"The Eighty-eight Immortal Scrolls, under the operation of heavenly principles, were crushed into pieces and disappeared!" Ji Xingzhou was filled with regret and could not suppress his emotions.
Compared to him, Su Wu was calm and composed. He laid out the rice paper on the iron table in the thatched cottage to form a long scroll, then picked up the brush on the corner of the table and stroked it on the rice paper.
Ji Xingzhou watched Su Wu's brush strokes fly like flying clouds and flowing water, and he had to suppress his emotions to see what Su Wu was painting - his eyes fell on Su Wu's brushstrokes, and after a moment he discovered that what Su Wu was painting was exactly those eight Seventeen Immortals Volume'!
As time flies, the eighty-seven gods all appear on the paper.
Their spirituality is burning and not even half damaged!
This situation made Ji Xingzhou feel that the scene he saw of Tianli crushing eighty-seven imitated gods seemed to be an illusion!
But how can there be such a real illusion?
Ji Xingzhou looked at the eighty-seven gods with blazing spirituality, and thought that Su Wu had previously launched the Xuanhuang Edict, which seemed to have absorbed something from the eighty-seven gods. He said thoughtfully: "The 'Xuanbian' Immortal', has it been listed above the laws and decrees?"
There are eighty-seven immortals in the painting, and their spiritual condensation is the same as before.
In addition, there is a faint hint of dark and yellow charm lingering on them, which is secretly related to Su Wu's yellow heaven decree.
Su Wu put down his pen, looked down at the long picture scroll on the desk, and said: "The Eighty-eight Immortals Scroll was originally an ink painting as famous as the 'Hell in Disguise Picture'.
However, the Hell in Disguise came from behind and surpassed the "Eighty-eight Immortals Scroll".
I originally thought that the reason why this scroll of Eighty-Seven Immortals became famous in the Tang Dynasty was because Wu Daozi had a magnificent imagination. He first put his imagination into writing and sketched out the eighty-seven gods in his heart. However, compared to his "Hell" In terms of disguised pictures, there are actually not as many as the latter.
Wu Daozi, who painted the disguised picture of hell, was more skilled in painting, and his understanding of painting surpassed that of the ancients. This painting was made by Wu Daozi during his peak period, so it should naturally be his most peak work.
But now that I have seen this "Eighty-Eight Immortals Scroll" with my own eyes, I know that this painting was not as well regarded as the "Hell in Disguise" on Dongliu Island in later generations. This is because the "Xuanbian Immortals" in the painting were captured by heaven. This is the finishing touch. The pen was taken away by heaven, and eighty-eight became eighty-seven, but it was inferior to the disguised picture of hell.
Fortunately, we have succeeded in retaining the ‘immortal of metamorphosis’.
Wu Daozi is just a mortal painter with great talent. How can a painting that contains his thoughts and spirituality be used by people and finally be able to compete with the ghost king, Tiangui?
When we were first ordinary people, we were so weak. How could we resist terror and face disasters in the end?
Why can the way of humanity compete with the way of heaven?
Was everything doomed from the very beginning? Did the princes and generals agree with each other?
it's not true.
All kinds of growth are indispensable without the participation of ‘variables’.
Only by striving for change can innovation be achieved.
But nowadays, the old days don’t want to see the emergence of ‘variables’.”
Su Wu looked at Ji Xingzhou and continued: "I told you before that although the creation of Shengren Jia still requires the help of the charm of the old heaven at the beginning, as many craftsmen have deepened their study of Yili, they have understood the 'Heavenly Principle' The deeper it goes, the creation of this human being will eventually have to break away from the present world.
Otherwise, what is the difference between the armor we make today and the armor created by the Tang people in real history? If we can't even walk out of the shadow of our predecessors, how can we talk about taking the road of innovation?
Now, changes have occurred.
The shadow of the past will still affect the present, but we are no longer within the scope of the shadow of the past."
"Just because the 'variable' copied by Wu Daozi was not taken away by heaven, but was taken away by your decree?" Ji Xingzhou said in surprise.
"Exactly."
Su Wu nodded.
Huang Tian's decree suddenly unfolded behind him. The so-called "Xianbian Immortal" did not appear on the decree, but the aura of the entire Huang Tian decree at this time was flickering, making Ji Xingzhou feel unpredictable and unable to The feeling of measurement.
“For example, there is someone who has a fortune of hundreds of millions, and there is someone who is penniless.
However, under the changes, the two can still fight against each other and compete. The so-called wealthy people with tens of millions of dollars may lose their entire fortune and even lose their lives due to the occurrence of these variables, while those who are penniless may also take advantage of the opportunity. Soaring upwards, becoming famous.
Naturally, under variables, there may be another opposite result.
No matter what, everything is equal under the variables.
The earth-shaking began here." Su Wu's eyes burned brightly, "Since then, the craftsmen of the Shengong Bureau have created the clothes worn by the 'Thirty-two Heavenly Dings' and the 'Seventeen Female Officials' in the 'Eighty-eight Immortals Scroll' Armor is the first goal. From then on, you can gradually refine the armor of the 'Eighteen Divine Generals' to wear, up to the 'Five Elements Boy's Armor', then to the 'Immortal Lord's Armor', and 'The Armor of All Saints', depending on the difficulty.
Under variables, the various armor levels covered by this Eighty-Eight Immortals Scroll are not constant, nor will their power diminish as more copies are made.
Which level of human armor can be refined depends entirely on Han Gui Gong's personal efforts, talent, and the materials used for the armor, etc.
In this way, the Hangui craftsman who refines the armor of the Five Holy Places such as the 'Donghua Heavenly Emperor', the 'Antarctic Heavenly Emperor', and the 'Fusang Great Emperor' is called the 'Hangui Grandmaster'.
The ghost craftsmen who refine the clothes and armor worn by the seven immortal kings such as the "Fire Virtue Immortal Lord" and the "Red Bright Immortal Lord" are called "everyone".
The ghost craftsmen who refine the clothes and armor worn by the Five Elements Boys such as the ‘Golden Light and Bixia Boy’, ‘Haiyun Xuanyin Boy’ and so on are called ‘Great Craftsmen’…”
According to the levels of immortals in the Eighty-Eight Immortals Volume, Su Wu divided Hangui craftsmen into five levels from low to high for the purpose of refining the armors worn by gods and spirits, namely, 'Hangui Master', 'Everyone', and 'Great Craftsman'. ','craftsman','craftsman'.
The charm remains in the Eighty-eight Immortal Volumes. Due to the existence of this 'immortal of metamorphosis', it can be constantly renewed like running water. The craftsman understands that the charm of the painting inside is used to create a human armor, and it will not be like creating a 'shuang'. Refining armor is like creating human armor. The more human armor is created, the more levels it can contain to restrain Li Wei.
As Su Wu said, what level of human armor can be created with the 'Eighty-eight Immortal Scrolls' depends entirely on the efforts and talent of the craftsman. As for the quality of the materials used at that time, the higher the talent, the more effort will be required. , the higher the level of the created human being will naturally be!
And the so-called 'talent' can actually be said to be a 'flash of inspiration' or a 'change of events'.
Ji Xingzhou nodded, wrote down what Su Wu explained at the moment, and then said: "On top of the Five Saints, there are the 'three saints' of the Queen Mother of the West, Guanyin Bodhisattva, and Taishang Laojun.
These three charms..."
Now he is not sure about the charm of these three imitation paintings.
Su Wu smiled and said: "Just like you and I have discussed before, we will work together to create the armor for these 'three statues'. Later, if the craftsman can create the armor of the three statues, it can be called a 'magic work'."