames, it can be shaped into that part.”
At the same time, Fen also took a large metal ingot, put it on the metallurgical furnace, and heated it directly. The removed part diagram was used to make the base of the part Lin was making. She took a look at the general appearance and
Pushing the parts diagram to Halumi, he said to the girl: "Get ready, girl, you have to carve such a formation later before it is completely cooled and hardened."
"Okay, sister-sama."
When the masters are shaping magic materials, there is no such thing as perfecting. Everything is cracked by magic. Most of the time is spent adjusting the shape into a suitable shape.
If there are multiple parts to be assembled, it will be troublesome. You have to match, fit and carve them one by one, and finally they can fit together tightly.
If multiple people cooperate, it will be another disaster. How to combine the things made by everyone is a problem that still cannot be solved. Therefore, the way the magicians of Lost Land cooperate in making items,
Usually each person makes an independent part alone, and the combination of each other is a part that does not involve precision.
This also means that only large-scale artifacts, such as airships and magic towers, can be completed by the cooperation of multiple magicians; if they are small components or props, most of them are completed independently.
But what is now presented to Great Magician Evers and others is a production process that subverts their perceptions.
The explosion diagram at the beginning shocked them. Such diagrams are very intuitive, allowing people to understand at a glance what the finished thing should look like.
Although they did not understand the dimensions and descriptions floating next to the part design drawings, they saw that the devil and the man put the completed parts into the three-dimensional part composition several times for comparison.
It is clear at a glance which side is convex and which side is shorter. Of course, the correction is also quite fast.
The carving of runes and magic circles was done in one go like flowing water under the hands of the blonde girl. And this is the difference between Harumi and Kaya.
If you use a ruler and draw in a regular manner, Kaya can make precise geometric figures.
But if it were purely based on the feeling of the brush strokes, drawing every line and every turn in one breath, the effect of the magic props made by Halumi would be the best among the four, not even the Lich could compare to it.
This is yet another unexplainable mystery.
Although the difference between good and bad is very small. If you use it by feel, you can say that there is almost no feeling. But when you use instruments to measure, there will be a slight difference.
However, the girl is limited by the accumulation of her power, and she does not have the ability to draw all the magic circles and runes completely. Except for a few that are required to be completed in one go, most of the array patterns are drawn by Hallumi and made by Fen.
The final stroke of outline. Someone jokingly called this move the finishing touch.
The girl with black hair and brown skin just watched from the sidelines at first. But every time a part was completed, it would be placed in front of her, in the center of the animal skin magic circle. At this time, she would pick up the thin
The needles of the thread are connected to both ends of the part. The other end of the thread is tied to the piece of animal skin.
At this time, the eight magic stones arranged next to it will light up in sequence, and at the same time, various feedbacks will enter the first coffin. After sorting, they will become information that people can read, and will be displayed on the water mirror screen in front of the girl. Listen from time to time
She reported: "The input is 1 mana, the output is 0.7 mana, the temperature is increased by 0.04 degrees, the vibration frequency is 21 MHz, and the ratio of the eight powers is close to the sixth mode. The overflow and loss ratio is estimated to be 27%."
Or: "Input 1 mana, output 0.3 mana, the temperature rises 0.5 degrees, the vibration frequency is 6 Hz, the proportion of the eight powers is unknown. The overflow and loss ratio is estimated to be 66%."
"There's a lot of overflow." If there was a problem with the data he heard, Fen would come to Kaya's side and look at the more detailed numbers. Sometimes he would point to the data on the screen and say, "Girl, this is
Can the edges be adjusted?" Sometimes the material is thrown directly back into the furnace.
At this time, he might stand in front of the blond girl with his hands on his hips and say: "Girl, turn the rune upside down and read it carefully." Sometimes he would hold a man's ear and say fiercely: "There are no components."
I followed the drawing exactly. Not only is there a difference in thickness in the center, but it's also very uneven. Who are you trying to kill by doing this? Do you really want those tentacles to break through this mask and move in and out of your body?
?”
"I'm sorry, I was wrong." The crying man held a piece of bowl-shaped armor with a subtle arc and put it back on the metallurgical furnace for reprocessing.
By the way, although magic shaping can directly change the appearance of magic materials, some relatively 'hard' magic materials require a considerable amount of power to change their appearance. At this time, if heated to a certain
At a lower temperature, the same work can be completed more easily. In addition, impurities can be effectively eliminated by smelting, which is something that plastic surgery cannot do.
But more often than not, it is the devil who stands in front of the perspective structure of the solid parts and the exploded parts, constantly calculating the changes that may occur after the various data are combined.
Sometimes even if the test is passed, it will be returned and required to be redone because the overall linkage does not meet the calculation requirements. The design drawings may even be changed on the spot.
In the dumbfounded eyes of the onlookers, parts with complex structures were produced piece by piece. According to their respective experiences, in order to make such complicated things, workmanship and precision must be taken into consideration. Within a few months, even
It can't be done in a few years.
But in just one afternoon, they were able to produce a quantity that they might not have been able to produce even if they spent several years. This is not surprising.
Whenever a part is completed, it will be displayed not far away on the table that is not in use. Scattered exploded pictures will also push the completed parts aside to avoid confusion between made and unmade parts.
When the displayed parts filled a large table, the great magicians who were watching consciously acted as coolies and pulled up another long table. Because there were still unfinished parts of the three-dimensional perspective explosion picture.
member.
However, it was the first experience for Master and Disciple Lin to be so focused on making something. They used the explosion diagram and the head coffin to operate various power detection functions that were only used in the Great Sage's Tower era.
This is also the first time for me to make an artifact.
So much so that they didn't even realize they were going to eat dinner. Their minds were filled with the data on the design drawings and how to use their own techniques to make the things they produced perfectly match the perspective drawings.
Originally, Lin thought it was like the cartoon-pattern coloring block game he played as a child, where he just used a colored pen to fill a space with color. But after actually doing it, he realized that it was not the same thing at all. It is a two-dimensional space.
Filling in the blanks is very different from filling in the blanks in three-dimensional space.
Not to mention anything else, there have been several errors in the thickness of forged parts alone. And don’t underestimate the problem of unevenness. Under Kaja’s inspection, uneven components are better than uniform thickness.
The components have worse performance in terms of energy loss and vibration frequency.
In particular, the vibration frequency can be said to be the part that Fen pays the most attention to this time. In other words, many magic crafts have been handed down after a large number of trials and errors and elimination experiments to obtain the best ratios. In this way
This approach has caused MIDI to ignore and study in depth a physical phenomenon for a long time, that is waves.
Why do the same materials, the same structure, but different lengths and widths have different magical effects? The magicians of Midland never think about such questions. Instead, they come up with the best solution through the accumulation of a lot of trial and error experience.
answer.
In fact, if someone looks at the development of this world from a critical perspective, such deformity is understandable. Back on Earth, soldiers and warriors were thinking about how to kill people more efficiently, and how to kill people with beatings.
Rifles that are farther away, cannons with larger calibers, planes that fly higher, missiles with longer ranges. They won't think about other things.
However, it was never this group of warriors that drove the history of military weapons reform. The invention of gunpowder was an accidental product of Taoist priests' alchemy. The original form of the chariot before it was equipped with cannons was nothing more than an agricultural tractor. The Manhattan Project,
It was completed by a group of mathematicians and physicists who love peace and pursue clean energy.
Although the magicians of Lost Land consider themselves seekers of knowledge, when faced with threats from the external environment, their first consideration is how to protect themselves from warcraft and wars with other races, rather than asking why.